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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 78 172 it is the complementary color RGB 130 177 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 78 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 125 78 172: RGB 130 78 167, RGB 147 96 186, RGB 164 114 205, RGB 181 132 224 and RGB 198 150 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 78 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 125 78 172: RGB 125 78 172, RGB 108 60 153, RGB 91 42 134, RGB 74 24 115 and RGB 57 6 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 55 / 0 / 33

HEX #7D4EAC

RGB 125 78 172

HSL 270, 0.38%, 0.49%

LAB 42.44, 38.53, -43.09

 

Complementary color

CMYK 27 / 0 / 53 / 31

HEX #82B153

RGB 130 177 83

HSL 90, 0.38%, 0.51%

LAB 67.14, -31.75, 42.65

 

CMYK 22 / 53 / 0 / 35

HEX #824EA7

RGB 130 78 167

HSL 275.06, 0.36%, 0.48%

LAB 42.74, 38.68, -39.62

 

CMYK 21 / 48 / 0 / 27

HEX #9360BA

RGB 147 96 186

HSL 274, 0.39%, 0.55%

LAB 49.63, 37.79, -39.71

 

CMYK 20 / 44 / 0 / 20

HEX #A472CD

RGB 164 114 205

HSL 272.97, 0.48%, 0.63%

LAB 56.42, 36.92, -39.78

 

CMYK 19 / 41 / 0 / 12

HEX #B584E0

RGB 181 132 224

HSL 271.96, 0.6%, 0.7%

LAB 63.1, 36.11, -39.85

 

CMYK 19 / 38 / 0 / 5

HEX #C696F3

RGB 198 150 243

HSL 270.97, 0.79%, 0.77%

LAB 69.68, 35.34, -39.92

 

CMYK 27 / 55 / 0 / 33

HEX #7D4EAC

RGB 125 78 172

HSL 270, 0.38%, 0.49%

LAB 42.44, 38.53, -43.09

 

CMYK 29 / 61 / 0 / 40

HEX #6C3C99

RGB 108 60 153

HSL 270.97, 0.44%, 0.42%

LAB 35.44, 39.48, -43.03

 

CMYK 32 / 69 / 0 / 47

HEX #5B2A86

RGB 91 42 134

HSL 271.96, 0.52%, 0.35%

LAB 28.38, 40.29, -42.83

 

CMYK 36 / 79 / 0 / 55

HEX #4A1873

RGB 74 24 115

HSL 272.97, 0.65%, 0.27%

LAB 21.38, 40.63, -42.25

 

CMYK 41 / 94 / 0 / 62

HEX #390660

RGB 57 6 96

HSL 274, 0.88%, 0.2%

LAB 14.65, 39.81, -40.92

 

CMYK 27 / 55 / 0 / 33

HEX #7D4EAC

RGB 125 78 172

HSL 270, 0.38%, 0.49%

LAB 42.44, 38.53, -43.09

 

CMYK 19 / 55 / 0 / 33

HEX #8C4DAC

RGB 140 77 172

HSL 279.79, 0.38%, 0.49%

LAB 44.03, 43.1, -40.45

 

CMYK 9 / 55 / 0 / 33

HEX #9C4DAC

RGB 156 77 172

HSL 289.89, 0.38%, 0.49%

LAB 46.12, 47.46, -37.02

 

CMYK 0 / 55 / 0 / 33

HEX #AC4DAC

RGB 172 77 172

HSL 300, 0.38%, 0.49%

LAB 48.33, 51.85, -33.38

 

CMYK 0 / 55 / 9 / 33

HEX #AC4D9C

RGB 172 77 156

HSL 310.11, 0.38%, 0.49%

LAB 47.6, 49.06, -25.07

 

CMYK 27 / 55 / 0 / 33

HEX #7D4EAC

RGB 125 78 172

HSL 270, 0.38%, 0.49%

LAB 42.44, 38.53, -43.09

 

CMYK 27 / 55 / 0 / 13

HEX #A265DF

RGB 162 101 223

HSL 270, 0.66%, 0.64%

LAB 54.36, 47.69, -53.24

 

CMYK 26 / 53 / 0 / 93

HEX #0E0913

RGB 14 9 19

HSL 270, 0.36%, 0.05%

LAB 3.03, 3.16, -4.21

 

CMYK 27 / 54 / 0 / 73

HEX #332046

RGB 51 32 70

HSL 270, 0.37%, 0.2%

LAB 16.4, 18.14, -20.49

 

CMYK 27 / 55 / 0 / 53

HEX #583779

RGB 88 55 121

HSL 270, 0.38%, 0.35%

LAB 29.88, 28.79, -32.3

 

CMYK 27 / 55 / 0 / 33

HEX #7D4EAC

RGB 125 78 172

HSL 270, 0.38%, 0.49%

LAB 42.44, 38.53, -43.09

 

CMYK 0 / 55 / 39 / 33

HEX #AC4D69

RGB 172 77 105

HSL 342.32, 0.38%, 0.49%

LAB 45.77, 41.76, 2.96

 

CMYK 55 / 0 / 50 / 33

HEX #4DAC56

RGB 77 172 86

HSL 125.68, 0.38%, 0.49%

LAB 63.14, -46.26, 35.73

 

CMYK 27 / 55 / 0 / 33

HEX #7D4EAC

RGB 125 78 172

HSL 270, 0.38%, 0.49%

LAB 42.44, 38.53, -43.09

 

CMYK 0 / 28 / 55 / 33

HEX #AC7C4D

RGB 172 124 77

HSL 29.68, 0.38%, 0.49%

LAB 55.81, 13.22, 32.82

 

CMYK 55 / 0 / 28 / 33

HEX #4DAC7C

RGB 77 172 124

HSL 149.68, 0.38%, 0.49%

LAB 63.79, -39.48, 16.38

 

CMYK 27 / 55 / 0 / 33

HEX #7D4EAC

RGB 125 78 172

HSL 270, 0.38%, 0.49%

LAB 42.44, 38.53, -43.09

 

CMYK 0 / 55 / 39 / 33

HEX #AC4D69

RGB 172 77 105

HSL 342.32, 0.38%, 0.49%

LAB 45.77, 41.76, 2.96

 

CMYK 28 / 0 / 55 / 33

HEX #7CAC4D

RGB 124 172 77

HSL 90.32, 0.38%, 0.49%

LAB 65.22, -32.29, 43.2

 

CMYK 55 / 0 / 17 / 33

HEX #4DAC8F

RGB 77 172 143

HSL 161.68, 0.38%, 0.49%

LAB 64.21, -35.21, 6.49

 

CMYK 27 / 55 / 0 / 33

HEX #7D4EAC

RGB 125 78 172

HSL 270, 0.38%, 0.49%

LAB 42.44, 38.53, -43.09

 

CMYK 0 / 55 / 55 / 33

HEX #AC4D4D

RGB 172 77 77

HSL 0, 0.38%, 0.49%

LAB 45.1, 38.94, 19.09

 

CMYK 28 / 0 / 55 / 33

HEX #7CAC4D

RGB 124 172 77

HSL 90.32, 0.38%, 0.49%

LAB 65.22, -32.29, 43.2

 

CMYK 55 / 0 / 0 / 33

HEX #4DACAC

RGB 77 172 172

HSL 180, 0.38%, 0.49%

LAB 65.01, -27.72, -8.49

 

Description

Color code: RGB 125 78 172 | qconv.com Color code: RGB 125 78 172 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 78 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 78 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 55 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 55% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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