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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 58 173 it is the complementary color RGB 129 197 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 58 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 126 58 173: RGB 131 58 168, RGB 148 76 187, RGB 165 94 206, RGB 182 112 225 and RGB 199 130 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 58 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 126 58 173: RGB 126 58 173, RGB 109 40 154, RGB 92 22 135, RGB 75 4 116 and RGB 58 0 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 66 / 0 / 32

HEX #7E3AAD

RGB 126 58 173

HSL 275.48, 0.5%, 0.45%

LAB 38.69, 49.59, -49.69

 

Complementary color

CMYK 35 / 0 / 58 / 23

HEX #81C552

RGB 129 197 82

HSL 95.48, 0.5%, 0.55%

LAB 73.03, -41.27, 49.98

 

CMYK 22 / 65 / 0 / 34

HEX #833AA8

RGB 131 58 168

HSL 279.82, 0.49%, 0.44%

LAB 39.03, 49.6, -46.12

 

CMYK 21 / 59 / 0 / 27

HEX #944CBB

RGB 148 76 187

HSL 278.92, 0.45%, 0.52%

LAB 45.71, 49.03, -46.53

 

CMYK 20 / 54 / 0 / 19

HEX #A55ECE

RGB 165 94 206

HSL 278.04, 0.53%, 0.59%

LAB 52.35, 48.28, -46.77

 

CMYK 19 / 50 / 0 / 12

HEX #B670E1

RGB 182 112 225

HSL 277.17, 0.65%, 0.66%

LAB 58.95, 47.47, -46.94

 

CMYK 18 / 47 / 0 / 4

HEX #C782F4

RGB 199 130 244

HSL 276.32, 0.84%, 0.73%

LAB 65.47, 46.65, -47.06

 

CMYK 27 / 66 / 0 / 32

HEX #7E3AAD

RGB 126 58 173

HSL 275.48, 0.5%, 0.45%

LAB 38.69, 49.59, -49.69

 

CMYK 29 / 74 / 0 / 40

HEX #6D289A

RGB 109 40 154

HSL 276.32, 0.59%, 0.38%

LAB 32.04, 49.88, -49.12

 

CMYK 32 / 84 / 0 / 47

HEX #5C1687

RGB 92 22 135

HSL 277.17, 0.72%, 0.31%

LAB 25.56, 49.39, -48.03

 

CMYK 35 / 97 / 0 / 55

HEX #4B0474

RGB 75 4 116

HSL 278.04, 0.93%, 0.24%

LAB 19.41, 47.54, -46.12

 

CMYK 40 / 100 / 0 / 62

HEX #3A0061

RGB 58 0 97

HSL 275.88, 1%, 0.19%

LAB 14.19, 42.37, -42.33

 

CMYK 27 / 66 / 0 / 32

HEX #7E3AAD

RGB 126 58 173

HSL 275.48, 0.5%, 0.45%

LAB 38.69, 49.59, -49.69

 

CMYK 17 / 67 / 0 / 33

HEX #8F39AC

RGB 143 57 172

HSL 284.87, 0.5%, 0.45%

LAB 40.81, 53.71, -45.57

 

CMYK 6 / 67 / 0 / 33

HEX #A239AC

RGB 162 57 172

HSL 294.78, 0.5%, 0.45%

LAB 43.63, 58.15, -40.9

 

CMYK 0 / 67 / 6 / 33

HEX #AC39A2

RGB 172 57 162

HSL 305.22, 0.5%, 0.45%

LAB 44.67, 58.85, -33.22

 

CMYK 0 / 67 / 17 / 33

HEX #AC398F

RGB 172 57 143

HSL 315.13, 0.5%, 0.45%

LAB 43.77, 55.89, -23.2

 

CMYK 27 / 66 / 0 / 32

HEX #7E3AAD

RGB 126 58 173

HSL 275.48, 0.5%, 0.45%

LAB 38.69, 49.59, -49.69

 

CMYK 27 / 67 / 0 / 12

HEX #A34BE0

RGB 163 75 224

HSL 275.44, 0.71%, 0.59%

LAB 49.74, 61.1, -61.22

 

CMYK 25 / 65 / 0 / 92

HEX #0F0714

RGB 15 7 20

HSL 276.92, 0.48%, 0.05%

LAB 2.75, 4.52, -5.27

 

CMYK 27 / 66 / 0 / 72

HEX #341847

RGB 52 24 71

HSL 275.74, 0.49%, 0.19%

LAB 14.61, 23.92, -24.01

 

CMYK 27 / 66 / 0 / 52

HEX #59297A

RGB 89 41 122

HSL 275.56, 0.5%, 0.32%

LAB 27.06, 37.34, -37.43

 

CMYK 27 / 66 / 0 / 32

HEX #7E3AAD

RGB 126 58 173

HSL 275.48, 0.5%, 0.45%

LAB 38.69, 49.59, -49.69

 

CMYK 0 / 67 / 52 / 33

HEX #AC3952

RGB 172 57 82

HSL 346.96, 0.5%, 0.45%

LAB 41.7, 48.69, 11.39

 

CMYK 67 / 0 / 55 / 33

HEX #39AC4E

RGB 57 172 78

HSL 130.96, 0.5%, 0.45%

LAB 62.44, -51.98, 38.73

 

CMYK 27 / 66 / 0 / 32

HEX #7E3AAD

RGB 126 58 173

HSL 275.48, 0.5%, 0.45%

LAB 38.69, 49.59, -49.69

 

CMYK 0 / 28 / 67 / 33

HEX #AC7C39

RGB 172 124 57

HSL 34.96, 0.5%, 0.45%

LAB 55.56, 11.72, 42.93

 

CMYK 67 / 0 / 28 / 33

HEX #39AC7C

RGB 57 172 124

HSL 154.96, 0.5%, 0.45%

LAB 63.2, -43.61, 15.48

 

CMYK 27 / 66 / 0 / 32

HEX #7E3AAD

RGB 126 58 173

HSL 275.48, 0.5%, 0.45%

LAB 38.69, 49.59, -49.69

 

CMYK 0 / 67 / 52 / 33

HEX #AC3952

RGB 172 57 82

HSL 346.96, 0.5%, 0.45%

LAB 41.7, 48.69, 11.39

 

CMYK 39 / 0 / 67 / 33

HEX #69AC39

RGB 105 172 57

HSL 94.96, 0.5%, 0.45%

LAB 64, -41.05, 50.56

 

CMYK 67 / 0 / 15 / 33

HEX #39AC93

RGB 57 172 147

HSL 166.96, 0.5%, 0.45%

LAB 63.74, -38.08, 3.51

 

CMYK 27 / 66 / 0 / 32

HEX #7E3AAD

RGB 126 58 173

HSL 275.48, 0.5%, 0.45%

LAB 38.69, 49.59, -49.69

 

CMYK 0 / 62 / 67 / 33

HEX #AC4239

RGB 172 66 57

HSL 4.7, 0.5%, 0.45%

LAB 42.71, 42.85, 28.04

 

CMYK 39 / 0 / 67 / 33

HEX #69AC39

RGB 105 172 57

HSL 94.96, 0.5%, 0.45%

LAB 64, -41.05, 50.56

 

CMYK 67 / 6 / 0 / 33

HEX #39A2AC

RGB 57 162 172

HSL 185.22, 0.5%, 0.45%

LAB 61.39, -26.31, -13.99

 

Description

Color code: RGB 126 58 173 | qconv.com Color code: RGB 126 58 173 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 58 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 58 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 66 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 66% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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