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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 92 141 it is the complementary color RGB 130 163 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 92 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 125 92 141: RGB 130 92 136, RGB 147 110 155, RGB 164 128 174, RGB 181 146 193 and RGB 198 164 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 92 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 125 92 141: RGB 125 92 141, RGB 108 74 122, RGB 91 56 103, RGB 74 38 84 and RGB 57 20 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 35 / 0 / 45

HEX #7D5C8D

RGB 125 92 141

HSL 280.41, 0.21%, 0.46%

LAB 44.14, 22.99, -21.94

 

Complementary color

CMYK 20 / 0 / 30 / 36

HEX #82A372

RGB 130 163 114

HSL 100.41, 0.21%, 0.54%

LAB 63.47, -20.74, 21.85

 

CMYK 4 / 32 / 0 / 47

HEX #825C88

RGB 130 92 136

HSL 291.82, 0.19%, 0.45%

LAB 44.49, 23.61, -18.36

 

CMYK 5 / 29 / 0 / 39

HEX #936E9B

RGB 147 110 155

HSL 289.33, 0.18%, 0.52%

LAB 51.52, 22.89, -18.71

 

CMYK 6 / 26 / 0 / 32

HEX #A480AE

RGB 164 128 174

HSL 286.96, 0.22%, 0.59%

LAB 58.4, 22.24, -19.05

 

CMYK 6 / 24 / 0 / 24

HEX #B592C1

RGB 181 146 193

HSL 284.68, 0.27%, 0.66%

LAB 65.15, 21.65, -19.38

 

CMYK 7 / 23 / 0 / 17

HEX #C6A4D4

RGB 198 164 212

HSL 282.5, 0.36%, 0.74%

LAB 71.76, 21.11, -19.71

 

CMYK 11 / 35 / 0 / 45

HEX #7D5C8D

RGB 125 92 141

HSL 280.41, 0.21%, 0.46%

LAB 44.14, 22.99, -21.94

 

CMYK 11 / 39 / 0 / 52

HEX #6C4A7A

RGB 108 74 122

HSL 282.5, 0.24%, 0.38%

LAB 36.91, 23.77, -21.71

 

CMYK 12 / 46 / 0 / 60

HEX #5B3867

RGB 91 56 103

HSL 284.68, 0.3%, 0.31%

LAB 29.49, 24.64, -21.45

 

CMYK 12 / 55 / 0 / 67

HEX #4A2654

RGB 74 38 84

HSL 286.96, 0.38%, 0.24%

LAB 21.88, 25.53, -21.13

 

CMYK 12 / 69 / 0 / 75

HEX #391441

RGB 57 20 65

HSL 289.33, 0.53%, 0.17%

LAB 14.13, 26.23, -20.56

 

CMYK 11 / 35 / 0 / 45

HEX #7D5C8D

RGB 125 92 141

HSL 280.41, 0.21%, 0.46%

LAB 44.14, 22.99, -21.94

 

CMYK 6 / 35 / 0 / 45

HEX #855C8D

RGB 133 92 141

HSL 290.2, 0.21%, 0.46%

LAB 45.03, 25.69, -20.5

 

CMYK 0 / 35 / 0 / 45

HEX #8D5C8D

RGB 141 92 141

HSL 300, 0.21%, 0.46%

LAB 45.96, 28.42, -18.99

 

CMYK 0 / 35 / 6 / 45

HEX #8D5C85

RGB 141 92 133

HSL 309.8, 0.21%, 0.46%

LAB 45.65, 26.86, -14.66

 

CMYK 0 / 35 / 11 / 45

HEX #8D5C7D

RGB 141 92 125

HSL 319.59, 0.21%, 0.46%

LAB 45.36, 25.37, -10.28

 

CMYK 11 / 35 / 0 / 45

HEX #7D5C8D

RGB 125 92 141

HSL 280.41, 0.21%, 0.46%

LAB 44.14, 22.99, -21.94

 

CMYK 11 / 35 / 0 / 25

HEX #AA7DC0

RGB 170 125 192

HSL 280.3, 0.35%, 0.62%

LAB 58.99, 29.68, -28.35

 

CMYK 12 / 35 / 0 / 5

HEX #D79FF3

RGB 215 159 243

HSL 280, 0.78%, 0.79%

LAB 73.36, 35.49, -34.07

 

CMYK 10 / 36 / 0 / 85

HEX #231927

RGB 35 25 39

HSL 282.86, 0.22%, 0.13%

LAB 10.55, 8.33, -7.66

 

CMYK 11 / 34 / 0 / 65

HEX #503B5A

RGB 80 59 90

HSL 280.65, 0.21%, 0.29%

LAB 28.3, 15.76, -15.02

 

CMYK 11 / 35 / 0 / 45

HEX #7D5C8D

RGB 125 92 141

HSL 280.41, 0.21%, 0.46%

LAB 44.14, 22.99, -21.94

 

CMYK 0 / 35 / 30 / 45

HEX #8D5C63

RGB 141 92 99

HSL 351.43, 0.21%, 0.46%

LAB 44.54, 21.1, 4.29

 

CMYK 35 / 0 / 26 / 45

HEX #5C8D69

RGB 92 141 105

HSL 135.92, 0.21%, 0.46%

LAB 54.39, -24.55, 14.08

 

CMYK 11 / 35 / 0 / 45

HEX #7D5C8D

RGB 125 92 141

HSL 280.41, 0.21%, 0.46%

LAB 44.14, 22.99, -21.94

 

CMYK 0 / 11 / 35 / 45

HEX #8D7D5C

RGB 141 125 92

HSL 40.41, 0.21%, 0.46%

LAB 53.06, 0.95, 20.26

 

CMYK 35 / 0 / 11 / 45

HEX #5C8D7D

RGB 92 141 125

HSL 160.41, 0.21%, 0.46%

LAB 54.87, -20.28, 3.3

 

CMYK 11 / 35 / 0 / 45

HEX #7D5C8D

RGB 125 92 141

HSL 280.41, 0.21%, 0.46%

LAB 44.14, 22.99, -21.94

 

CMYK 0 / 35 / 30 / 45

HEX #8D5C63

RGB 141 92 99

HSL 351.43, 0.21%, 0.46%

LAB 44.54, 21.1, 4.29

 

CMYK 23 / 0 / 35 / 45

HEX #6D8D5C

RGB 109 141 92

HSL 99.18, 0.21%, 0.46%

LAB 55.15, -20.81, 22.59

 

CMYK 35 / 0 / 4 / 45

HEX #5C8D87

RGB 92 141 135

HSL 172.65, 0.21%, 0.46%

LAB 55.15, -17.9, -2.06

 

CMYK 11 / 35 / 0 / 45

HEX #7D5C8D

RGB 125 92 141

HSL 280.41, 0.21%, 0.46%

LAB 44.14, 22.99, -21.94

 

CMYK 0 / 29 / 35 / 45

HEX #8D645C

RGB 141 100 92

HSL 9.8, 0.21%, 0.46%

LAB 46.38, 15.43, 11.11

 

CMYK 23 / 0 / 35 / 45

HEX #6D8D5C

RGB 109 141 92

HSL 99.18, 0.21%, 0.46%

LAB 55.15, -20.81, 22.59

 

CMYK 35 / 6 / 0 / 45

HEX #5C858D

RGB 92 133 141

HSL 189.8, 0.21%, 0.46%

LAB 52.92, -12.03, -8.84

 

Description

Color code: RGB 125 92 141 | qconv.com Color code: RGB 125 92 141 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 92 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 92 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 35 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 35% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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