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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 246 71 it is the complementary color RGB 131 9 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 246 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 124 246 71: RGB 129 246 66, RGB 146 255 85, RGB 163 255 104, RGB 180 255 123 and RGB 197 255 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 246 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 124 246 71: RGB 124 246 71, RGB 107 228 52, RGB 90 210 33, RGB 73 192 14 and RGB 56 174 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 71 / 4

HEX #7CF647

RGB 124 246 71

HSL 101.83, 0.91%, 0.62%

LAB 87.32, -63.27, 69.67

 

Complementary color

CMYK 29 / 95 / 0 / 28

HEX #8309B8

RGB 131 9 184

HSL 281.83, 0.91%, 0.38%

LAB 34.97, 68.03, -62.23

 

CMYK 48 / 0 / 73 / 4

HEX #81F642

RGB 129 246 66

HSL 99, 0.91%, 0.61%

LAB 87.47, -62.18, 71.58

 

CMYK 43 / 0 / 67 / 0

HEX #92FF55

RGB 146 255 85

HSL 98.47, 1%, 0.67%

LAB 90.91, -59.21, 68.58

 

CMYK 36 / 0 / 59 / 0

HEX #A3FF68

RGB 163 255 104

HSL 96.56, 1%, 0.7%

LAB 91.82, -52.27, 62.16

 

CMYK 29 / 0 / 52 / 0

HEX #B4FF7B

RGB 180 255 123

HSL 94.09, 1%, 0.74%

LAB 92.86, -44.75, 55.24

 

CMYK 23 / 0 / 44 / 0

HEX #C5FF8E

RGB 197 255 142

HSL 90.8, 1%, 0.78%

LAB 94.03, -36.78, 48.03

 

CMYK 50 / 0 / 71 / 4

HEX #7CF647

RGB 124 246 71

HSL 101.83, 0.91%, 0.62%

LAB 87.32, -63.27, 69.67

 

CMYK 53 / 0 / 77 / 11

HEX #6BE434

RGB 107 228 52

HSL 101.25, 0.77%, 0.55%

LAB 81.21, -62.62, 69.65

 

CMYK 57 / 0 / 84 / 18

HEX #5AD221

RGB 90 210 33

HSL 100.68, 0.73%, 0.48%

LAB 75.06, -61.66, 68.85

 

CMYK 62 / 0 / 93 / 25

HEX #49C00E

RGB 73 192 14

HSL 100.11, 0.86%, 0.4%

LAB 68.86, -60.28, 66.84

 

CMYK 68 / 0 / 100 / 32

HEX #38AE00

RGB 56 174 0

HSL 100.69, 1%, 0.34%

LAB 62.6, -58.39, 63.33

 

CMYK 50 / 0 / 71 / 4

HEX #7CF647

RGB 124 246 71

HSL 101.83, 0.91%, 0.62%

LAB 87.32, -63.27, 69.67

 

CMYK 61 / 0 / 72 / 4

HEX #60F645

RGB 96 246 69

HSL 110.85, 0.91%, 0.62%

LAB 86.42, -70.38, 69.17

 

CMYK 72 / 0 / 71 / 4

HEX #45F648

RGB 69 246 72

HSL 121.02, 0.91%, 0.62%

LAB 85.83, -75.22, 67.33

 

CMYK 72 / 0 / 59 / 4

HEX #45F666

RGB 69 246 102

HSL 131.19, 0.91%, 0.62%

LAB 86.07, -72.25, 55.63

 

CMYK 72 / 0 / 47 / 4

HEX #45F683

RGB 69 246 131

HSL 141.02, 0.91%, 0.62%

LAB 86.41, -68.29, 42.68

 

CMYK 50 / 0 / 71 / 4

HEX #7CF647

RGB 124 246 71

HSL 101.83, 0.91%, 0.62%

LAB 87.32, -63.27, 69.67

 

CMYK 50 / 0 / 71 / 84

HEX #152A0C

RGB 21 42 12

HSL 102, 0.56%, 0.11%

LAB 14.63, -15.5, 16.08

 

CMYK 49 / 0 / 71 / 64

HEX #2F5D1B

RGB 47 93 27

HSL 101.82, 0.55%, 0.24%

LAB 35.03, -29.11, 31.89

 

CMYK 49 / 0 / 71 / 44

HEX #49902A

RGB 73 144 42

HSL 101.76, 0.55%, 0.36%

LAB 53.52, -41.15, 45.26

 

CMYK 50 / 0 / 71 / 24

HEX #62C338

RGB 98 195 56

HSL 101.87, 0.55%, 0.49%

LAB 70.81, -52.69, 57.96

 

CMYK 50 / 0 / 71 / 4

HEX #7CF647

RGB 124 246 71

HSL 101.83, 0.91%, 0.62%

LAB 87.32, -63.27, 69.67

 

CMYK 72 / 0 / 9 / 4

HEX #45F6E1

RGB 69 246 225

HSL 172.88, 0.91%, 0.62%

LAB 88.26, -48.49, -2.69

 

CMYK 0 / 72 / 20 / 4

HEX #F645C4

RGB 246 69 196

HSL 316.95, 0.91%, 0.62%

LAB 59.74, 77.43, -28.65

 

CMYK 50 / 0 / 71 / 4

HEX #7CF647

RGB 124 246 71

HSL 101.83, 0.91%, 0.62%

LAB 87.32, -63.27, 69.67

 

CMYK 72 / 49 / 0 / 4

HEX #457DF6

RGB 69 125 246

HSL 221.02, 0.91%, 0.62%

LAB 54.64, 21.83, -66.01

 

CMYK 0 / 72 / 49 / 4

HEX #F6457D

RGB 246 69 125

HSL 341.02, 0.91%, 0.62%

LAB 57.4, 69.95, 9.22

 

CMYK 50 / 0 / 71 / 4

HEX #7CF647

RGB 124 246 71

HSL 101.83, 0.91%, 0.62%

LAB 87.32, -63.27, 69.67

 

CMYK 72 / 0 / 9 / 4

HEX #45F6E1

RGB 69 246 225

HSL 172.88, 0.91%, 0.62%

LAB 88.26, -48.49, -2.69

 

CMYK 23 / 72 / 0 / 4

HEX #BE45F6

RGB 190 69 246

HSL 281.02, 0.91%, 0.62%

LAB 53.88, 73.5, -66.73

 

CMYK 0 / 72 / 63 / 4

HEX #F6455A

RGB 246 69 90

HSL 352.88, 0.91%, 0.62%

LAB 56.67, 67.54, 28.86

 

CMYK 50 / 0 / 71 / 4

HEX #7CF647

RGB 124 246 71

HSL 101.83, 0.91%, 0.62%

LAB 87.32, -63.27, 69.67

 

CMYK 72 / 13 / 0 / 4

HEX #45D5F6

RGB 69 213 246

HSL 191.19, 0.91%, 0.62%

LAB 79.33, -27.43, -27.17

 

CMYK 23 / 72 / 0 / 4

HEX #BE45F6

RGB 190 69 246

HSL 281.02, 0.91%, 0.62%

LAB 53.88, 73.5, -66.73

 

CMYK 0 / 59 / 72 / 4

HEX #F66645

RGB 246 102 69

HSL 11.19, 0.91%, 0.62%

LAB 61.24, 53.35, 45.99

 

Description

Color code: RGB 124 246 71 | qconv.com Color code: RGB 124 246 71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 246 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 246 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 71 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 71% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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