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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 196 163 it is the complementary color RGB 130 59 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 196 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 125 196 163: RGB 130 196 158, RGB 147 214 177, RGB 164 232 196, RGB 181 250 215 and RGB 198 255 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 196 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 125 196 163: RGB 125 196 163, RGB 108 178 144, RGB 91 160 125, RGB 74 142 106 and RGB 57 124 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 17 / 23

HEX #7DC4A3

RGB 125 196 163

HSL 152.11, 0.38%, 0.63%

LAB 73.86, -29.6, 9.59

 

Complementary color

CMYK 0 / 55 / 29 / 49

HEX #823B5C

RGB 130 59 92

HSL 332.11, 0.38%, 0.37%

LAB 35.29, 34.53, -5.06

 

CMYK 34 / 0 / 19 / 23

HEX #82C49E

RGB 130 196 158

HSL 145.45, 0.36%, 0.64%

LAB 73.99, -29.12, 12.51

 

CMYK 31 / 0 / 17 / 16

HEX #93D6B1

RGB 147 214 177

HSL 146.87, 0.45%, 0.71%

LAB 80.44, -28.87, 11.6

 

CMYK 29 / 0 / 16 / 9

HEX #A4E8C4

RGB 164 232 196

HSL 148.24, 0.6%, 0.78%

LAB 86.8, -28.64, 10.75

 

CMYK 28 / 0 / 14 / 2

HEX #B5FAD7

RGB 181 250 215

HSL 149.57, 0.87%, 0.85%

LAB 93.06, -28.42, 9.94

 

CMYK 22 / 0 / 8 / 0

HEX #C6FFEA

RGB 198 255 234

HSL 157.89, 1%, 0.89%

LAB 95.77, -22.02, 4.18

 

CMYK 36 / 0 / 17 / 23

HEX #7DC4A3

RGB 125 196 163

HSL 152.11, 0.38%, 0.63%

LAB 73.86, -29.6, 9.59

 

CMYK 39 / 0 / 19 / 30

HEX #6CB290

RGB 108 178 144

HSL 150.86, 0.31%, 0.56%

LAB 67.31, -29.84, 10.52

 

CMYK 43 / 0 / 22 / 37

HEX #5BA07D

RGB 91 160 125

HSL 149.57, 0.27%, 0.49%

LAB 60.65, -30.09, 11.53

 

CMYK 48 / 0 / 25 / 44

HEX #4A8E6A

RGB 74 142 106

HSL 148.24, 0.31%, 0.42%

LAB 53.86, -30.33, 12.64

 

CMYK 54 / 0 / 30 / 51

HEX #397C57

RGB 57 124 87

HSL 146.87, 0.37%, 0.35%

LAB 46.94, -30.5, 13.87

 

CMYK 36 / 0 / 17 / 23

HEX #7DC4A3

RGB 125 196 163

HSL 152.11, 0.38%, 0.63%

LAB 73.86, -29.6, 9.59

 

CMYK 37 / 0 / 11 / 23

HEX #7CC4AE

RGB 124 196 174

HSL 161.67, 0.38%, 0.63%

LAB 74.08, -27.53, 3.94

 

CMYK 37 / 0 / 5 / 23

HEX #7CC4BA

RGB 124 196 186

HSL 171.67, 0.38%, 0.63%

LAB 74.39, -24.8, -2.12

 

CMYK 37 / 1 / 0 / 23

HEX #7CC2C4

RGB 124 194 196

HSL 181.67, 0.38%, 0.63%

LAB 74.1, -21.41, -7.98

 

CMYK 37 / 7 / 0 / 23

HEX #7CB6C4

RGB 124 182 196

HSL 191.67, 0.38%, 0.63%

LAB 70.68, -15.23, -13.08

 

CMYK 36 / 0 / 17 / 23

HEX #7DC4A3

RGB 125 196 163

HSL 152.11, 0.38%, 0.63%

LAB 73.86, -29.6, 9.59

 

CMYK 36 / 0 / 17 / 3

HEX #9EF7CD

RGB 158 247 205

HSL 151.69, 0.85%, 0.79%

LAB 90.87, -35.62, 11.83

 

CMYK 37 / 0 / 16 / 83

HEX #1B2B24

RGB 27 43 36

HSL 153.75, 0.23%, 0.14%

LAB 15.94, -8.63, 2.43

 

CMYK 36 / 0 / 17 / 63

HEX #3C5E4E

RGB 60 94 78

HSL 151.76, 0.22%, 0.3%

LAB 36.96, -16.31, 5.29

 

CMYK 37 / 0 / 17 / 43

HEX #5C9179

RGB 92 145 121

HSL 152.83, 0.22%, 0.46%

LAB 55.99, -23.24, 7.21

 

CMYK 36 / 0 / 17 / 23

HEX #7DC4A3

RGB 125 196 163

HSL 152.11, 0.38%, 0.63%

LAB 73.86, -29.6, 9.59

 

CMYK 37 / 27 / 0 / 23

HEX #7C8FC4

RGB 124 143 196

HSL 224.17, 0.38%, 0.63%

LAB 59.81, 6.3, -29.66

 

CMYK 0 / 32 / 37 / 23

HEX #C4867C

RGB 196 134 124

HSL 8.33, 0.38%, 0.63%

LAB 61.86, 22.53, 15.02

 

CMYK 36 / 0 / 17 / 23

HEX #7DC4A3

RGB 125 196 163

HSL 152.11, 0.38%, 0.63%

LAB 73.86, -29.6, 9.59

 

CMYK 17 / 37 / 0 / 23

HEX #A37CC4

RGB 163 124 196

HSL 272.5, 0.38%, 0.63%

LAB 58.21, 28.94, -31.88

 

CMYK 0 / 17 / 37 / 23

HEX #C4A37C

RGB 196 163 124

HSL 32.5, 0.38%, 0.63%

LAB 69.03, 6.62, 24.81

 

CMYK 36 / 0 / 17 / 23

HEX #7DC4A3

RGB 125 196 163

HSL 152.11, 0.38%, 0.63%

LAB 73.86, -29.6, 9.59

 

CMYK 37 / 27 / 0 / 23

HEX #7C8FC4

RGB 124 143 196

HSL 224.17, 0.38%, 0.63%

LAB 59.81, 6.3, -29.66

 

CMYK 0 / 37 / 19 / 23

HEX #C47C9E

RGB 196 124 158

HSL 331.67, 0.38%, 0.63%

LAB 60.44, 32.74, -6.45

 

CMYK 0 / 10 / 37 / 23

HEX #C4B17C

RGB 196 177 124

HSL 44.17, 0.38%, 0.63%

LAB 72.65, -0.9, 29.63

 

CMYK 36 / 0 / 17 / 23

HEX #7DC4A3

RGB 125 196 163

HSL 152.11, 0.38%, 0.63%

LAB 73.86, -29.6, 9.59

 

CMYK 35 / 37 / 0 / 23

HEX #7F7CC4

RGB 127 124 196

HSL 242.5, 0.38%, 0.63%

LAB 54.98, 18.3, -37.17

 

CMYK 0 / 37 / 19 / 23

HEX #C47C9E

RGB 196 124 158

HSL 331.67, 0.38%, 0.63%

LAB 60.44, 32.74, -6.45

 

CMYK 1 / 0 / 37 / 23

HEX #C2C47C

RGB 194 196 124

HSL 61.67, 0.38%, 0.63%

LAB 77.52, -11.62, 35.94

 

Description

Color code: RGB 125 196 163 | qconv.com Color code: RGB 125 196 163 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 196 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 196 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 17 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 17% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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