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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 201 147 it is the complementary color RGB 131 54 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 201 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 124 201 147: RGB 129 201 142, RGB 146 219 161, RGB 163 237 180, RGB 180 255 199 and RGB 197 255 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 201 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 124 201 147: RGB 124 201 147, RGB 107 183 128, RGB 90 165 109, RGB 73 147 90 and RGB 56 129 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 27 / 21

HEX #7CC993

RGB 124 201 147

HSL 137.92, 0.42%, 0.64%

LAB 74.93, -35.39, 19.66

 

Complementary color

CMYK 0 / 59 / 18 / 49

HEX #83366C

RGB 131 54 108

HSL 317.92, 0.42%, 0.36%

LAB 35.1, 39.9, -15.5

 

CMYK 36 / 0 / 29 / 21

HEX #81C98E

RGB 129 201 142

HSL 130.83, 0.4%, 0.65%

LAB 75.07, -34.78, 22.55

 

CMYK 33 / 0 / 26 / 14

HEX #92DBA1

RGB 146 219 161

HSL 132.33, 0.5%, 0.72%

LAB 81.48, -34.51, 21.48

 

CMYK 31 / 0 / 24 / 7

HEX #A3EDB4

RGB 163 237 180

HSL 133.78, 0.67%, 0.78%

LAB 87.8, -34.25, 20.48

 

CMYK 29 / 0 / 22 / 0

HEX #B4FFC7

RGB 180 255 199

HSL 135.2, 1%, 0.85%

LAB 94.03, -34.01, 19.53

 

CMYK 23 / 0 / 15 / 0

HEX #C5FFDA

RGB 197 255 218

HSL 141.72, 1%, 0.89%

LAB 95.35, -25.35, 11.79

 

CMYK 38 / 0 / 27 / 21

HEX #7CC993

RGB 124 201 147

HSL 137.92, 0.42%, 0.64%

LAB 74.93, -35.39, 19.66

 

CMYK 42 / 0 / 30 / 28

HEX #6BB780

RGB 107 183 128

HSL 136.58, 0.35%, 0.57%

LAB 68.42, -35.65, 20.78

 

CMYK 45 / 0 / 34 / 35

HEX #5AA56D

RGB 90 165 109

HSL 135.2, 0.29%, 0.5%

LAB 61.82, -35.89, 21.98

 

CMYK 50 / 0 / 39 / 42

HEX #49935A

RGB 73 147 90

HSL 133.78, 0.34%, 0.43%

LAB 55.1, -36.08, 23.28

 

CMYK 57 / 0 / 45 / 49

HEX #388147

RGB 56 129 71

HSL 132.33, 0.39%, 0.36%

LAB 48.26, -36.15, 24.7

 

CMYK 38 / 0 / 27 / 21

HEX #7CC993

RGB 124 201 147

HSL 137.92, 0.42%, 0.64%

LAB 74.93, -35.39, 19.66

 

CMYK 38 / 0 / 21 / 21

HEX #7CC99F

RGB 124 201 159

HSL 147.27, 0.42%, 0.64%

LAB 75.18, -33.07, 13.6

 

CMYK 38 / 0 / 14 / 21

HEX #7CC9AC

RGB 124 201 172

HSL 157.4, 0.42%, 0.64%

LAB 75.47, -30.37, 7.03

 

CMYK 38 / 0 / 8 / 21

HEX #7CC9B9

RGB 124 201 185

HSL 167.53, 0.42%, 0.64%

LAB 75.8, -27.49, 0.49

 

CMYK 38 / 0 / 2 / 21

HEX #7CC9C5

RGB 124 201 197

HSL 176.88, 0.42%, 0.64%

LAB 76.12, -24.66, -5.52

 

CMYK 38 / 0 / 27 / 21

HEX #7CC993

RGB 124 201 147

HSL 137.92, 0.42%, 0.64%

LAB 74.93, -35.39, 19.66

 

CMYK 38 / 0 / 27 / 1

HEX #9BFCB8

RGB 155 252 184

HSL 137.94, 0.94%, 0.8%

LAB 91.71, -42.66, 23.77

 

CMYK 38 / 0 / 27 / 81

HEX #1E3023

RGB 30 48 35

HSL 136.67, 0.23%, 0.15%

LAB 17.97, -10.82, 6.02

 

CMYK 38 / 0 / 27 / 61

HEX #3D6348

RGB 61 99 72

HSL 137.37, 0.24%, 0.31%

LAB 38.52, -20.02, 11.17

 

CMYK 38 / 0 / 27 / 41

HEX #5D966E

RGB 93 150 110

HSL 137.89, 0.23%, 0.48%

LAB 57.33, -27.72, 15.33

 

CMYK 38 / 0 / 27 / 21

HEX #7CC993

RGB 124 201 147

HSL 137.92, 0.42%, 0.64%

LAB 74.93, -35.39, 19.66

 

CMYK 38 / 18 / 0 / 21

HEX #7CA4C9

RGB 124 164 201

HSL 208.83, 0.42%, 0.64%

LAB 65.79, -4.24, -23.25

 

CMYK 0 / 38 / 34 / 21

HEX #C97C85

RGB 201 124 133

HSL 352.99, 0.42%, 0.64%

LAB 60.36, 31.03, 7.86

 

CMYK 38 / 0 / 27 / 21

HEX #7CC993

RGB 124 201 147

HSL 137.92, 0.42%, 0.64%

LAB 74.93, -35.39, 19.66

 

CMYK 27 / 38 / 0 / 21

HEX #927CC9

RGB 146 124 201

HSL 257.14, 0.42%, 0.64%

LAB 56.82, 25.03, -37.01

 

CMYK 0 / 27 / 38 / 21

HEX #C9927C

RGB 201 146 124

HSL 17.14, 0.42%, 0.64%

LAB 65.3, 17.91, 19.85

 

CMYK 38 / 0 / 27 / 21

HEX #7CC993

RGB 124 201 147

HSL 137.92, 0.42%, 0.64%

LAB 74.93, -35.39, 19.66

 

CMYK 38 / 18 / 0 / 21

HEX #7CA4C9

RGB 124 164 201

HSL 208.83, 0.42%, 0.64%

LAB 65.79, -4.24, -23.25

 

CMYK 0 / 38 / 11 / 21

HEX #C97CB3

RGB 201 124 179

HSL 317.14, 0.42%, 0.64%

LAB 61.73, 37.87, -16.46

 

CMYK 0 / 20 / 38 / 21

HEX #C9A17C

RGB 201 161 124

HSL 28.83, 0.42%, 0.64%

LAB 69.01, 9.72, 24.87

 

CMYK 38 / 0 / 27 / 21

HEX #7CC993

RGB 124 201 147

HSL 137.92, 0.42%, 0.64%

LAB 74.93, -35.39, 19.66

 

CMYK 38 / 30 / 0 / 21

HEX #7C8DC9

RGB 124 141 201

HSL 226.75, 0.42%, 0.64%

LAB 59.48, 8.84, -32.99

 

CMYK 0 / 38 / 11 / 21

HEX #C97CB3

RGB 201 124 179

HSL 317.14, 0.42%, 0.64%

LAB 61.73, 37.87, -16.46

 

CMYK 0 / 8 / 38 / 21

HEX #C9B97C

RGB 201 185 124

HSL 47.53, 0.42%, 0.64%

LAB 75.18, -3.12, 33.02

 

Description

Color code: RGB 124 201 147 | qconv.com Color code: RGB 124 201 147 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 201 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 201 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 27 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 27% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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