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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125.7 128.6 166 it is the complementary color RGB 129.3 126.4 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125.7 128.6 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125.7 128.6 166 shade: RGB 130.7 128.6 161, RGB 147.7 146.6 180, RGB 164.7 164.6 199, RGB 181.7 182.6 218 and RGB 198.7 200.6 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125.7 128.6 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125.7 128.6 166 shade: RGB 125.7 128.6 166, RGB 108.7 110.6 147, RGB 91.7 92.6 128, RGB 74.7 74.6 109 and RGB 57.7 56.6 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125.7 128.6 166 shade: RGB 126 128 165, RGB 133 126 165, RGB 144 126 165, RGB 155 126 165 and RGB 165 126 165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125.7 128.6 166 shade: RGB 126 128 165 and RGB 126 126 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125.7 128.6 166 shade matches the following richer shades: RGB 126 128 165, RGB 108 113 183, RGB 90 98 201, RGB 72 83 218 and RGB 55 68 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125.7 128.6 166 shade: RGB 126 128 165, RGB 143 144 147, RGB 161 159 130, RGB 179 174 112 and RGB 197 189 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125.7 128.6 166 shade: RGB 126 150 165, RGB 126 139 165, RGB 126 129 165, RGB 133 126 165 and RGB 143 126 165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125.7 128.6 166 shade: RGB 85 88 123, RGB 102 106 147, RGB 126 128 165, RGB 150 152 182 and RGB 174 176 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125.7 128.6 166 shade: RGB 125.7 128.6 166, RGB 165 126 160 and RGB 145 165 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125.7 128.6 166 shade: RGB 125.7 128.6 166, RGB 165 126 129 and RGB 129 165 126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125.7 128.6 166 shade: RGB 125.7 128.6 166, RGB 165 126 160, RGB 165 162 126 and RGB 126 165 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125.7 128.6 166 shade: RGB 125.7 128.6 166, RGB 165 126 149, RGB 165 162 126 and RGB 126 165 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 23 / 0 / 35

HEX #7D80A6

RGB 125.7 128.6 166

HSL 235.68, 0.18%, 0.57%

LAB 54.83, 7.38, -20.22

 

Complementary color

CMYK 0 / 2 / 31 / 49

HEX #817E59

RGB 129.3 126.4 89

HSL 55.68, 0.18%, 0.43%

LAB 52.33, -5.19, 20.8

 

CMYK 19 / 20 / 0 / 37

HEX #8280A1

RGB 130.7 128.6 161

HSL 243.89, 0.15%, 0.57%

LAB 55.04, 7.8, -16.97

 

CMYK 18 / 19 / 0 / 29

HEX #9392B4

RGB 147.7 146.6 180

HSL 241.98, 0.18%, 0.64%

LAB 61.92, 7.46, -17.25

 

CMYK 17 / 17 / 0 / 22

HEX #A4A4C7

RGB 164.7 164.6 199

HSL 240.17, 0.23%, 0.71%

LAB 68.65, 7.15, -17.54

 

CMYK 17 / 16 / 0 / 15

HEX #B5B6DA

RGB 181.7 182.6 218

HSL 238.51, 0.33%, 0.78%

LAB 75.25, 6.86, -17.85

 

CMYK 16 / 15 / 0 / 7

HEX #C6C8ED

RGB 198.7 200.6 237

HSL 237.02, 0.52%, 0.85%

LAB 81.73, 6.6, -18.16

 

CMYK 24 / 23 / 0 / 35

HEX #7D80A6

RGB 125.7 128.6 166

HSL 235.68, 0.18%, 0.57%

LAB 54.83, 7.38, -20.22

 

CMYK 26 / 25 / 0 / 42

HEX #6C6E93

RGB 108.7 110.6 147

HSL 237.02, 0.15%, 0.5%

LAB 47.78, 7.78, -20.04

 

CMYK 28 / 28 / 0 / 50

HEX #5B5C80

RGB 91.7 92.6 128

HSL 238.51, 0.17%, 0.43%

LAB 40.54, 8.25, -19.91

 

CMYK 31 / 32 / 0 / 57

HEX #4A4A6D

RGB 74.7 74.6 109

HSL 240.17, 0.19%, 0.36%

LAB 33.06, 8.81, -19.84

 

