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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 186 183 it is the complementary color RGB 131 69 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 186 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 124 186 183: RGB 129 186 178, RGB 146 204 197, RGB 163 222 216, RGB 180 240 235 and RGB 197 255 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 186 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 124 186 183: RGB 124 186 183, RGB 107 168 164, RGB 90 150 145, RGB 73 132 126 and RGB 56 114 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 2 / 27

HEX #7CBAB7

RGB 124 186 183

HSL 177.1, 0.31%, 0.61%

LAB 71.43, -20.48, -4.83

 

Complementary color

CMYK 0 / 47 / 45 / 49

HEX #834548

RGB 131 69 72

HSL 357.1, 0.31%, 0.39%

LAB 37.02, 26.8, 10.14

 

CMYK 31 / 0 / 4 / 27

HEX #81BAB2

RGB 129 186 178

HSL 171.58, 0.29%, 0.62%

LAB 71.55, -20.21, -1.88

 

CMYK 28 / 0 / 3 / 20

HEX #92CCC5

RGB 146 204 197

HSL 172.76, 0.36%, 0.69%

LAB 78.07, -20.07, -2.53

 

CMYK 27 / 0 / 3 / 13

HEX #A3DED8

RGB 163 222 216

HSL 173.9, 0.47%, 0.75%

LAB 84.48, -19.95, -3.14

 

CMYK 25 / 0 / 2 / 6

HEX #B4F0EB

RGB 180 240 235

HSL 175, 0.67%, 0.82%

LAB 90.79, -19.83, -3.74

 

CMYK 23 / 0 / 0 / 0

HEX #C5FFFE

RGB 197 255 254

HSL 178.97, 1%, 0.89%

LAB 96.22, -18.27, -5.48

 

CMYK 33 / 0 / 2 / 27

HEX #7CBAB7

RGB 124 186 183

HSL 177.1, 0.31%, 0.61%

LAB 71.43, -20.48, -4.83

 

CMYK 36 / 0 / 2 / 34

HEX #6BA8A4

RGB 107 168 164

HSL 176.07, 0.26%, 0.54%

LAB 64.81, -20.59, -4.19

 

CMYK 40 / 0 / 3 / 41

HEX #5A9691

RGB 90 150 145

HSL 175, 0.25%, 0.47%

LAB 58.07, -20.7, -3.51

 

CMYK 45 / 0 / 5 / 48

HEX #49847E

RGB 73 132 126

HSL 173.9, 0.29%, 0.4%

LAB 51.18, -20.79, -2.78

 

CMYK 51 / 0 / 6 / 55

HEX #38726B

RGB 56 114 107

HSL 172.76, 0.34%, 0.33%

LAB 44.14, -20.84, -1.97

 

CMYK 33 / 0 / 2 / 27

HEX #7CBAB7

RGB 124 186 183

HSL 177.1, 0.31%, 0.61%

LAB 71.43, -20.48, -4.83

 

CMYK 33 / 4 / 0 / 27

HEX #7CB3BA

RGB 124 179 186

HSL 186.77, 0.31%, 0.61%

LAB 69.52, -16.15, -9.32

 

CMYK 33 / 10 / 0 / 27

HEX #7CA8BA

RGB 124 168 186

HSL 197.42, 0.31%, 0.61%

LAB 66.39, -10.32, -14

 

CMYK 33 / 15 / 0 / 27

HEX #7C9EBA

RGB 124 158 186

HSL 207.1, 0.31%, 0.61%

LAB 63.58, -4.85, -18.26

 

CMYK 33 / 20 / 0 / 27

HEX #7C94BA

RGB 124 148 186

HSL 216.77, 0.31%, 0.61%

LAB 60.79, 0.77, -22.51

 

CMYK 33 / 0 / 2 / 27

HEX #7CBAB7

RGB 124 186 183

HSL 177.1, 0.31%, 0.61%

LAB 71.43, -20.48, -4.83

 

CMYK 33 / 0 / 2 / 7

HEX #9EEDE9

RGB 158 237 233

HSL 176.96, 0.69%, 0.77%

LAB 88.79, -24.94, -5.77

 

CMYK 33 / 0 / 3 / 87

HEX #162120

RGB 22 33 32

HSL 174.55, 0.2%, 0.11%

LAB 11.71, -5.12, -0.91

 

CMYK 33 / 0 / 1 / 67

HEX #385453

RGB 56 84 83

HSL 177.86, 0.2%, 0.27%

LAB 33.58, -10.67, -2.78

 

CMYK 33 / 0 / 1 / 47

HEX #5A8785

RGB 90 135 133

HSL 177.33, 0.2%, 0.44%

LAB 53.16, -15.77, -3.84

 

CMYK 33 / 0 / 2 / 27

HEX #7CBAB7

RGB 124 186 183

HSL 177.1, 0.31%, 0.61%

LAB 71.43, -20.48, -4.83

 

CMYK 28 / 33 / 0 / 27

HEX #857CBA

RGB 133 124 186

HSL 248.71, 0.31%, 0.61%

LAB 55.02, 17.39, -31.37

 

CMYK 0 / 15 / 33 / 27

HEX #BA9E7C

RGB 186 158 124

HSL 32.9, 0.31%, 0.61%

LAB 66.79, 5.32, 21.62

 

CMYK 33 / 0 / 2 / 27

HEX #7CBAB7

RGB 124 186 183

HSL 177.1, 0.31%, 0.61%

LAB 71.43, -20.48, -4.83

 

CMYK 2 / 33 / 0 / 27

HEX #B77CBA

RGB 183 124 186

HSL 297.1, 0.31%, 0.61%

LAB 59.91, 33.2, -23.4

 

CMYK 0 / 2 / 33 / 27

HEX #BAB77C

RGB 186 183 124

HSL 57.1, 0.31%, 0.61%

LAB 73.39, -8.06, 30.44

 

CMYK 33 / 0 / 2 / 27

HEX #7CBAB7

RGB 124 186 183

HSL 177.1, 0.31%, 0.61%

LAB 71.43, -20.48, -4.83

 

CMYK 28 / 33 / 0 / 27

HEX #857CBA

RGB 133 124 186

HSL 248.71, 0.31%, 0.61%

LAB 55.02, 17.39, -31.37

 

CMYK 0 / 33 / 32 / 27

HEX #BA7C7F

RGB 186 124 127

HSL 357.1, 0.31%, 0.61%

LAB 58.4, 24.54, 8.27

 

CMYK 5 / 0 / 33 / 27

HEX #B1BA7C

RGB 177 186 124

HSL 68.71, 0.31%, 0.61%

LAB 73.49, -13.16, 30.44

 

CMYK 33 / 0 / 2 / 27

HEX #7CBAB7

RGB 124 186 183

HSL 177.1, 0.31%, 0.61%

LAB 71.43, -20.48, -4.83

 

CMYK 18 / 33 / 0 / 27

HEX #987CBA

RGB 152 124 186

HSL 267.1, 0.31%, 0.61%

LAB 56.72, 23.24, -28.59

 

CMYK 0 / 33 / 32 / 27

HEX #BA7C7F

RGB 186 124 127

HSL 357.1, 0.31%, 0.61%

LAB 58.4, 24.54, 8.27

 

CMYK 15 / 0 / 33 / 27

HEX #9EBA7C

RGB 158 186 124

HSL 87.1, 0.31%, 0.61%

LAB 72.12, -20.44, 28.38

 

Description

Color code: RGB 124 186 183 | qconv.com Color code: RGB 124 186 183 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 186 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 186 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 2 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 2% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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