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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 81 160 it is the complementary color RGB 130 174 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 81 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 125 81 160: RGB 130 81 155, RGB 147 99 174, RGB 164 117 193, RGB 181 135 212 and RGB 198 153 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 81 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 125 81 160: RGB 125 81 160, RGB 108 63 141, RGB 91 45 122, RGB 74 27 103 and RGB 57 9 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 49 / 0 / 37

HEX #7D51A0

RGB 125 81 160

HSL 273.42, 0.33%, 0.47%

LAB 42.43, 33.9, -35.98

 

Complementary color

CMYK 25 / 0 / 45 / 32

HEX #82AE5F

RGB 130 174 95

HSL 93.42, 0.33%, 0.53%

LAB 66.4, -28.91, 35.76

 

CMYK 16 / 48 / 0 / 39

HEX #82519B

RGB 130 81 155

HSL 279.73, 0.31%, 0.46%

LAB 42.76, 34.2, -32.44

 

CMYK 16 / 43 / 0 / 32

HEX #9363AE

RGB 147 99 174

HSL 278.4, 0.32%, 0.54%

LAB 49.72, 33.36, -32.61

 

CMYK 15 / 39 / 0 / 24

HEX #A475C1

RGB 164 117 193

HSL 277.11, 0.38%, 0.61%

LAB 56.55, 32.55, -32.76

 

CMYK 15 / 36 / 0 / 17

HEX #B587D4

RGB 181 135 212

HSL 275.84, 0.47%, 0.68%

LAB 63.26, 31.8, -32.9

 

CMYK 14 / 34 / 0 / 9

HEX #C699E7

RGB 198 153 231

HSL 274.62, 0.62%, 0.75%

LAB 69.86, 31.09, -33.06

 

CMYK 22 / 49 / 0 / 37

HEX #7D51A0

RGB 125 81 160

HSL 273.42, 0.33%, 0.47%

LAB 42.43, 33.9, -35.98

 

CMYK 23 / 55 / 0 / 45

HEX #6C3F8D

RGB 108 63 141

HSL 274.62, 0.38%, 0.4%

LAB 35.33, 34.82, -35.89

 

CMYK 25 / 63 / 0 / 52

HEX #5B2D7A

RGB 91 45 122

HSL 275.84, 0.46%, 0.33%

LAB 28.13, 35.68, -35.7

 

CMYK 28 / 74 / 0 / 60

HEX #4A1B67

RGB 74 27 103

HSL 277.11, 0.58%, 0.25%

LAB 20.9, 36.25, -35.25

 

CMYK 32 / 89 / 0 / 67

HEX #390954

RGB 57 9 84

HSL 278.4, 0.81%, 0.18%

LAB 13.86, 35.81, -34.13

 

CMYK 22 / 49 / 0 / 37

HEX #7D51A0

RGB 125 81 160

HSL 273.42, 0.33%, 0.47%

LAB 42.43, 33.9, -35.98

 

CMYK 14 / 50 / 0 / 38

HEX #88509F

RGB 136 80 159

HSL 282.53, 0.33%, 0.47%

LAB 43.47, 37.45, -33.66

 

CMYK 6 / 50 / 0 / 38

HEX #96509F

RGB 150 80 159

HSL 293.16, 0.33%, 0.47%

LAB 45.25, 41.59, -30.74

 

CMYK 0 / 50 / 3 / 38

HEX #9F509B

RGB 159 80 155

HSL 303.04, 0.33%, 0.47%

LAB 46.28, 43.51, -26.67

 

CMYK 0 / 50 / 11 / 38

HEX #9F508E

RGB 159 80 142

HSL 312.91, 0.33%, 0.47%

LAB 45.72, 41.2, -19.76

 

CMYK 22 / 49 / 0 / 37

HEX #7D51A0

RGB 125 81 160

HSL 273.42, 0.33%, 0.47%

LAB 42.43, 33.9, -35.98

 

CMYK 22 / 49 / 0 / 17

HEX #A56BD3

RGB 165 107 211

HSL 273.46, 0.54%, 0.62%

LAB 55.3, 42.44, -44.95

 

CMYK 29 / 43 / 0 / 97

HEX #050407

RGB 5 4 7

HSL 260, 0.27%, 0.02%

LAB 1.21, 0.68, -1.04

 

CMYK 22 / 50 / 0 / 77

HEX #2D1D3A

RGB 45 29 58

HSL 273.1, 0.33%, 0.17%

LAB 14.07, 14.7, -15.83

 

CMYK 22 / 50 / 0 / 57

HEX #55376D

RGB 85 55 109

HSL 273.33, 0.33%, 0.32%

LAB 28.82, 24.77, -26.4

 

CMYK 22 / 49 / 0 / 37

HEX #7D51A0

RGB 125 81 160

HSL 273.42, 0.33%, 0.47%

LAB 42.43, 33.9, -35.98

 

CMYK 0 / 50 / 37 / 38

HEX #9F5064

RGB 159 80 100

HSL 344.81, 0.33%, 0.47%

LAB 44.27, 34.93, 3.61

 

CMYK 50 / 0 / 42 / 38

HEX #509F5C

RGB 80 159 92

HSL 129.11, 0.33%, 0.47%

LAB 59.23, -39.06, 27.66

 

CMYK 22 / 49 / 0 / 37

HEX #7D51A0

RGB 125 81 160

HSL 273.42, 0.33%, 0.47%

LAB 42.43, 33.9, -35.98

 

CMYK 0 / 23 / 50 / 38

HEX #9F7B50

RGB 159 123 80

HSL 32.66, 0.33%, 0.47%

LAB 54.15, 8.43, 28.78

 

CMYK 50 / 0 / 23 / 38

HEX #509F7B

RGB 80 159 123

HSL 152.66, 0.33%, 0.47%

LAB 59.83, -33.05, 11.43

 

CMYK 22 / 49 / 0 / 37

HEX #7D51A0

RGB 125 81 160

HSL 273.42, 0.33%, 0.47%

LAB 42.43, 33.9, -35.98

 

CMYK 0 / 50 / 37 / 38

HEX #9F5064

RGB 159 80 100

HSL 344.81, 0.33%, 0.47%

LAB 44.27, 34.93, 3.61

 

CMYK 28 / 0 / 50 / 38

HEX #739F50

RGB 115 159 80

HSL 93.42, 0.33%, 0.47%

LAB 60.8, -29.16, 36.29

 

CMYK 50 / 0 / 13 / 38

HEX #509F8B

RGB 80 159 139

HSL 164.81, 0.33%, 0.47%

LAB 60.22, -29.32, 2.99

 

CMYK 22 / 49 / 0 / 37

HEX #7D51A0

RGB 125 81 160

HSL 273.42, 0.33%, 0.47%

LAB 42.43, 33.9, -35.98

 

CMYK 0 / 47 / 50 / 38

HEX #9F5450

RGB 159 84 80

HSL 3.04, 0.33%, 0.47%

LAB 44.65, 30.51, 16.33

 

CMYK 28 / 0 / 50 / 38

HEX #739F50

RGB 115 159 80

HSL 93.42, 0.33%, 0.47%

LAB 60.8, -29.16, 36.29

 

CMYK 50 / 3 / 0 / 38

HEX #509B9F

RGB 80 155 159

HSL 183.04, 0.33%, 0.47%

LAB 59.57, -22.1, -9.29

 

Description

Color code: RGB 125 81 160 | qconv.com Color code: RGB 125 81 160 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 81 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 81 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 49 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 49% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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