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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 196 51 it is the complementary color RGB 130 59 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 196 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 125 196 51: RGB 130 196 46, RGB 147 214 65, RGB 164 232 84, RGB 181 250 103 and RGB 198 255 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 196 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 125 196 51: RGB 125 196 51, RGB 108 178 32, RGB 91 160 13, RGB 74 142 0 and RGB 57 124 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 74 / 23

HEX #7DC433

RGB 125 196 51

HSL 89.38, 0.59%, 0.48%

LAB 72.28, -44.71, 61.61

 

Complementary color

CMYK 36 / 71 / 0 / 20

HEX #823BCC

RGB 130 59 204

HSL 269.38, 0.59%, 0.52%

LAB 41.58, 57.24, -63.16

 

CMYK 34 / 0 / 77 / 23

HEX #82C42E

RGB 130 196 46

HSL 86.4, 0.62%, 0.47%

LAB 72.51, -43.21, 63.56

 

CMYK 31 / 0 / 70 / 16

HEX #93D641

RGB 147 214 65

HSL 86.98, 0.65%, 0.55%

LAB 78.86, -43.67, 63.56

 

CMYK 29 / 0 / 64 / 9

HEX #A4E854

RGB 164 232 84

HSL 87.57, 0.76%, 0.62%

LAB 85.12, -43.97, 63.05

 

CMYK 28 / 0 / 59 / 2

HEX #B5FA67

RGB 181 250 103

HSL 88.16, 0.94%, 0.69%

LAB 91.31, -44.17, 62.26

 

CMYK 22 / 0 / 52 / 0

HEX #C6FF7A

RGB 198 255 122

HSL 85.71, 1%, 0.74%

LAB 93.85, -38.57, 57.11

 

CMYK 36 / 0 / 74 / 23

HEX #7DC433

RGB 125 196 51

HSL 89.38, 0.59%, 0.48%

LAB 72.28, -44.71, 61.61

 

CMYK 39 / 0 / 82 / 30

HEX #6CB220

RGB 108 178 32

HSL 88.77, 0.7%, 0.41%

LAB 65.85, -44.13, 61.12

 

CMYK 43 / 0 / 92 / 37

HEX #5BA00D

RGB 91 160 13

HSL 88.16, 0.85%, 0.34%

LAB 59.34, -43.25, 59.37

 

CMYK 48 / 0 / 100 / 44

HEX #4A8E00

RGB 74 142 0

HSL 88.73, 1%, 0.28%

LAB 52.73, -42.01, 55.79

 

CMYK 54 / 0 / 100 / 51

HEX #397C00

RGB 57 124 0

HSL 92.42, 1%, 0.24%

LAB 46.02, -40.33, 50.23

 

CMYK 36 / 0 / 74 / 23

HEX #7DC433

RGB 125 196 51

HSL 89.38, 0.59%, 0.48%

LAB 72.28, -44.71, 61.61

 

CMYK 48 / 0 / 74 / 24

HEX #64C232

RGB 100 194 50

HSL 99.17, 0.59%, 0.48%

LAB 70.54, -52.14, 59.86

 

CMYK 61 / 0 / 74 / 24

HEX #4CC232

RGB 76 194 50

HSL 109.17, 0.59%, 0.48%

LAB 69.72, -58.59, 58.77

 

CMYK 73 / 0 / 74 / 24

HEX #34C232

RGB 52 194 50

HSL 119.17, 0.59%, 0.48%

LAB 69.14, -63.37, 58

 

CMYK 74 / 0 / 63 / 24

HEX #32C247

RGB 50 194 71

HSL 128.75, 0.59%, 0.48%

LAB 69.27, -61.73, 49.86

 

CMYK 36 / 0 / 74 / 23

HEX #7DC433

RGB 125 196 51

HSL 89.38, 0.59%, 0.48%

LAB 72.28, -44.71, 61.61

 

CMYK 36 / 0 / 74 / 3

HEX #9EF740

RGB 158 247 64

HSL 89.18, 0.92%, 0.61%

LAB 89, -53.62, 74.15

 

CMYK 37 / 0 / 74 / 83

HEX #1B2B0B

RGB 27 43 11

HSL 90, 0.59%, 0.11%

LAB 15.41, -13.51, 17.59

 

CMYK 36 / 0 / 74 / 63

HEX #3C5E18

RGB 60 94 24

HSL 89.14, 0.59%, 0.23%

LAB 36.05, -24.91, 34.53

 

CMYK 37 / 0 / 74 / 43

HEX #5C9126

RGB 92 145 38

HSL 89.72, 0.58%, 0.36%

LAB 54.73, -35.32, 48.35

 

CMYK 36 / 0 / 74 / 23

HEX #7DC433

RGB 125 196 51

HSL 89.38, 0.59%, 0.48%

LAB 72.28, -44.71, 61.61

 

CMYK 74 / 0 / 24 / 24

HEX #32C294

RGB 50 194 148

HSL 160.83, 0.59%, 0.48%

LAB 70.46, -48.27, 12.53

 

CMYK 0 / 74 / 6 / 24

HEX #C232B6

RGB 194 50 182

HSL 305, 0.59%, 0.48%

LAB 48.42, 69.55, -38.87

 

CMYK 36 / 0 / 74 / 23

HEX #7DC433

RGB 125 196 51

HSL 89.38, 0.59%, 0.48%

LAB 72.28, -44.71, 61.61

 

CMYK 74 / 36 / 0 / 24

HEX #327CC2

RGB 50 124 194

HSL 209.17, 0.59%, 0.48%

LAB 50.67, 1.12, -43.1

 

CMYK 0 / 74 / 36 / 24

HEX #C2327C

RGB 194 50 124

HSL 329.17, 0.59%, 0.48%

LAB 45.91, 61.92, -8.03

 

CMYK 36 / 0 / 74 / 23

HEX #7DC433

RGB 125 196 51

HSL 89.38, 0.59%, 0.48%

LAB 72.28, -44.71, 61.61

 

CMYK 74 / 0 / 24 / 24

HEX #32C294

RGB 50 194 148

HSL 160.83, 0.59%, 0.48%

LAB 70.46, -48.27, 12.53

 

CMYK 39 / 74 / 0 / 24

HEX #7732C2

RGB 119 50 194

HSL 268.75, 0.59%, 0.48%

LAB 38.02, 56.86, -63.21

 

CMYK 0 / 74 / 51 / 24

HEX #C2325F

RGB 194 50 95

HSL 341.25, 0.59%, 0.48%

LAB 45.05, 59.15, 8.58

 

CMYK 36 / 0 / 74 / 23

HEX #7DC433

RGB 125 196 51

HSL 89.38, 0.59%, 0.48%

LAB 72.28, -44.71, 61.61

 

CMYK 74 / 0 / 1 / 24

HEX #32C2C0

RGB 50 194 192

HSL 179.17, 0.59%, 0.48%

LAB 71.6, -36.7, -9.77

 

CMYK 39 / 74 / 0 / 24

HEX #7732C2

RGB 119 50 194

HSL 268.75, 0.59%, 0.48%

LAB 38.02, 56.86, -63.21

 

CMYK 0 / 74 / 73 / 24

HEX #C23234

RGB 194 50 52

HSL 359.17, 0.59%, 0.48%

LAB 44.23, 56.45, 33.76

 

Description

Color code: RGB 125 196 51 | qconv.com Color code: RGB 125 196 51 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 196 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 196 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 74 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 74% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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