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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 17 / 16 / 0 / 15 it is the complementary color CMYK 0 / 3 / 49 / 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 17 / 16 / 0 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 17 / 16 / 0 / 15: CMYK 13 / 14 / 0 / 17, CMYK 13 / 13 / 0 / 9, CMYK 12 / 13 / 0 / 2, CMYK 7 / 7 / 0 / 0 and CMYK 1 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 17 / 16 / 0 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 17 / 16 / 0 / 15: CMYK 17 / 16 / 0 / 15, CMYK 18 / 17 / 0 / 22, CMYK 18 / 18 / 0 / 30, CMYK 19 / 20 / 0 / 37 and CMYK 21 / 22 / 0 / 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 16 / 0 / 15

HEX #B4B6D9

RGB 180 182 217

HSL 236.76, 0.33%, 0.78%

LAB 74.93, 6.43, -17.79

 

Complementary color

CMYK 0 / 3 / 49 / 71

HEX #4B4926

RGB 75 73 38

HSL 56.76, 0.33%, 0.22%

LAB 30.4, -5.06, 21.17

 

CMYK 13 / 14 / 0 / 17

HEX #B9B6D4

RGB 185 182 212

HSL 246, 0.26%, 0.77%

LAB 75.15, 6.97, -14.7

 

CMYK 13 / 13 / 0 / 9

HEX #CAC8E7

RGB 202 200 231

HSL 243.87, 0.39%, 0.85%

LAB 81.64, 6.71, -15.07

 

CMYK 12 / 13 / 0 / 2

HEX #DBDAFA

RGB 219 218 250

HSL 241.88, 0.76%, 0.92%

LAB 88.02, 6.46, -15.44

 

CMYK 7 / 7 / 0 / 0

HEX #ECECFF

RGB 236 236 255

HSL 240, 1%, 0.96%

LAB 93.9, 3.5, -9.15

 

CMYK 1 / 0 / 0 / 0

HEX #FDFEFF

RGB 253 254 255

HSL 210, 1%, 1%

LAB 99.61, -0.15, -0.6

 

CMYK 17 / 16 / 0 / 15

HEX #B4B6D9

RGB 180 182 217

HSL 236.76, 0.33%, 0.78%

LAB 74.93, 6.43, -17.79

 

CMYK 18 / 17 / 0 / 22

HEX #A3A4C6

RGB 163 164 198

HSL 238.29, 0.23%, 0.71%

LAB 68.33, 6.71, -17.49

 

CMYK 18 / 18 / 0 / 30

HEX #9292B3

RGB 146 146 179

HSL 240, 0.18%, 0.64%

LAB 61.59, 7.02, -17.19

 

CMYK 19 / 20 / 0 / 37

HEX #8180A0

RGB 129 128 160

HSL 241.88, 0.14%, 0.56%

LAB 54.7, 7.35, -16.92

 

CMYK 21 / 22 / 0 / 45

HEX #706E8D

RGB 112 110 141

HSL 243.87, 0.12%, 0.49%

LAB 47.65, 7.73, -16.66

 

CMYK 17 / 16 / 0 / 15

HEX #B4B6D9

RGB 180 182 217

HSL 236.76, 0.33%, 0.78%

LAB 74.93, 6.43, -17.79

 

CMYK 15 / 17 / 0 / 15

HEX #B8B4D9

RGB 184 180 217

HSL 246.49, 0.33%, 0.78%

LAB 74.73, 8.8, -18.08

 

CMYK 12 / 17 / 0 / 15

HEX #BEB4D9

RGB 190 180 217

HSL 256.22, 0.33%, 0.78%

LAB 75.2, 10.74, -17.31

 

CMYK 10 / 17 / 0 / 15

HEX #C4B4D9

RGB 196 180 217

HSL 265.95, 0.33%, 0.78%

LAB 75.69, 12.69, -16.52

 

CMYK 7 / 17 / 0 / 15

HEX #CAB4D9

RGB 202 180 217

HSL 275.68, 0.33%, 0.78%

LAB 76.2, 14.67, -15.71

 

