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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 89 173 it is the complementary color RGB 129 166 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 89 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 126 89 173: RGB 131 89 168, RGB 148 107 187, RGB 165 125 206, RGB 182 143 225 and RGB 199 161 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 89 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 126 89 173: RGB 126 89 173, RGB 109 71 154, RGB 92 53 135, RGB 75 35 116 and RGB 58 17 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 49 / 0 / 32

HEX #7E59AD

RGB 126 89 173

HSL 266.43, 0.34%, 0.51%

LAB 45.08, 32.73, -39.48

 

Complementary color

CMYK 22 / 0 / 51 / 35

HEX #81A652

RGB 129 166 82

HSL 86.43, 0.34%, 0.49%

LAB 63.79, -26.98, 39.12

 

CMYK 22 / 47 / 0 / 34

HEX #8359A8

RGB 131 89 168

HSL 271.9, 0.31%, 0.5%

LAB 45.36, 32.93, -36.07

 

CMYK 21 / 43 / 0 / 27

HEX #946BBB

RGB 148 107 187

HSL 270.75, 0.37%, 0.58%

LAB 52.29, 32.06, -36.11

 

CMYK 20 / 39 / 0 / 19

HEX #A57DCE

RGB 165 125 206

HSL 269.63, 0.45%, 0.65%

LAB 59.09, 31.25, -36.16

 

CMYK 19 / 36 / 0 / 12

HEX #B68FE1

RGB 182 143 225

HSL 268.54, 0.58%, 0.72%

LAB 65.77, 30.5, -36.23

 

CMYK 18 / 34 / 0 / 4

HEX #C7A1F4

RGB 199 161 244

HSL 267.47, 0.79%, 0.79%

LAB 72.34, 29.81, -36.32

 

CMYK 27 / 49 / 0 / 32

HEX #7E59AD

RGB 126 89 173

HSL 266.43, 0.34%, 0.51%

LAB 45.08, 32.73, -39.48

 

CMYK 29 / 54 / 0 / 40

HEX #6D479A

RGB 109 71 154

HSL 267.47, 0.37%, 0.44%

LAB 38, 33.72, -39.53

 

CMYK 32 / 61 / 0 / 47

HEX #5C3587

RGB 92 53 135

HSL 268.54, 0.44%, 0.37%

LAB 30.81, 34.75, -39.53

 

CMYK 35 / 70 / 0 / 55

HEX #4B2374

RGB 75 35 116

HSL 269.63, 0.54%, 0.3%

LAB 23.54, 35.67, -39.4

 

CMYK 40 / 82 / 0 / 62

HEX #3A1161

RGB 58 17 97

HSL 270.75, 0.7%, 0.22%

LAB 16.32, 36.08, -38.84

 

CMYK 27 / 49 / 0 / 32

HEX #7E59AD

RGB 126 89 173

HSL 266.43, 0.34%, 0.51%

LAB 45.08, 32.73, -39.48

 

CMYK 20 / 49 / 0 / 33

HEX #8A57AC

RGB 138 87 172

HSL 276, 0.34%, 0.51%

LAB 45.9, 37.04, -37.5

 

CMYK 12 / 49 / 0 / 33

HEX #9857AC

RGB 152 87 172

HSL 285.88, 0.34%, 0.51%

LAB 47.59, 41.09, -34.74

 

CMYK 3 / 49 / 0 / 33

HEX #A657AC

RGB 166 87 172

HSL 295.76, 0.34%, 0.51%

LAB 49.38, 45.18, -31.8

 

CMYK 0 / 49 / 5 / 33

HEX #AC57A4

RGB 172 87 164

HSL 305.65, 0.34%, 0.51%

LAB 49.82, 45.48, -26.36

 

CMYK 27 / 49 / 0 / 32

HEX #7E59AD

RGB 126 89 173

HSL 266.43, 0.34%, 0.51%

LAB 45.08, 32.73, -39.48

 

CMYK 27 / 49 / 0 / 12

HEX #A373E0

RGB 163 115 224

HSL 266.42, 0.64%, 0.66%

LAB 57.49, 40.54, -48.81

 

CMYK 25 / 50 / 0 / 92

HEX #0F0A14

RGB 15 10 20

HSL 270, 0.33%, 0.06%

LAB 3.33, 3.32, -4.41

 

CMYK 27 / 48 / 0 / 72

HEX #342547

RGB 52 37 71

HSL 266.47, 0.31%, 0.21%

LAB 17.96, 15.34, -18.71

 

CMYK 27 / 48 / 0 / 52

HEX #593F7A

RGB 89 63 122

HSL 266.44, 0.32%, 0.36%

LAB 32, 24.42, -29.56

 

CMYK 27 / 49 / 0 / 32

HEX #7E59AD

RGB 126 89 173

HSL 266.43, 0.34%, 0.51%

LAB 45.08, 32.73, -39.48

 

CMYK 0 / 49 / 31 / 33

HEX #AC5776

RGB 172 87 118

HSL 338.12, 0.34%, 0.51%

LAB 48.13, 38.26, -1.49

 

CMYK 49 / 0 / 48 / 33

HEX #57AC5A

RGB 87 172 90

HSL 122.12, 0.34%, 0.51%

LAB 63.56, -42.96, 34.3

 

CMYK 27 / 49 / 0 / 32

HEX #7E59AD

RGB 126 89 173

HSL 266.43, 0.34%, 0.51%

LAB 45.08, 32.73, -39.48

 

CMYK 0 / 28 / 49 / 33

HEX #AC7C57

RGB 172 124 87

HSL 26.12, 0.34%, 0.51%

LAB 55.96, 14.15, 27.5

 

CMYK 49 / 0 / 28 / 33

HEX #57AC7C

RGB 87 172 124

HSL 146.12, 0.34%, 0.51%

LAB 64.15, -36.99, 16.94

 

CMYK 27 / 49 / 0 / 32

HEX #7E59AD

RGB 126 89 173

HSL 266.43, 0.34%, 0.51%

LAB 45.08, 32.73, -39.48

 

CMYK 0 / 49 / 31 / 33

HEX #AC5776

RGB 172 87 118

HSL 338.12, 0.34%, 0.51%

LAB 48.13, 38.26, -1.49

 

CMYK 22 / 0 / 49 / 33

HEX #87AC57

RGB 135 172 87

HSL 86.12, 0.34%, 0.51%

LAB 66.02, -27.02, 39.4

 

CMYK 49 / 0 / 18 / 33

HEX #57AC8D

RGB 87 172 141

HSL 158.12, 0.34%, 0.51%

LAB 64.53, -33.32, 8.1

 

CMYK 27 / 49 / 0 / 32

HEX #7E59AD

RGB 126 89 173

HSL 266.43, 0.34%, 0.51%

LAB 45.08, 32.73, -39.48

 

CMYK 0 / 49 / 46 / 33

HEX #AC575D

RGB 172 87 93

HSL 355.76, 0.34%, 0.51%

LAB 47.47, 35.27, 12.65

 

CMYK 22 / 0 / 49 / 33

HEX #87AC57

RGB 135 172 87

HSL 86.12, 0.34%, 0.51%

LAB 66.02, -27.02, 39.4

 

CMYK 49 / 0 / 3 / 33

HEX #57ACA6

RGB 87 172 166

HSL 175.76, 0.34%, 0.51%

LAB 65.19, -27.19, -4.85

 

Description

Color code: RGB 126 89 173 | qconv.com Color code: RGB 126 89 173 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 89 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 89 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 49 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 49% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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