CMYK 36 / 37 / 0 / 65

HEX #39385A

RGB 57.7 56.6 90

HSL 241.98, 0.23%, 0.29%

LAB 25.31, 9.5, -19.85

 

CMYK 24 / 22 / 0 / 35

HEX #7E80A5

RGB 126 128 165

HSL 236.92, 0.18%, 0.57%

LAB 54.65, 7.58, -19.91

 

CMYK 19 / 24 / 0 / 35

HEX #857EA5

RGB 133 126 165

HSL 250.77, 0.18%, 0.57%

LAB 54.68, 11.03, -19.81

 

CMYK 13 / 24 / 0 / 35

HEX #907EA5

RGB 144 126 165

HSL 267.69, 0.18%, 0.57%

LAB 55.65, 14.7, -18.24

 

CMYK 6 / 24 / 0 / 35

HEX #9B7EA5

RGB 155 126 165

HSL 284.62, 0.18%, 0.57%

LAB 56.69, 18.46, -16.57

 

CMYK 0 / 24 / 0 / 35

HEX #A57EA5

RGB 165 126 165

HSL 300, 0.18%, 0.57%

LAB 57.69, 21.92, -14.95

 

CMYK 24 / 22 / 0 / 35

HEX #7E80A5

RGB 126 128 165

HSL 236.92, 0.18%, 0.57%

LAB 54.65, 7.58, -19.91

 

CMYK 24 / 24 / 0 / 35

HEX #7E7EA5

RGB 126 126 165

HSL 240, 0.18%, 0.57%

LAB 54.11, 8.75, -20.74

 

CMYK 24 / 22 / 0 / 35

HEX #7E80A5

RGB 126 128 165

HSL 236.92, 0.18%, 0.57%

LAB 54.65, 7.58, -19.91

 

CMYK 41 / 38 / 0 / 28

HEX #6C71B7

RGB 108 113 183

HSL 236, 0.34%, 0.57%

LAB 50, 16.04, -37.65

 

CMYK 55 / 51 / 0 / 21

HEX #5A62C9

RGB 90 98 201

HSL 235.68, 0.51%, 0.57%

LAB 45.81, 26.6, -54.79

 

CMYK 67 / 62 / 0 / 15

HEX #4853DA

RGB 72 83 218

HSL 235.48, 0.66%, 0.57%

LAB 42.19, 38.51, -70.45

 

CMYK 77 / 71 / 0 / 7

HEX #3744EC

RGB 55 68 236

HSL 235.69, 0.83%, 0.57%

LAB 39.58, 51.65, -85

 

CMYK 24 / 22 / 0 / 35

HEX #7E80A5

RGB 126 128 165

HSL 236.92, 0.18%, 0.57%

LAB 54.65, 7.58, -19.91

 

CMYK 3 / 2 / 0 / 42

HEX #8F9093

RGB 143 144 147

HSL 225, 0.02%, 0.57%

LAB 59.79, 0.23, -1.72

 

CMYK 0 / 1 / 19 / 37

HEX #A19F82

RGB 161 159 130

HSL 56.13, 0.14%, 0.57%

LAB 64.95, -4.29, 15.43

 

CMYK 0 / 3 / 37 / 30

HEX #B3AE70

RGB 179 174 112

HSL 55.52, 0.31%, 0.57%

LAB 70.19, -7.59, 32.48

 

CMYK 0 / 4 / 52 / 23

HEX #C5BD5E

RGB 197 189 94

HSL 55.34, 0.47%, 0.57%

LAB 75.5, -9.82, 48.43

 

CMYK 24 / 9 / 0 / 35

HEX #7E96A5

RGB 126 150 165

HSL 203.08, 0.18%, 0.57%

LAB 60.75, -4.99, -10.67

 

CMYK 24 / 16 / 0 / 35

HEX #7E8BA5

RGB 126 139 165

HSL 220, 0.18%, 0.57%

LAB 57.67, 1.21, -15.31

 

CMYK 24 / 22 / 0 / 35

HEX #7E81A5

RGB 126 129 165

HSL 235.38, 0.18%, 0.57%

LAB 54.92, 6.99, -19.5

 

CMYK 19 / 24 / 0 / 35

HEX #857EA5

RGB 133 126 165

HSL 250.77, 0.18%, 0.57%

LAB 54.68, 11.03, -19.81

 