CMYK 17 / 16 / 0 / 15

HEX #B4B6D9

RGB 180 182 217

HSL 236.76, 0.33%, 0.78%

LAB 74.93, 6.43, -17.79

 

CMYK 15 / 15 / 0 / 95

HEX #0B0B0D

RGB 11 11 13

HSL 240, 0.08%, 0.05%

LAB 3.07, 0.31, -0.85

 

CMYK 17 / 16 / 0 / 75

HEX #353640

RGB 53 54 64

HSL 234.55, 0.09%, 0.23%

LAB 22.88, 2.06, -6.36

 

CMYK 17 / 17 / 0 / 55

HEX #5F6073

RGB 95 96 115

HSL 237, 0.1%, 0.41%

LAB 41.27, 3.94, -10.84

 

CMYK 17 / 16 / 0 / 35

HEX #8A8BA6

RGB 138 139 166

HSL 237.86, 0.14%, 0.6%

LAB 58.62, 5.39, -14.36

 

CMYK 17 / 16 / 0 / 15

HEX #B4B6D9

RGB 180 182 217

HSL 236.76, 0.33%, 0.78%

LAB 74.93, 6.43, -17.79

 

CMYK 0 / 17 / 2 / 15

HEX #D9B4D4

RGB 217 180 212

HSL 308.11, 0.33%, 0.78%

LAB 77.37, 18.75, -11.1

 

CMYK 9 / 0 / 17 / 15

HEX #C5D9B4

RGB 197 217 180

HSL 92.43, 0.33%, 0.78%

LAB 84.38, -13.3, 16

 

CMYK 17 / 16 / 0 / 15

HEX #B4B6D9

RGB 180 182 217

HSL 236.76, 0.33%, 0.78%

LAB 74.93, 6.43, -17.79

 

CMYK 0 / 17 / 16 / 15

HEX #D9B4B6

RGB 217 180 182

HSL 356.76, 0.33%, 0.78%

LAB 76.54, 13.64, 3.98

 

CMYK 16 / 0 / 17 / 15

HEX #B6D9B4

RGB 182 217 180

HSL 116.76, 0.33%, 0.78%

LAB 83.37, -18.49, 14.45

 

CMYK 17 / 16 / 0 / 15

HEX #B4B6D9

RGB 180 182 217

HSL 236.76, 0.33%, 0.78%

LAB 74.93, 6.43, -17.79

 

CMYK 0 / 17 / 2 / 15

HEX #D9B4D4

RGB 217 180 212

HSL 308.11, 0.33%, 0.78%

LAB 77.37, 18.75, -11.1

 

CMYK 0 / 1 / 17 / 15

HEX #D9D6B4

RGB 217 214 180

HSL 55.14, 0.33%, 0.78%

LAB 85.07, -4.59, 17.19

 

CMYK 17 / 0 / 15 / 15

HEX #B4D9B9

RGB 180 217 185

HSL 128.11, 0.33%, 0.78%

LAB 83.35, -18.28, 11.76

 

CMYK 17 / 16 / 0 / 15

HEX #B4B6D9

RGB 180 182 217

HSL 236.76, 0.33%, 0.78%

LAB 74.93, 6.43, -17.79

 

CMYK 0 / 17 / 7 / 15

HEX #D9B4C9

RGB 217 180 201

HSL 325.95, 0.33%, 0.78%

LAB 77.05, 16.79, -5.61

 

CMYK 0 / 1 / 17 / 15

HEX #D9D6B4

RGB 217 214 180

HSL 55.14, 0.33%, 0.78%

LAB 85.07, -4.59, 17.19

 

CMYK 17 / 0 / 10 / 15

HEX #B4D9C4

RGB 180 217 196

HSL 145.95, 0.33%, 0.78%

LAB 83.61, -16.25, 6.31

 

Description

Color code: CMYK 17 / 16 / 0 / 15 | qconv.com Color code: CMYK 17 / 16 / 0 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 182 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 182 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 16 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 16% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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