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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 9 8 it is the complementary color RGB 129 246 247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 9 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 126 9 8: RGB 131 9 3, RGB 148 27 22, RGB 165 45 41, RGB 182 63 60 and RGB 199 81 79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 9 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 126 9 8: RGB 126 9 8, RGB 109 0 0, RGB 92 0 0, RGB 75 0 0 and RGB 58 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 94 / 51

HEX #7E0908

RGB 126 9 8

HSL 0.51, 0.88%, 0.26%

LAB 25.71, 45.95, 34.8

 

Complementary color

CMYK 48 / 0 / 0 / 3

HEX #81F6F7

RGB 129 246 247

HSL 180.51, 0.88%, 0.74%

LAB 90.46, -32.83, -10.74

 

CMYK 0 / 93 / 98 / 49

HEX #830903

RGB 131 9 3

HSL 2.81, 0.96%, 0.26%

LAB 26.81, 47.3, 38.26

 

CMYK 0 / 82 / 85 / 42

HEX #941B16

RGB 148 27 22

HSL 2.38, 0.74%, 0.33%

LAB 32.12, 48.54, 35.4

 

CMYK 0 / 73 / 75 / 35

HEX #A52D29

RGB 165 45 41

HSL 1.94, 0.6%, 0.4%

LAB 37.91, 48.55, 31.57

 

CMYK 0 / 65 / 67 / 29

HEX #B63F3C

RGB 182 63 60

HSL 1.48, 0.5%, 0.47%

LAB 43.98, 47.91, 28.21

 

CMYK 0 / 59 / 60 / 22

HEX #C7514F

RGB 199 81 79

HSL 1, 0.52%, 0.55%

LAB 50.21, 46.95, 25.4

 

CMYK 0 / 93 / 94 / 51

HEX #7E0908

RGB 126 9 8

HSL 0.51, 0.88%, 0.26%

LAB 25.71, 45.95, 34.8

 

CMYK 0 / 100 / 100 / 57

HEX #6D0000

RGB 109 0 0

HSL 0, 1%, 0.21%

LAB 21.02, 42.84, 32.03

 

CMYK 0 / 100 / 100 / 64

HEX #5C0000

RGB 92 0 0

HSL 0, 1%, 0.18%

LAB 16.87, 38.03, 26.13

 

CMYK 0 / 100 / 100 / 71

HEX #4B0000

RGB 75 0 0

HSL 0, 1%, 0.15%

LAB 12.58, 33.07, 19.75

 

CMYK 0 / 100 / 100 / 77

HEX #3A0000

RGB 58 0 0

HSL 0, 1%, 0.11%

LAB 8.12, 27.91, 12.84

 

CMYK 0 / 93 / 94 / 51

HEX #7E0908

RGB 126 9 8

HSL 0.51, 0.88%, 0.26%

LAB 25.71, 45.95, 34.8

 

CMYK 0 / 78 / 94 / 51

HEX #7C1B07

RGB 124 27 7

HSL 10.26, 0.89%, 0.26%

LAB 26.97, 40.47, 36.18

 

CMYK 0 / 63 / 94 / 51

HEX #7C2E07

RGB 124 46 7

HSL 20, 0.89%, 0.26%

LAB 30.05, 32.16, 38.69

 

CMYK 0 / 47 / 94 / 51

HEX #7C4207

RGB 124 66 7

HSL 30.26, 0.89%, 0.26%

LAB 34.39, 21.17, 41.88

 

CMYK 0 / 31 / 94 / 51

HEX #7C5507

RGB 124 85 7

HSL 40, 0.89%, 0.26%

LAB 39.24, 9.92, 45.51

 

CMYK 0 / 93 / 94 / 51

HEX #7E0908

RGB 126 9 8

HSL 0.51, 0.88%, 0.26%

LAB 25.71, 45.95, 34.8

 

CMYK 0 / 93 / 94 / 31

HEX #B10D0B

RGB 177 13 11

HSL 0.72, 0.88%, 0.37%

LAB 37.22, 59.49, 47.08

 

CMYK 0 / 93 / 94 / 11

HEX #E4100E

RGB 228 16 14

HSL 0.56, 0.88%, 0.47%

LAB 48.13, 72.35, 58

 

CMYK 0 / 92 / 92 / 91

HEX #180202

RGB 24 2 2

HSL 0, 0.85%, 0.05%

LAB 2.19, 7.35, 2.59

 

CMYK 0 / 93 / 93 / 71

HEX #4B0505

RGB 75 5 5

HSL 0, 0.88%, 0.16%

LAB 13.32, 31.33, 18.71

 

CMYK 0 / 93 / 94 / 51

HEX #7E0908

RGB 126 9 8

HSL 0.51, 0.88%, 0.26%

LAB 25.71, 45.95, 34.8

 

CMYK 19 / 0 / 94 / 51

HEX #657C07

RGB 101 124 7

HSL 71.79, 0.89%, 0.26%

LAB 48.51, -23.02, 51.8

 

CMYK 94 / 56 / 0 / 51

HEX #07367C

RGB 7 54 124

HSL 215.9, 0.89%, 0.26%

LAB 24.12, 14.95, -43.75

 

CMYK 0 / 93 / 94 / 51

HEX #7E0908

RGB 126 9 8

HSL 0.51, 0.88%, 0.26%

LAB 25.71, 45.95, 34.8

 

CMYK 94 / 0 / 94 / 51

HEX #077C07

RGB 7 124 7

HSL 120, 0.89%, 0.26%

LAB 44.91, -49.67, 47.36

 

CMYK 94 / 94 / 0 / 51

HEX #07077C

RGB 7 7 124

HSL 240, 0.89%, 0.26%

LAB 13.55, 43.64, -61.19

 

CMYK 0 / 93 / 94 / 51

HEX #7E0908

RGB 126 9 8

HSL 0.51, 0.88%, 0.26%

LAB 25.71, 45.95, 34.8

 

CMYK 19 / 0 / 94 / 51

HEX #657C07

RGB 101 124 7

HSL 71.79, 0.89%, 0.26%

LAB 48.51, -23.02, 51.8

 

CMYK 94 / 0 / 0 / 51

HEX #077C7C

RGB 7 124 124

HSL 180, 0.89%, 0.26%

LAB 46.86, -27.8, -8.19

 

CMYK 75 / 94 / 0 / 51

HEX #1F077C

RGB 31 7 124

HSL 252.31, 0.89%, 0.26%

LAB 14.95, 44.49, -58.82

 

CMYK 0 / 93 / 94 / 51

HEX #7E0908

RGB 126 9 8

HSL 0.51, 0.88%, 0.26%

LAB 25.71, 45.95, 34.8

 

CMYK 47 / 0 / 94 / 51

HEX #427C07

RGB 66 124 7

HSL 89.74, 0.89%, 0.26%

LAB 46.43, -37.11, 49.25

 

CMYK 94 / 0 / 0 / 51

HEX #077C7C

RGB 7 124 124

HSL 180, 0.89%, 0.26%

LAB 46.86, -27.8, -8.19

 

CMYK 47 / 94 / 0 / 51

HEX #42077C

RGB 66 7 124

HSL 270.26, 0.89%, 0.26%

LAB 19.08, 47.45, -51.84

 

Description

Color code: RGB 126 9 8 | qconv.com Color code: RGB 126 9 8 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 9 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 9 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 94 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 94% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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