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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 68 34 it is the complementary color RGB 130 187 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 68 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 125 68 34: RGB 130 68 29, RGB 147 86 48, RGB 164 104 67, RGB 181 122 86 and RGB 198 140 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 68 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 125 68 34: RGB 125 68 34, RGB 108 50 15, RGB 91 32 0, RGB 74 14 0 and RGB 57 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 73 / 51

HEX #7D4422

RGB 125 68 34

HSL 22.42, 0.57%, 0.31%

LAB 35.22, 21.49, 30.68

 

Complementary color

CMYK 41 / 15 / 0 / 13

HEX #82BBDD

RGB 130 187 221

HSL 202.42, 0.57%, 0.69%

LAB 73.22, -9.81, -22.86

 

CMYK 0 / 48 / 78 / 49

HEX #82441D

RGB 130 68 29

HSL 23.17, 0.64%, 0.31%

LAB 35.92, 23.45, 34.34

 

CMYK 0 / 41 / 67 / 42

HEX #935630

RGB 147 86 48

HSL 23.03, 0.51%, 0.38%

LAB 42.87, 21.71, 32.45

 

CMYK 0 / 37 / 59 / 36

HEX #A46843

RGB 164 104 67

HSL 22.89, 0.42%, 0.45%

LAB 49.74, 20.23, 30.63

 

CMYK 0 / 33 / 52 / 29

HEX #B57A56

RGB 181 122 86

HSL 22.74, 0.39%, 0.52%

LAB 56.5, 18.98, 28.96

 

CMYK 0 / 29 / 47 / 22

HEX #C68C69

RGB 198 140 105

HSL 22.58, 0.45%, 0.59%

LAB 63.16, 17.9, 27.45

 

CMYK 0 / 46 / 73 / 51

HEX #7D4422

RGB 125 68 34

HSL 22.42, 0.57%, 0.31%

LAB 35.22, 21.49, 30.68

 

CMYK 0 / 54 / 86 / 58

HEX #6C320F

RGB 108 50 15

HSL 22.58, 0.76%, 0.24%

LAB 28.12, 23.42, 32.53

 

CMYK 0 / 65 / 100 / 64

HEX #5B2000

RGB 91 32 0

HSL 21.1, 1%, 0.18%

LAB 21.05, 25.53, 30.94

 

CMYK 0 / 81 / 100 / 71

HEX #4A0E00

RGB 74 14 0

HSL 11.35, 1%, 0.15%

LAB 14.23, 27.38, 21.9

 

CMYK 0 / 100 / 100 / 78

HEX #390000

RGB 57 0 0

HSL 0, 1%, 0.11%

LAB 7.86, 27.6, 12.42

 

CMYK 0 / 46 / 73 / 51

HEX #7D4422

RGB 125 68 34

HSL 22.42, 0.57%, 0.31%

LAB 35.22, 21.49, 30.68

 

CMYK 0 / 34 / 73 / 51

HEX #7C5221

RGB 124 82 33

HSL 32.31, 0.58%, 0.31%

LAB 38.6, 12.69, 34.83

 

CMYK 0 / 22 / 73 / 51

HEX #7C6121

RGB 124 97 33

HSL 42.2, 0.58%, 0.31%

LAB 42.68, 3.77, 39.07

 

CMYK 0 / 10 / 73 / 51

HEX #7C7021

RGB 124 112 33

HSL 52.09, 0.58%, 0.31%

LAB 46.95, -4.92, 43.38

 

CMYK 2 / 0 / 73 / 51

HEX #797C21

RGB 121 124 33

HSL 61.98, 0.58%, 0.31%

LAB 50.2, -12.97, 46.48

 

CMYK 0 / 46 / 73 / 51

HEX #7D4422

RGB 125 68 34

HSL 22.42, 0.57%, 0.31%

LAB 35.22, 21.49, 30.68

 

CMYK 0 / 45 / 73 / 31

HEX #B06030

RGB 176 96 48

HSL 22.5, 0.57%, 0.44%

LAB 49.26, 28.55, 40.71

 

CMYK 0 / 46 / 73 / 11

HEX #E37B3E

RGB 227 123 62

HSL 22.18, 0.75%, 0.57%

LAB 62.38, 35.71, 49.92

 

CMYK 0 / 43 / 74 / 91

HEX #170D06

RGB 23 13 6

HSL 24.71, 0.59%, 0.06%

LAB 4.36, 2.91, 4.13

 

CMYK 0 / 46 / 73 / 71

HEX #4A2814

RGB 74 40 20

HSL 22.22, 0.57%, 0.18%

LAB 20.14, 13.82, 19.74

 

CMYK 0 / 46 / 73 / 51

HEX #7D4422

RGB 125 68 34

HSL 22.42, 0.57%, 0.31%

LAB 35.22, 21.49, 30.68

 

CMYK 41 / 0 / 73 / 51

HEX #497C21

RGB 73 124 33

HSL 93.63, 0.58%, 0.31%

LAB 46.9, -33.27, 42.09

 

CMYK 73 / 71 / 0 / 51

HEX #21247C

RGB 33 36 124

HSL 238.02, 0.58%, 0.31%

LAB 20.2, 29.99, -50.11

 

CMYK 0 / 46 / 73 / 51

HEX #7D4422

RGB 125 68 34

HSL 22.42, 0.57%, 0.31%

LAB 35.22, 21.49, 30.68

 

CMYK 73 / 0 / 46 / 51

HEX #217C43

RGB 33 124 67

HSL 142.42, 0.58%, 0.31%

LAB 45.83, -39.91, 23.66

 

CMYK 46 / 73 / 0 / 51

HEX #43217C

RGB 67 33 124

HSL 262.42, 0.58%, 0.31%

LAB 22.78, 37.28, -45.77

 

CMYK 0 / 46 / 73 / 51

HEX #7D4422

RGB 125 68 34

HSL 22.42, 0.57%, 0.31%

LAB 35.22, 21.49, 30.68

 

CMYK 41 / 0 / 73 / 51

HEX #497C21

RGB 73 124 33

HSL 93.63, 0.58%, 0.31%

LAB 46.9, -33.27, 42.09

 

CMYK 73 / 27 / 0 / 51

HEX #215B7C

RGB 33 91 124

HSL 201.76, 0.58%, 0.31%

LAB 36.48, -7.03, -24.02

 

CMYK 31 / 73 / 0 / 51

HEX #55217C

RGB 85 33 124

HSL 274.29, 0.58%, 0.31%

LAB 25.18, 40.96, -41.76

 

CMYK 0 / 46 / 73 / 51

HEX #7D4422

RGB 125 68 34

HSL 22.42, 0.57%, 0.31%

LAB 35.22, 21.49, 30.68

 

CMYK 63 / 0 / 73 / 51

HEX #2E7C21

RGB 46 124 33

HSL 111.43, 0.58%, 0.31%

LAB 45.78, -41.74, 40.58

 

CMYK 73 / 27 / 0 / 51

HEX #215B7C

RGB 33 91 124

HSL 201.76, 0.58%, 0.31%

LAB 36.48, -7.03, -24.02

 

CMYK 10 / 73 / 0 / 51

HEX #70217C

RGB 112 33 124

HSL 292.09, 0.58%, 0.31%

LAB 29.38, 47.04, -34.78

 

Description

Color code: RGB 125 68 34 | qconv.com Color code: RGB 125 68 34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 68 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 68 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 73 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 73% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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