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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 107 83 it is the complementary color RGB 128 148 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 107 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 127 107 83: RGB 132 107 78, RGB 149 125 97, RGB 166 143 116, RGB 183 161 135 and RGB 200 179 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 107 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 127 107 83: RGB 127 107 83, RGB 110 89 64, RGB 93 71 45, RGB 76 53 26 and RGB 59 35 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 35 / 50

HEX #7F6B53

RGB 127 107 83

HSL 32.73, 0.21%, 0.41%

LAB 46.51, 4.13, 16.41

 

Complementary color

CMYK 26 / 14 / 0 / 33

HEX #8094AC

RGB 128 148 172

HSL 212.73, 0.21%, 0.59%

LAB 60.56, -1.56, -14.92

 

CMYK 0 / 19 / 41 / 48

HEX #846B4E

RGB 132 107 78

HSL 32.22, 0.26%, 0.41%

LAB 46.94, 5.65, 19.99

 

CMYK 0 / 16 / 35 / 42

HEX #957D61

RGB 149 125 97

HSL 32.31, 0.21%, 0.48%

LAB 53.94, 4.99, 18.72

 

CMYK 0 / 14 / 30 / 35

HEX #A68F74

RGB 166 143 116

HSL 32.4, 0.22%, 0.55%

LAB 60.79, 4.44, 17.57

 

CMYK 0 / 12 / 26 / 28

HEX #B7A187

RGB 183 161 135

HSL 32.5, 0.25%, 0.62%

LAB 67.51, 3.98, 16.5

 

CMYK 0 / 11 / 23 / 22

HEX #C8B39A

RGB 200 179 154

HSL 32.61, 0.29%, 0.69%

LAB 74.1, 3.57, 15.52

 

CMYK 0 / 16 / 35 / 50

HEX #7F6B53

RGB 127 107 83

HSL 32.73, 0.21%, 0.41%

LAB 46.51, 4.13, 16.41

 

CMYK 0 / 19 / 42 / 57

HEX #6E5940

RGB 110 89 64

HSL 32.61, 0.26%, 0.34%

LAB 39.29, 4.8, 17.71

 

CMYK 0 / 24 / 52 / 64

HEX #5D472D

RGB 93 71 45

HSL 32.5, 0.35%, 0.27%

LAB 31.86, 5.67, 19.19

 

CMYK 0 / 30 / 66 / 70

HEX #4C351A

RGB 76 53 26

HSL 32.4, 0.49%, 0.2%

LAB 24.18, 6.86, 20.86

 

CMYK 0 / 41 / 88 / 77

HEX #3B2307

RGB 59 35 7

HSL 32.31, 0.79%, 0.13%

LAB 16.24, 8.59, 21.04

 

CMYK 0 / 16 / 35 / 50

HEX #7F6B53

RGB 127 107 83

HSL 32.73, 0.21%, 0.41%

LAB 46.51, 4.13, 16.41

 

CMYK 0 / 10 / 35 / 51

HEX #7E7152

RGB 126 113 82

HSL 42.27, 0.21%, 0.41%

LAB 48.08, 0.07, 19.08

 

CMYK 0 / 5 / 35 / 51

HEX #7E7852

RGB 126 120 82

HSL 51.82, 0.21%, 0.41%

LAB 50.07, -3.94, 21.73

 

CMYK 1 / 0 / 35 / 51

HEX #7D7E52

RGB 125 126 82

HSL 61.36, 0.21%, 0.41%

LAB 51.71, -7.74, 23.87

 

CMYK 7 / 0 / 35 / 51

HEX #757E52

RGB 117 126 82

HSL 72.27, 0.21%, 0.41%

LAB 51.05, -11.11, 22.88

 

CMYK 0 / 16 / 35 / 50

HEX #7F6B53

RGB 127 107 83

HSL 32.73, 0.21%, 0.41%

LAB 46.51, 4.13, 16.41

 

CMYK 0 / 16 / 35 / 30

HEX #B29674

RGB 178 150 116

HSL 32.9, 0.29%, 0.58%

LAB 63.79, 5.44, 21.83

 

CMYK 0 / 16 / 34 / 10

HEX #E5C196

RGB 229 193 150

HSL 32.66, 0.6%, 0.74%

LAB 80.18, 6.8, 26.44

 

CMYK 0 / 16 / 36 / 90

HEX #191510

RGB 25 21 16

HSL 33.33, 0.22%, 0.08%

LAB 7.05, 0.85, 3.56

 

CMYK 0 / 16 / 34 / 70

HEX #4C4032

RGB 76 64 50

HSL 32.31, 0.21%, 0.25%

LAB 27.94, 2.71, 10.49

 

CMYK 0 / 16 / 35 / 50

HEX #7F6B53

RGB 127 107 83

HSL 32.73, 0.21%, 0.41%

LAB 46.51, 4.13, 16.41

 

CMYK 25 / 0 / 35 / 51

HEX #5E7E52

RGB 94 126 82

HSL 103.64, 0.21%, 0.41%

LAB 49.39, -20.32, 20.38

 

CMYK 30 / 35 / 0 / 51

HEX #58527E

RGB 88 82 126

HSL 248.18, 0.21%, 0.41%

LAB 37.14, 13.17, -23.97

 

CMYK 0 / 16 / 35 / 50

HEX #7F6B53

RGB 127 107 83

HSL 32.73, 0.21%, 0.41%

LAB 46.51, 4.13, 16.41

 

CMYK 35 / 0 / 16 / 51

HEX #527E6A

RGB 82 126 106

HSL 152.73, 0.21%, 0.41%

LAB 49.2, -19.88, 6.11

 

CMYK 16 / 35 / 0 / 51

HEX #6A527E

RGB 106 82 126

HSL 272.73, 0.21%, 0.41%

LAB 38.91, 19.13, -21.1

 

CMYK 0 / 16 / 35 / 50

HEX #7F6B53

RGB 127 107 83

HSL 32.73, 0.21%, 0.41%

LAB 46.51, 4.13, 16.41

 

CMYK 25 / 0 / 35 / 51

HEX #5E7E52

RGB 94 126 82

HSL 103.64, 0.21%, 0.41%

LAB 49.39, -20.32, 20.38

 

CMYK 35 / 18 / 0 / 51

HEX #52677E

RGB 82 103 126

HSL 211.36, 0.21%, 0.41%

LAB 42.76, -1.8, -15.34

 

CMYK 10 / 35 / 0 / 51

HEX #72527E

RGB 114 82 126

HSL 283.64, 0.21%, 0.41%

LAB 39.78, 21.88, -19.68

 

CMYK 0 / 16 / 35 / 50

HEX #7F6B53

RGB 127 107 83

HSL 32.73, 0.21%, 0.41%

LAB 46.51, 4.13, 16.41

 

CMYK 35 / 0 / 33 / 51

HEX #527E54

RGB 82 126 84

HSL 122.73, 0.21%, 0.41%

LAB 48.71, -24.36, 18.2

 

CMYK 35 / 18 / 0 / 51

HEX #52677E

RGB 82 103 126

HSL 211.36, 0.21%, 0.41%

LAB 42.76, -1.8, -15.34

 

CMYK 0 / 35 / 1 / 51

HEX #7E527D

RGB 126 82 125

HSL 301.36, 0.21%, 0.41%

LAB 41.14, 25.84, -16.86

 

Description

Color code: RGB 127 107 83 | qconv.com Color code: RGB 127 107 83 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 107 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 107 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 35 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 35% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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