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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 104 199 it is the complementary color RGB 130 151 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 104 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 125 104 199: RGB 130 104 194, RGB 147 122 213, RGB 164 140 232, RGB 181 158 251 and RGB 198 176 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 104 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 125 104 199: RGB 125 104 199, RGB 108 86 180, RGB 91 68 161, RGB 74 50 142 and RGB 57 32 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 48 / 0 / 22

HEX #7D68C7

RGB 125 104 199

HSL 253.26, 0.46%, 0.59%

LAB 49.96, 30.48, -46.83

 

Complementary color

CMYK 14 / 0 / 63 / 41

HEX #829738

RGB 130 151 56

HSL 73.26, 0.46%, 0.41%

LAB 59.13, -21.61, 46.19

 

CMYK 33 / 46 / 0 / 24

HEX #8268C2

RGB 130 104 194

HSL 257.33, 0.42%, 0.58%

LAB 50.15, 30.45, -43.63

 

CMYK 31 / 43 / 0 / 16

HEX #937AD5

RGB 147 122 213

HSL 256.48, 0.52%, 0.66%

LAB 57, 29.51, -43.5

 

CMYK 29 / 40 / 0 / 9

HEX #A48CE8

RGB 164 140 232

HSL 255.65, 0.67%, 0.73%

LAB 63.73, 28.67, -43.41

 

CMYK 28 / 37 / 0 / 2

HEX #B59EFB

RGB 181 158 251

HSL 254.84, 0.92%, 0.8%

LAB 70.35, 27.91, -43.35

 

CMYK 22 / 31 / 0 / 0

HEX #C6B0FF

RGB 198 176 255

HSL 256.71, 1%, 0.85%

LAB 76.24, 23.73, -36.22

 

CMYK 37 / 48 / 0 / 22

HEX #7D68C7

RGB 125 104 199

HSL 253.26, 0.46%, 0.59%

LAB 49.96, 30.48, -46.83

 

CMYK 40 / 52 / 0 / 29

HEX #6C56B4

RGB 108 86 180

HSL 254.04, 0.39%, 0.52%

LAB 42.97, 31.61, -47.06

 

CMYK 43 / 58 / 0 / 37

HEX #5B44A1

RGB 91 68 161

HSL 254.84, 0.41%, 0.45%

LAB 35.85, 32.88, -47.3

 

CMYK 48 / 65 / 0 / 44

HEX #4A328E

RGB 74 50 142

HSL 255.65, 0.48%, 0.38%

LAB 28.62, 34.29, -47.51

 

CMYK 54 / 74 / 0 / 52

HEX #39207B

RGB 57 32 123

HSL 256.48, 0.59%, 0.3%

LAB 21.33, 35.7, -47.55

 

CMYK 37 / 48 / 0 / 22

HEX #7D68C7

RGB 125 104 199

HSL 253.26, 0.46%, 0.59%

LAB 49.96, 30.48, -46.83

 

CMYK 30 / 48 / 0 / 22

HEX #8B66C6

RGB 139 102 198

HSL 263.13, 0.46%, 0.59%

LAB 50.77, 35.08, -44.89

 

CMYK 22 / 48 / 0 / 22

HEX #9B66C6

RGB 155 102 198

HSL 273.13, 0.46%, 0.59%

LAB 52.45, 39.46, -42.12

 

CMYK 14 / 48 / 0 / 22

HEX #AB66C6

RGB 171 102 198

HSL 283.13, 0.46%, 0.59%

LAB 54.28, 43.96, -39.11

 

CMYK 6 / 48 / 0 / 22

HEX #BB66C6

RGB 187 102 198

HSL 293.13, 0.46%, 0.59%

LAB 56.23, 48.52, -35.91

 

CMYK 37 / 48 / 0 / 22

HEX #7D68C7

RGB 125 104 199

HSL 253.26, 0.46%, 0.59%

LAB 49.96, 30.48, -46.83

 

CMYK 37 / 48 / 0 / 2

HEX #9D83FA

RGB 157 131 250

HSL 253.11, 0.92%, 0.75%

LAB 61.91, 36.58, -56.25

 

CMYK 37 / 48 / 0 / 82

HEX #1D182E

RGB 29 24 46

HSL 253.64, 0.31%, 0.14%

LAB 9.89, 8.79, -13.9

 

CMYK 37 / 47 / 0 / 62

HEX #3D3361

RGB 61 51 97

HSL 253.04, 0.31%, 0.29%

LAB 24.39, 16.5, -25.83

 

CMYK 37 / 48 / 0 / 42

HEX #5D4D94

RGB 93 77 148

HSL 253.52, 0.32%, 0.44%

LAB 37.43, 24.05, -36.92

 

CMYK 37 / 48 / 0 / 22

HEX #7D68C7

RGB 125 104 199

HSL 253.26, 0.46%, 0.59%

LAB 49.96, 30.48, -46.83

 

CMYK 0 / 48 / 20 / 22

HEX #C6669E

RGB 198 102 158

HSL 325, 0.46%, 0.59%

LAB 56.06, 45.05, -12.98

 

CMYK 40 / 0 / 48 / 22

HEX #77C666

RGB 119 198 102

HSL 109.38, 0.46%, 0.59%

LAB 73.07, -42.73, 40.42

 

CMYK 37 / 48 / 0 / 22

HEX #7D68C7

RGB 125 104 199

HSL 253.26, 0.46%, 0.59%

LAB 49.96, 30.48, -46.83

 

CMYK 0 / 38 / 48 / 22

HEX #C67B66

RGB 198 123 102

HSL 13.13, 0.46%, 0.59%

LAB 59.1, 26.92, 23.76

 

CMYK 48 / 0 / 38 / 22

HEX #66C67B

RGB 102 198 123

HSL 133.13, 0.46%, 0.59%

LAB 72.66, -44.57, 29.07

 

CMYK 37 / 48 / 0 / 22

HEX #7D68C7

RGB 125 104 199

HSL 253.26, 0.46%, 0.59%

LAB 49.96, 30.48, -46.83

 

CMYK 0 / 48 / 20 / 22

HEX #C6669E

RGB 198 102 158

HSL 325, 0.46%, 0.59%

LAB 56.06, 45.05, -12.98

 

CMYK 11 / 0 / 48 / 22

HEX #B1C666

RGB 177 198 102

HSL 73.13, 0.46%, 0.59%

LAB 76.49, -21.74, 45.39

 

CMYK 48 / 0 / 28 / 22

HEX #66C68E

RGB 102 198 142

HSL 145, 0.46%, 0.59%

LAB 73, -41.1, 19.52

 

CMYK 37 / 48 / 0 / 22

HEX #7D68C7

RGB 125 104 199

HSL 253.26, 0.46%, 0.59%

LAB 49.96, 30.48, -46.83

 

CMYK 0 / 48 / 35 / 22

HEX #C66681

RGB 198 102 129

HSL 343.13, 0.46%, 0.59%

LAB 55.17, 41.08, 2.67

 

CMYK 11 / 0 / 48 / 22

HEX #B1C666

RGB 177 198 102

HSL 73.13, 0.46%, 0.59%

LAB 76.49, -21.74, 45.39

 

CMYK 48 / 0 / 14 / 22

HEX #66C6AB

RGB 102 198 171

HSL 163.13, 0.46%, 0.59%

LAB 73.64, -34.89, 4.82

 

Description

Color code: RGB 125 104 199 | qconv.com Color code: RGB 125 104 199 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 104 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 104 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 48 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 48% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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