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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 132 120 it is the complementary color RGB 128 123 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 132 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 127 132 120: RGB 132 132 115, RGB 149 150 134, RGB 166 168 153, RGB 183 186 172 and RGB 200 204 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 132 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 127 132 120: RGB 127 132 120, RGB 110 114 101, RGB 93 96 82, RGB 76 78 63 and RGB 59 60 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 9 / 48

HEX #7F8478

RGB 127 132 120

HSL 85, 0.05%, 0.49%

LAB 54.42, -4.19, 5.83

 

Complementary color

CMYK 5 / 9 / 0 / 47

HEX #807B87

RGB 128 123 135

HSL 265, 0.05%, 0.51%

LAB 52.4, 4.32, -5.84

 

CMYK 0 / 0 / 13 / 48

HEX #848473

RGB 132 132 115

HSL 60, 0.07%, 0.48%

LAB 54.71, -3.16, 9.19

 

CMYK 1 / 0 / 11 / 41

HEX #959686

RGB 149 150 134

HSL 63.75, 0.07%, 0.56%

LAB 61.59, -3.32, 8.32

 

CMYK 1 / 0 / 9 / 34

HEX #A6A899

RGB 166 168 153

HSL 68, 0.08%, 0.63%

LAB 68.32, -3.46, 7.5

 

CMYK 2 / 0 / 8 / 27

HEX #B7BAAC

RGB 183 186 172

HSL 72.86, 0.09%, 0.7%

LAB 74.93, -3.58, 6.72

 

CMYK 2 / 0 / 6 / 20

HEX #C8CCBF

RGB 200 204 191

HSL 78.46, 0.11%, 0.77%

LAB 81.42, -3.7, 5.99

 

CMYK 4 / 0 / 9 / 48

HEX #7F8478

RGB 127 132 120

HSL 85, 0.05%, 0.49%

LAB 54.42, -4.19, 5.83

 

CMYK 4 / 0 / 11 / 55

HEX #6E7265

RGB 110 114 101

HSL 78.46, 0.06%, 0.42%

LAB 47.35, -4.09, 6.68

 

CMYK 3 / 0 / 15 / 62

HEX #5D6052

RGB 93 96 82

HSL 72.86, 0.08%, 0.35%

LAB 40.08, -3.98, 7.6

 

CMYK 3 / 0 / 19 / 69

HEX #4C4E3F

RGB 76 78 63

HSL 68, 0.11%, 0.28%

LAB 32.58, -3.85, 8.62

 

CMYK 2 / 0 / 27 / 76

HEX #3B3C2C

RGB 59 60 44

HSL 63.75, 0.15%, 0.2%

LAB 24.78, -3.68, 9.78

 

CMYK 4 / 0 / 9 / 48

HEX #7F8478

RGB 127 132 120

HSL 85, 0.05%, 0.49%

LAB 54.42, -4.19, 5.83

 

CMYK 6 / 0 / 10 / 49

HEX #7B8376

RGB 123 131 118

HSL 96.92, 0.05%, 0.49%

LAB 53.76, -5.53, 6.01

 

CMYK 8 / 0 / 10 / 49

HEX #798376

RGB 121 131 118

HSL 106.15, 0.05%, 0.49%

LAB 53.61, -6.29, 5.77

 

CMYK 9 / 0 / 10 / 49

HEX #778376

RGB 119 131 118

HSL 115.38, 0.05%, 0.49%

LAB 53.45, -7.04, 5.53

 

CMYK 10 / 0 / 9 / 49

HEX #768377

RGB 118 131 119

HSL 124.62, 0.05%, 0.49%

LAB 53.4, -7.22, 4.86

 

CMYK 4 / 0 / 9 / 48

HEX #7F8478

RGB 127 132 120

HSL 85, 0.05%, 0.49%

LAB 54.42, -4.19, 5.83

 

CMYK 4 / 0 / 9 / 28

HEX #B0B7A6

RGB 176 183 166

HSL 84.71, 0.11%, 0.68%

LAB 73.45, -5.56, 7.8

 

CMYK 4 / 0 / 9 / 8

HEX #E1EAD5

RGB 225 234 213

HSL 85.71, 0.33%, 0.88%

LAB 91.53, -6.68, 9.16

 

CMYK 3 / 0 / 10 / 88

HEX #1D1E1B

RGB 29 30 27

HSL 80, 0.05%, 0.11%

LAB 11.06, -1.21, 1.89

 

CMYK 4 / 0 / 9 / 68

HEX #4E514A

RGB 78 81 74

HSL 85.71, 0.05%, 0.3%

LAB 33.98, -2.7, 3.69

 

CMYK 4 / 0 / 9 / 48

HEX #7F8478

RGB 127 132 120

HSL 85, 0.05%, 0.49%

LAB 54.42, -4.19, 5.83

 

CMYK 10 / 0 / 4 / 49

HEX #76837E

RGB 118 131 126

HSL 156.92, 0.05%, 0.49%

LAB 53.59, -5.8, 1.07

 

CMYK 0 / 10 / 1 / 49

HEX #837682

RGB 131 118 130

HSL 304.62, 0.05%, 0.49%

LAB 51.14, 7.32, -4.74

 

CMYK 4 / 0 / 9 / 48

HEX #7F8478

RGB 127 132 120

HSL 85, 0.05%, 0.49%

LAB 54.42, -4.19, 5.83

 

CMYK 10 / 5 / 0 / 49

HEX #767D83

RGB 118 125 131

HSL 207.69, 0.05%, 0.49%

LAB 52.01, -1.32, -4.16

 

CMYK 0 / 10 / 5 / 49

HEX #83767D

RGB 131 118 125

HSL 327.69, 0.05%, 0.49%

LAB 50.99, 6.33, -2.01

 

CMYK 4 / 0 / 9 / 48

HEX #7F8478

RGB 127 132 120

HSL 85, 0.05%, 0.49%

LAB 54.42, -4.19, 5.83

 

CMYK 10 / 0 / 4 / 49

HEX #76837E

RGB 118 131 126

HSL 156.92, 0.05%, 0.49%

LAB 53.59, -5.8, 1.07

 

CMYK 6 / 10 / 0 / 49

HEX #7B7683

RGB 123 118 131

HSL 263.08, 0.05%, 0.49%

LAB 50.46, 4.57, -6.42

 

CMYK 0 / 10 / 6 / 49

HEX #83767B

RGB 131 118 123

HSL 336.92, 0.05%, 0.49%

LAB 50.93, 5.95, -0.92

 

CMYK 4 / 0 / 9 / 48

HEX #7F8478

RGB 127 132 120

HSL 85, 0.05%, 0.49%

LAB 54.42, -4.19, 5.83

 

CMYK 10 / 0 / 1 / 49

HEX #768382

RGB 118 131 130

HSL 175.38, 0.05%, 0.49%

LAB 53.7, -4.96, -1.09

 

CMYK 6 / 10 / 0 / 49

HEX #7B7683

RGB 123 118 131

HSL 263.08, 0.05%, 0.49%

LAB 50.46, 4.57, -6.42

 

CMYK 0 / 10 / 9 / 49

HEX #837677

RGB 131 118 119

HSL 355.38, 0.05%, 0.49%

LAB 50.82, 5.2, 1.27

 

Description

Color code: RGB 127 132 120 | qconv.com Color code: RGB 127 132 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 132 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 132 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 9 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 9% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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