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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 132 244 it is the complementary color RGB 130 123 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 132 244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 125 132 244: RGB 130 132 239, RGB 147 150 255, RGB 164 168 255, RGB 181 186 255 and RGB 198 204 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 132 244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 125 132 244: RGB 125 132 244, RGB 108 114 225, RGB 91 96 206, RGB 74 78 187 and RGB 57 60 168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 46 / 0 / 4

HEX #7D84F4

RGB 125 132 244

HSL 236.47, 0.84%, 0.72%

LAB 59.34, 26.83, -57.2

 

Complementary color

CMYK 0 / 5 / 92 / 49

HEX #827B0B

RGB 130 123 11

HSL 56.47, 0.84%, 0.28%

LAB 50.61, -9.05, 53.71

 

CMYK 46 / 45 / 0 / 6

HEX #8284EF

RGB 130 132 239

HSL 238.9, 0.77%, 0.72%

LAB 59.42, 26.48, -54.29

 

CMYK 42 / 41 / 0 / 0

HEX #9396FF

RGB 147 150 255

HSL 238.33, 1%, 0.79%

LAB 65.93, 24.6, -52.66

 

CMYK 36 / 34 / 0 / 0

HEX #A4A8FF

RGB 164 168 255

HSL 237.36, 1%, 0.82%

LAB 71.63, 18.67, -43.59

 

CMYK 29 / 27 / 0 / 0

HEX #B5BAFF

RGB 181 186 255

HSL 235.95, 1%, 0.85%

LAB 77.38, 13.32, -34.57

 

CMYK 22 / 20 / 0 / 0

HEX #C6CCFF

RGB 198 204 255

HSL 233.68, 1%, 0.89%

LAB 83.13, 8.5, -25.63

 

CMYK 49 / 46 / 0 / 4

HEX #7D84F4

RGB 125 132 244

HSL 236.47, 0.84%, 0.72%

LAB 59.34, 26.83, -57.2

 

CMYK 52 / 49 / 0 / 12

HEX #6C72E1

RGB 108 114 225

HSL 236.92, 0.66%, 0.65%

LAB 52.57, 28.13, -57.5

 

CMYK 56 / 53 / 0 / 19

HEX #5B60CE

RGB 91 96 206

HSL 237.39, 0.54%, 0.58%

LAB 45.7, 29.65, -57.83

 

CMYK 60 / 58 / 0 / 27

HEX #4A4EBB

RGB 74 78 187

HSL 237.88, 0.45%, 0.51%

LAB 38.71, 31.45, -58.17

 

CMYK 66 / 64 / 0 / 34

HEX #393CA8

RGB 57 60 168

HSL 238.38, 0.49%, 0.44%

LAB 31.64, 33.56, -58.46

 

CMYK 49 / 46 / 0 / 4

HEX #7D84F4

RGB 125 132 244

HSL 236.47, 0.84%, 0.72%

LAB 59.34, 26.83, -57.2

 

CMYK 44 / 49 / 0 / 5

HEX #877BF3

RGB 135 123 243

HSL 246, 0.83%, 0.72%

LAB 57.84, 34.06, -59.01

 

CMYK 36 / 49 / 0 / 5

HEX #9B7BF3

RGB 155 123 243

HSL 256, 0.83%, 0.72%

LAB 59.53, 38.79, -56.2

 

CMYK 28 / 49 / 0 / 5

HEX #AF7BF3

RGB 175 123 243

HSL 266, 0.83%, 0.72%

LAB 61.44, 43.82, -53.05

 

CMYK 20 / 49 / 0 / 5

HEX #C37BF3

RGB 195 123 243

HSL 276, 0.83%, 0.72%

LAB 63.54, 49.05, -49.58

 

CMYK 49 / 46 / 0 / 4

HEX #7D84F4

RGB 125 132 244

HSL 236.47, 0.84%, 0.72%

LAB 59.34, 26.83, -57.2

 

CMYK 50 / 45 / 0 / 84

HEX #141628

RGB 20 22 40

HSL 234, 0.33%, 0.12%

LAB 7.91, 4.96, -12.63

 

CMYK 48 / 46 / 0 / 64

HEX #2F315B

RGB 47 49 91

HSL 237.27, 0.32%, 0.27%

LAB 22.15, 11.77, -25.55

 

CMYK 49 / 46 / 0 / 44

HEX #494D8E

RGB 73 77 142

HSL 236.52, 0.32%, 0.42%

LAB 35.36, 16.9, -36.68

 

CMYK 49 / 46 / 0 / 24

HEX #6368C1

RGB 99 104 193

HSL 236.81, 0.43%, 0.57%

LAB 47.5, 22.3, -47.43

 

CMYK 49 / 46 / 0 / 4

HEX #7D84F4

RGB 125 132 244

HSL 236.47, 0.84%, 0.72%

LAB 59.34, 26.83, -57.2

 

CMYK 0 / 49 / 7 / 5

HEX #F37BE3

RGB 243 123 227

HSL 308, 0.83%, 0.72%

LAB 68.58, 59.3, -32.43

 

CMYK 26 / 0 / 49 / 5

HEX #B3F37B

RGB 179 243 123

HSL 92, 0.83%, 0.72%

LAB 89.45, -39.84, 51.12

 

CMYK 49 / 46 / 0 / 4

HEX #7D84F4

RGB 125 132 244

HSL 236.47, 0.84%, 0.72%

LAB 59.34, 26.83, -57.2

 

CMYK 0 / 49 / 46 / 5

HEX #F37B83

RGB 243 123 131

HSL 356, 0.83%, 0.72%

LAB 65.64, 46.67, 17.21

 

CMYK 46 / 0 / 49 / 5

HEX #83F37B

RGB 131 243 123

HSL 116, 0.83%, 0.72%

LAB 87.17, -55.05, 47.82

 

CMYK 49 / 46 / 0 / 4

HEX #7D84F4

RGB 125 132 244

HSL 236.47, 0.84%, 0.72%

LAB 59.34, 26.83, -57.2

 

CMYK 0 / 49 / 7 / 5

HEX #F37BE3

RGB 243 123 227

HSL 308, 0.83%, 0.72%

LAB 68.58, 59.3, -32.43

 

CMYK 0 / 3 / 49 / 5

HEX #F3EB7B

RGB 243 235 123

HSL 56, 0.83%, 0.72%

LAB 91.64, -11.91, 54.78

 

CMYK 49 / 0 / 43 / 5

HEX #7BF38B

RGB 123 243 139

HSL 128, 0.83%, 0.72%

LAB 87.08, -54.98, 39.94

 

CMYK 49 / 46 / 0 / 4

HEX #7D84F4

RGB 125 132 244

HSL 236.47, 0.84%, 0.72%

LAB 59.34, 26.83, -57.2

 

CMYK 0 / 49 / 21 / 5

HEX #F37BBF

RGB 243 123 191

HSL 326, 0.83%, 0.72%

LAB 67.26, 53.81, -14.37

 

CMYK 0 / 3 / 49 / 5

HEX #F3EB7B

RGB 243 235 123

HSL 56, 0.83%, 0.72%

LAB 91.64, -11.91, 54.78

 

CMYK 49 / 0 / 28 / 5

HEX #7BF3AF

RGB 123 243 175

HSL 146, 0.83%, 0.72%

LAB 87.68, -48.85, 22.62

 

Description

Color code: RGB 125 132 244 | qconv.com Color code: RGB 125 132 244 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 132 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 132 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 46 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 46% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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