CMYK 13 / 24 / 0 / 35

HEX #8F7EA5

RGB 143 126 165

HSL 266.15, 0.18%, 0.57%

LAB 55.56, 14.36, -18.39

 

CMYK 31 / 28 / 0 / 52

HEX #55587B

RGB 85 88 123

HSL 235.26, 0.18%, 0.41%

LAB 38.45, 7.57, -20.13

 

CMYK 31 / 28 / 0 / 42

HEX #666A93

RGB 102 106 147

HSL 234.67, 0.18%, 0.49%

LAB 45.96, 8.43, -22.89

 

CMYK 24 / 22 / 0 / 35

HEX #7E80A5

RGB 126 128 165

HSL 236.92, 0.18%, 0.57%

LAB 54.65, 7.58, -19.91

 

CMYK 18 / 16 / 0 / 29

HEX #9698B6

RGB 150 152 182

HSL 236.25, 0.18%, 0.65%

LAB 63.6, 5.61, -15.8

 

CMYK 13 / 12 / 0 / 22

HEX #AEB0C7

RGB 174 176 199

HSL 235.2, 0.18%, 0.73%

LAB 72.34, 3.9, -11.9

 

CMYK 24 / 23 / 0 / 35

HEX #7D80A6

RGB 125.7 128.6 166

HSL 235.68, 0.18%, 0.57%

LAB 54.83, 7.38, -20.22

 

CMYK 0 / 24 / 3 / 35

HEX #A57EA0

RGB 165 126 160

HSL 307.69, 0.18%, 0.57%

LAB 57.52, 20.96, -12.34

 

CMYK 12 / 0 / 24 / 35

HEX #91A57E

RGB 145 165 126

HSL 90.77, 0.18%, 0.57%

LAB 65.31, -14.25, 17.94

 

CMYK 24 / 23 / 0 / 35

HEX #7D80A6

RGB 125.7 128.6 166

HSL 235.68, 0.18%, 0.57%

LAB 54.83, 7.38, -20.22

 

CMYK 0 / 24 / 22 / 35

HEX #A57E81

RGB 165 126 129

HSL 355.38, 0.18%, 0.57%

LAB 56.59, 15.55, 4.21

 

CMYK 22 / 0 / 24 / 35

HEX #81A57E

RGB 129 165 126

HSL 115.38, 0.18%, 0.57%

LAB 64.23, -20.1, 16.28

 

CMYK 24 / 23 / 0 / 35

HEX #7D80A6

RGB 125.7 128.6 166

HSL 235.68, 0.18%, 0.57%

LAB 54.83, 7.38, -20.22

 

CMYK 0 / 24 / 3 / 35

HEX #A57EA0

RGB 165 126 160

HSL 307.69, 0.18%, 0.57%

LAB 57.52, 20.96, -12.34

 

CMYK 0 / 2 / 24 / 35

HEX #A5A27E

RGB 165 162 126

HSL 55.38, 0.18%, 0.57%

LAB 66.02, -4.95, 19.16

 

CMYK 24 / 0 / 21 / 35

HEX #7EA582

RGB 126 165 130

HSL 126.15, 0.18%, 0.57%

LAB 64.13, -20.43, 13.9

 

CMYK 24 / 23 / 0 / 35

HEX #7D80A6

RGB 125.7 128.6 166

HSL 235.68, 0.18%, 0.57%

LAB 54.83, 7.38, -20.22

 

CMYK 0 / 24 / 10 / 35

HEX #A57E95

RGB 165 126 149

HSL 324.62, 0.18%, 0.57%

LAB 57.16, 18.92, -6.52

 

CMYK 0 / 2 / 24 / 35

HEX #A5A27E

RGB 165 162 126

HSL 55.38, 0.18%, 0.57%

LAB 66.02, -4.95, 19.16

 

CMYK 24 / 0 / 14 / 35

HEX #7EA58E

RGB 126 165 142

HSL 144.62, 0.18%, 0.57%

LAB 64.4, -18.11, 7.62

 

Description

Color code: RGB 125.7 128.6 166 | qconv.com Color code: RGB 125.7 128.6 166 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125.7 red, 128.6 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125.7 128.6 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 23 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 23% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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