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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 190 155 it is the complementary color RGB 131 65 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 190 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 124 190 155: RGB 129 190 150, RGB 146 208 169, RGB 163 226 188, RGB 180 244 207 and RGB 197 255 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 190 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 124 190 155: RGB 124 190 155, RGB 107 172 136, RGB 90 154 117, RGB 73 136 98 and RGB 56 118 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 18 / 25

HEX #7CBE9B

RGB 124 190 155

HSL 148.18, 0.34%, 0.62%

LAB 71.88, -28.64, 11.1

 

Complementary color

CMYK 0 / 50 / 24 / 49

HEX #834164

RGB 131 65 100

HSL 328.18, 0.34%, 0.38%

LAB 36.98, 32.85, -7.6

 

CMYK 32 / 0 / 21 / 25

HEX #81BE96

RGB 129 190 150

HSL 140.66, 0.32%, 0.63%

LAB 72.02, -28.1, 14.05

 

CMYK 30 / 0 / 19 / 18

HEX #92D0A9

RGB 146 208 169

HSL 142.26, 0.4%, 0.69%

LAB 78.51, -27.84, 13.12

 

CMYK 28 / 0 / 17 / 11

HEX #A3E2BC

RGB 163 226 188

HSL 143.81, 0.52%, 0.76%

LAB 84.9, -27.61, 12.24

 

CMYK 26 / 0 / 15 / 4

HEX #B4F4CF

RGB 180 244 207

HSL 145.31, 0.74%, 0.83%

LAB 91.19, -27.4, 11.41

 

CMYK 23 / 0 / 11 / 0

HEX #C5FFE2

RGB 197 255 226

HSL 150, 1%, 0.89%

LAB 95.53, -23.86, 7.93

 

CMYK 35 / 0 / 18 / 25

HEX #7CBE9B

RGB 124 190 155

HSL 148.18, 0.34%, 0.62%

LAB 71.88, -28.64, 11.1

 

CMYK 38 / 0 / 21 / 33

HEX #6BAC88

RGB 107 172 136

HSL 146.77, 0.28%, 0.55%

LAB 65.29, -28.9, 12.06

 

CMYK 42 / 0 / 24 / 40

HEX #5A9A75

RGB 90 154 117

HSL 145.31, 0.26%, 0.48%

LAB 58.57, -29.17, 13.1

 

CMYK 46 / 0 / 28 / 47

HEX #498862

RGB 73 136 98

HSL 143.81, 0.3%, 0.41%

LAB 51.73, -29.43, 14.24

 

CMYK 53 / 0 / 33 / 54

HEX #38764F

RGB 56 118 79

HSL 142.26, 0.36%, 0.34%

LAB 44.75, -29.64, 15.51

 

CMYK 35 / 0 / 18 / 25

HEX #7CBE9B

RGB 124 190 155

HSL 148.18, 0.34%, 0.62%

LAB 71.88, -28.64, 11.1

 

CMYK 35 / 0 / 13 / 25

HEX #7DBFA6

RGB 125 191 166

HSL 157.27, 0.34%, 0.62%

LAB 72.48, -26.54, 5.98

 

CMYK 35 / 0 / 7 / 25

HEX #7DBFB1

RGB 125 191 177

HSL 167.27, 0.34%, 0.62%

LAB 72.76, -24.11, 0.4

 

CMYK 35 / 0 / 2 / 25

HEX #7DBFBC

RGB 125 191 188

HSL 177.27, 0.34%, 0.62%

LAB 73.06, -21.55, -5.16

 

CMYK 35 / 5 / 0 / 25

HEX #7DB6BF

RGB 125 182 191

HSL 188.18, 0.34%, 0.62%

LAB 70.58, -16.21, -10.48

 

CMYK 35 / 0 / 18 / 25

HEX #7CBE9B

RGB 124 190 155

HSL 148.18, 0.34%, 0.62%

LAB 71.88, -28.64, 11.1

 

CMYK 35 / 0 / 18 / 5

HEX #9DF1C5

RGB 157 241 197

HSL 148.57, 0.75%, 0.78%

LAB 88.97, -34.72, 13.28

 

CMYK 35 / 0 / 19 / 85

HEX #18251E

RGB 24 37 30

HSL 147.69, 0.21%, 0.12%

LAB 13.3, -7.55, 2.87

 

CMYK 35 / 0 / 18 / 65

HEX #395848

RGB 57 88 72

HSL 149.03, 0.21%, 0.28%

LAB 34.63, -15.4, 5.68

 

CMYK 35 / 0 / 19 / 45

HEX #5B8B71

RGB 91 139 113

HSL 147.5, 0.21%, 0.45%

LAB 53.9, -22.22, 8.81

 

CMYK 35 / 0 / 18 / 25

HEX #7CBE9B

RGB 124 190 155

HSL 148.18, 0.34%, 0.62%

LAB 71.88, -28.64, 11.1

 

CMYK 35 / 23 / 0 / 25

HEX #7D93BF

RGB 125 147 191

HSL 220, 0.34%, 0.62%

LAB 60.77, 2.94, -25.35

 

CMYK 0 / 32 / 35 / 25

HEX #BF817D

RGB 191 129 125

HSL 3.64, 0.34%, 0.62%

LAB 60.12, 23.45, 11.93

 

CMYK 35 / 0 / 18 / 25

HEX #7CBE9B

RGB 124 190 155

HSL 148.18, 0.34%, 0.62%

LAB 71.88, -28.64, 11.1

 

CMYK 19 / 35 / 0 / 25

HEX #9B7DBF

RGB 155 125 191

HSL 267.27, 0.34%, 0.62%

LAB 57.46, 24.75, -30.27

 

CMYK 0 / 19 / 35 / 25

HEX #BF9B7D

RGB 191 155 125

HSL 27.27, 0.34%, 0.62%

LAB 66.52, 9.09, 20.79

 

CMYK 35 / 0 / 18 / 25

HEX #7CBE9B

RGB 124 190 155

HSL 148.18, 0.34%, 0.62%

LAB 71.88, -28.64, 11.1

 

CMYK 35 / 23 / 0 / 25

HEX #7D93BF

RGB 125 147 191

HSL 220, 0.34%, 0.62%

LAB 60.77, 2.94, -25.35

 

CMYK 0 / 35 / 16 / 25

HEX #BF7DA0

RGB 191 125 160

HSL 328.18, 0.34%, 0.62%

LAB 60.14, 30.74, -8.11

 

CMYK 0 / 12 / 35 / 25

HEX #BFA97D

RGB 191 169 125

HSL 40, 0.34%, 0.62%

LAB 70.13, 1.49, 25.66

 

CMYK 35 / 0 / 18 / 25

HEX #7CBE9B

RGB 124 190 155

HSL 148.18, 0.34%, 0.62%

LAB 71.88, -28.64, 11.1

 

CMYK 35 / 34 / 0 / 25

HEX #7D7FBF

RGB 125 127 191

HSL 238.18, 0.34%, 0.62%

LAB 55.38, 14.6, -33.71

 

CMYK 0 / 35 / 16 / 25

HEX #BF7DA0

RGB 191 125 160

HSL 328.18, 0.34%, 0.62%

LAB 60.14, 30.74, -8.11

 

CMYK 0 / 2 / 35 / 25

HEX #BFBC7D

RGB 191 188 125

HSL 57.27, 0.34%, 0.62%

LAB 75.15, -8.56, 32.3

 

Description

Color code: RGB 124 190 155 | qconv.com Color code: RGB 124 190 155 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 190 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 190 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 18 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 18% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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