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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 122 12 it is the complementary color RGB 129 133 243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 122 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 126 122 12: RGB 131 122 7, RGB 148 140 26, RGB 165 158 45, RGB 182 176 64 and RGB 199 194 83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 122 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 126 122 12: RGB 126 122 12, RGB 109 104 0, RGB 92 86 0, RGB 75 68 0 and RGB 58 50 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 90 / 51

HEX #7E7A0C

RGB 126 122 12

HSL 57.89, 0.83%, 0.27%

LAB 49.96, -10.36, 52.83

 

Complementary color

CMYK 47 / 45 / 0 / 5

HEX #8185F3

RGB 129 133 243

HSL 237.89, 0.83%, 0.73%

LAB 59.81, 26.83, -55.88

 

CMYK 0 / 7 / 95 / 49

HEX #837A07

RGB 131 122 7

HSL 55.65, 0.9%, 0.27%

LAB 50.4, -8.11, 54.36

 

CMYK 0 / 5 / 82 / 42

HEX #948C1A

RGB 148 140 26

HSL 56.07, 0.7%, 0.34%

LAB 57.2, -9.56, 56.15

 

CMYK 0 / 4 / 73 / 35

HEX #A59E2D

RGB 165 158 45

HSL 56.5, 0.57%, 0.41%

LAB 63.87, -10.72, 56.47

 

CMYK 0 / 3 / 65 / 29

HEX #B6B040

RGB 182 176 64

HSL 56.95, 0.48%, 0.48%

LAB 70.43, -11.65, 56.01

 

CMYK 0 / 3 / 58 / 22

HEX #C7C253

RGB 199 194 83

HSL 57.41, 0.51%, 0.55%

LAB 76.89, -12.41, 55.16

 

CMYK 0 / 3 / 90 / 51

HEX #7E7A0C

RGB 126 122 12

HSL 57.89, 0.83%, 0.27%

LAB 49.96, -10.36, 52.83

 

CMYK 0 / 5 / 100 / 57

HEX #6D6800

RGB 109 104 0

HSL 57.25, 1%, 0.21%

LAB 42.99, -8.73, 49.42

 

CMYK 0 / 7 / 100 / 64

HEX #5C5600

RGB 92 86 0

HSL 56.09, 1%, 0.18%

LAB 35.85, -6.76, 43.5

 

CMYK 0 / 9 / 100 / 71

HEX #4B4400

RGB 75 68 0

HSL 54.4, 1%, 0.15%

LAB 28.46, -4.68, 37.27

 

CMYK 0 / 14 / 100 / 77

HEX #3A3200

RGB 58 50 0

HSL 51.72, 1%, 0.11%

LAB 20.75, -2.44, 29.18

 

CMYK 0 / 3 / 90 / 51

HEX #7E7A0C

RGB 126 122 12

HSL 57.89, 0.83%, 0.27%

LAB 49.96, -10.36, 52.83

 

CMYK 10 / 0 / 91 / 51

HEX #707D0B

RGB 112 125 11

HSL 66.84, 0.84%, 0.27%

LAB 49.66, -18.48, 52.3

 

CMYK 26 / 0 / 91 / 51

HEX #5D7D0B

RGB 93 125 11

HSL 76.84, 0.84%, 0.27%

LAB 48.28, -26.89, 50.6

 

CMYK 41 / 0 / 91 / 51

HEX #4A7D0B

RGB 74 125 11

HSL 86.84, 0.84%, 0.27%

LAB 47.17, -34.53, 49.22

 

CMYK 56 / 0 / 91 / 51

HEX #377D0B

RGB 55 125 11

HSL 96.84, 0.84%, 0.27%

LAB 46.32, -40.97, 48.15

 

CMYK 0 / 3 / 90 / 51

HEX #7E7A0C

RGB 126 122 12

HSL 57.89, 0.83%, 0.27%

LAB 49.96, -10.36, 52.83

 

CMYK 0 / 3 / 90 / 31

HEX #B1AB11

RGB 177 171 17

HSL 57.75, 0.82%, 0.38%

LAB 68.4, -13.09, 68.42

 

CMYK 0 / 3 / 90 / 11

HEX #E4DD16

RGB 228 221 22

HSL 57.96, 0.82%, 0.49%

LAB 86.14, -16.16, 83.3

 

CMYK 0 / 4 / 92 / 91

HEX #181702

RGB 24 23 2

HSL 57.27, 0.85%, 0.05%

LAB 7.33, -3.16, 10.1

 

CMYK 0 / 3 / 91 / 71

HEX #4B4907

RGB 75 73 7

HSL 58.24, 0.83%, 0.16%

LAB 30.1, -7.41, 35.83

 

CMYK 0 / 3 / 90 / 51

HEX #7E7A0C

RGB 126 122 12

HSL 57.89, 0.83%, 0.27%

LAB 49.96, -10.36, 52.83

 

CMYK 91 / 0 / 78 / 51

HEX #0B7D1C

RGB 11 125 28

HSL 128.95, 0.84%, 0.27%

LAB 45.39, -48.44, 41.92

 

CMYK 41 / 91 / 0 / 51

HEX #4A0B7D

RGB 74 11 125

HSL 273.16, 0.84%, 0.27%

LAB 20.73, 47.64, -49.71

 

CMYK 0 / 3 / 90 / 51

HEX #7E7A0C

RGB 126 122 12

HSL 57.89, 0.83%, 0.27%

LAB 49.96, -10.36, 52.83

 

CMYK 91 / 0 / 4 / 51

HEX #0B7D78

RGB 11 125 120

HSL 177.37, 0.84%, 0.27%

LAB 47.1, -29.34, -5.47

 

CMYK 4 / 91 / 0 / 51

HEX #780B7D

RGB 120 11 125

HSL 297.37, 0.84%, 0.27%

LAB 28.68, 55.21, -36.46

 

CMYK 0 / 3 / 90 / 51

HEX #7E7A0C

RGB 126 122 12

HSL 57.89, 0.83%, 0.27%

LAB 49.96, -10.36, 52.83

 

CMYK 91 / 0 / 78 / 51

HEX #0B7D1C

RGB 11 125 28

HSL 128.95, 0.84%, 0.27%

LAB 45.39, -48.44, 41.92

 

CMYK 91 / 86 / 0 / 51

HEX #0B117D

RGB 11 17 125

HSL 236.84, 0.84%, 0.27%

LAB 15.24, 39.85, -59

 

CMYK 0 / 91 / 14 / 51

HEX #7D0B6C

RGB 125 11 108

HSL 308.95, 0.84%, 0.27%

LAB 28.6, 53.52, -25.69

 

CMYK 0 / 3 / 90 / 51

HEX #7E7A0C

RGB 126 122 12

HSL 57.89, 0.83%, 0.27%

LAB 49.96, -10.36, 52.83

 

CMYK 91 / 0 / 50 / 51

HEX #0B7D3F

RGB 11 125 63

HSL 147.37, 0.84%, 0.27%

LAB 45.77, -43.8, 25.71

 

CMYK 91 / 86 / 0 / 51

HEX #0B117D

RGB 11 17 125

HSL 236.84, 0.84%, 0.27%

LAB 15.24, 39.85, -59

 

CMYK 0 / 91 / 41 / 51

HEX #7D0B4A

RGB 125 11 74

HSL 326.84, 0.84%, 0.27%

LAB 27, 49.22, -5.77

 

Description

Color code: RGB 126 122 12 | qconv.com Color code: RGB 126 122 12 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 122 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 122 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 90 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 90% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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