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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 121 117 it is the complementary color RGB 130 134 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 121 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 125 121 117: RGB 130 121 112, RGB 147 139 131, RGB 164 157 150, RGB 181 175 169 and RGB 198 193 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 121 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 125 121 117: RGB 125 121 117, RGB 108 103 98, RGB 91 85 79, RGB 74 67 60 and RGB 57 49 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 6 / 51

HEX #7D7975

RGB 125 121 117

HSL 30, 0.03%, 0.47%

LAB 51.06, 0.75, 2.72

 

Complementary color

CMYK 6 / 3 / 0 / 46

HEX #82868A

RGB 130 134 138

HSL 210, 0.03%, 0.53%

LAB 55.72, -0.65, -2.66

 

CMYK 0 / 7 / 14 / 49

HEX #827970

RGB 130 121 112

HSL 30, 0.07%, 0.47%

LAB 51.37, 1.8, 6.17

 

CMYK 0 / 5 / 11 / 42

HEX #938B83

RGB 147 139 131

HSL 30, 0.07%, 0.55%

LAB 58.33, 1.52, 5.33

 

CMYK 0 / 4 / 9 / 36

HEX #A49D96

RGB 164 157 150

HSL 30, 0.07%, 0.62%

LAB 65.13, 1.28, 4.56

 

CMYK 0 / 3 / 7 / 29

HEX #B5AFA9

RGB 181 175 169

HSL 30, 0.08%, 0.69%

LAB 71.79, 1.06, 3.82

 

CMYK 0 / 3 / 5 / 22

HEX #C6C1BC

RGB 198 193 188

HSL 30, 0.08%, 0.76%

LAB 78.33, 0.85, 3.12

 

CMYK 0 / 3 / 6 / 51

HEX #7D7975

RGB 125 121 117

HSL 30, 0.03%, 0.47%

LAB 51.06, 0.75, 2.72

 

CMYK 0 / 5 / 9 / 58

HEX #6C6762

RGB 108 103 98

HSL 30, 0.05%, 0.4%

LAB 43.9, 0.99, 3.51

 

CMYK 0 / 7 / 13 / 64

HEX #5B554F

RGB 91 85 79

HSL 30, 0.07%, 0.33%

LAB 36.53, 1.26, 4.37

 

CMYK 0 / 9 / 19 / 71

HEX #4A433C

RGB 74 67 60

HSL 30, 0.1%, 0.26%

LAB 28.89, 1.6, 5.33

 

CMYK 0 / 14 / 28 / 78

HEX #393129

RGB 57 49 41

HSL 30, 0.16%, 0.19%

LAB 20.93, 2.03, 6.43

 

CMYK 0 / 3 / 6 / 51

HEX #7D7975

RGB 125 121 117

HSL 30, 0.03%, 0.47%

LAB 51.06, 0.75, 2.72

 

CMYK 0 / 2 / 6 / 52

HEX #7B7974

RGB 123 121 116

HSL 42.86, 0.03%, 0.47%

LAB 50.86, -0.21, 3

 

CMYK 0 / 1 / 6 / 52

HEX #7B7A74

RGB 123 122 116

HSL 51.43, 0.03%, 0.47%

LAB 51.14, -0.79, 3.41

 

CMYK 0 / 0 / 6 / 52

HEX #7B7B74

RGB 123 123 116

HSL 60, 0.03%, 0.47%

LAB 51.43, -1.36, 3.82

 

CMYK 1 / 0 / 6 / 52

HEX #7A7B74

RGB 122 123 116

HSL 68.57, 0.03%, 0.47%

LAB 51.34, -1.75, 3.69

 

CMYK 0 / 3 / 6 / 51

HEX #7D7975

RGB 125 121 117

HSL 30, 0.03%, 0.47%

LAB 51.06, 0.75, 2.72

 

CMYK 0 / 3 / 6 / 31

HEX #B0AAA5

RGB 176 170 165

HSL 27.27, 0.07%, 0.67%

LAB 69.96, 1.24, 3.33

 

CMYK 0 / 3 / 7 / 11

HEX #E3DCD4

RGB 227 220 212

HSL 32, 0.21%, 0.86%

LAB 88.1, 1.01, 4.76

 

CMYK 0 / 4 / 4 / 91

HEX #171616

RGB 23 22 22

HSL 0, 0.02%, 0.09%

LAB 7.35, 0.47, 0.16

 

CMYK 0 / 3 / 7 / 71

HEX #4A4845

RGB 74 72 69

HSL 36, 0.03%, 0.28%

LAB 30.69, 0.2, 2.09

 

CMYK 0 / 3 / 6 / 51

HEX #7D7975

RGB 125 121 117

HSL 30, 0.03%, 0.47%

LAB 51.06, 0.75, 2.72

 

CMYK 4 / 0 / 6 / 52

HEX #767B74

RGB 118 123 116

HSL 102.86, 0.03%, 0.47%

LAB 51.01, -3.28, 3.17

 

CMYK 6 / 6 / 0 / 52

HEX #74747B

RGB 116 116 123

HSL 240, 0.03%, 0.47%

LAB 49.05, 1.46, -3.85

 

CMYK 0 / 3 / 6 / 51

HEX #7D7975

RGB 125 121 117

HSL 30, 0.03%, 0.47%

LAB 51.06, 0.75, 2.72

 

CMYK 6 / 0 / 3 / 52

HEX #747B77

RGB 116 123 119

HSL 145.71, 0.03%, 0.47%

LAB 50.93, -3.43, 1.27

 

CMYK 3 / 6 / 0 / 52

HEX #77747B

RGB 119 116 123

HSL 265.71, 0.03%, 0.47%

LAB 49.3, 2.57, -3.44

 

CMYK 0 / 3 / 6 / 51

HEX #7D7975

RGB 125 121 117

HSL 30, 0.03%, 0.47%

LAB 51.06, 0.75, 2.72

 

CMYK 4 / 0 / 6 / 52

HEX #767B74

RGB 118 123 116

HSL 102.86, 0.03%, 0.47%

LAB 51.01, -3.28, 3.17

 

CMYK 6 / 3 / 0 / 52

HEX #74777B

RGB 116 119 123

HSL 214.29, 0.03%, 0.47%

LAB 49.9, -0.29, -2.59

 

CMYK 2 / 6 / 0 / 52

HEX #79747B

RGB 121 116 123

HSL 282.86, 0.03%, 0.47%

LAB 49.48, 3.32, -3.17

 

CMYK 0 / 3 / 6 / 51

HEX #7D7975

RGB 125 121 117

HSL 30, 0.03%, 0.47%

LAB 51.06, 0.75, 2.72

 

CMYK 6 / 0 / 6 / 52

HEX #747B74

RGB 116 123 116

HSL 120, 0.03%, 0.47%

LAB 50.85, -4.04, 2.92

 

CMYK 6 / 3 / 0 / 52

HEX #74777B

RGB 116 119 123

HSL 214.29, 0.03%, 0.47%

LAB 49.9, -0.29, -2.59

 

CMYK 0 / 6 / 0 / 52

HEX #7B747B

RGB 123 116 123

HSL 300, 0.03%, 0.47%

LAB 49.66, 4.07, -2.88

 

Description

Color code: RGB 125 121 117 | qconv.com Color code: RGB 125 121 117 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 121 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 121 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 6 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 6% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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