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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 177 43 it is the complementary color RGB 131 78 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 177 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 124 177 43: RGB 129 177 38, RGB 146 195 57, RGB 163 213 76, RGB 180 231 95 and RGB 197 249 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 177 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 124 177 43: RGB 124 177 43, RGB 107 159 24, RGB 90 141 5, RGB 73 123 0 and RGB 56 105 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 76 / 31

HEX #7CB12B

RGB 124 177 43

HSL 83.73, 0.61%, 0.43%

LAB 66.45, -37.29, 58.64

 

Complementary color

CMYK 38 / 63 / 0 / 17

HEX #834ED4

RGB 131 78 212

HSL 263.73, 0.61%, 0.57%

LAB 45.67, 50.06, -61.14

 

CMYK 27 / 0 / 79 / 31

HEX #81B126

RGB 129 177 38

HSL 80.72, 0.65%, 0.42%

LAB 66.71, -35.62, 60.6

 

CMYK 25 / 0 / 71 / 24

HEX #92C339

RGB 146 195 57

HSL 81.3, 0.55%, 0.49%

LAB 73.18, -36.16, 60.75

 

CMYK 23 / 0 / 64 / 16

HEX #A3D54C

RGB 163 213 76

HSL 81.9, 0.62%, 0.57%

LAB 79.56, -36.55, 60.3

 

CMYK 22 / 0 / 59 / 9

HEX #B4E75F

RGB 180 231 95

HSL 82.5, 0.74%, 0.64%

LAB 85.85, -36.82, 59.53

 

CMYK 21 / 0 / 54 / 2

HEX #C5F972

RGB 197 249 114

HSL 83.11, 0.92%, 0.71%

LAB 92.06, -37, 58.58

 

CMYK 30 / 0 / 76 / 31

HEX #7CB12B

RGB 124 177 43

HSL 83.73, 0.61%, 0.43%

LAB 66.45, -37.29, 58.64

 

CMYK 33 / 0 / 85 / 38

HEX #6B9F18

RGB 107 159 24

HSL 83.11, 0.74%, 0.36%

LAB 59.88, -36.64, 57.87

 

CMYK 36 / 0 / 96 / 45

HEX #5A8D05

RGB 90 141 5

HSL 82.5, 0.93%, 0.29%

LAB 53.21, -35.7, 55.63

 

CMYK 41 / 0 / 100 / 52

HEX #497B00

RGB 73 123 0

HSL 84.39, 1%, 0.24%

LAB 46.42, -34.36, 50.86

 

CMYK 47 / 0 / 100 / 59

HEX #386900

RGB 56 105 0

HSL 88, 1%, 0.21%

LAB 39.49, -32.8, 45.09

 

CMYK 30 / 0 / 76 / 31

HEX #7CB12B

RGB 124 177 43

HSL 83.73, 0.61%, 0.43%

LAB 66.45, -37.29, 58.64

 

CMYK 42 / 0 / 76 / 31

HEX #66B02A

RGB 102 176 42

HSL 93.13, 0.61%, 0.43%

LAB 65, -44.84, 57.19

 

CMYK 55 / 0 / 76 / 31

HEX #50B02A

RGB 80 176 42

HSL 102.99, 0.61%, 0.43%

LAB 64.1, -51.62, 56.01

 

CMYK 67 / 0 / 76 / 31

HEX #3AB02A

RGB 58 176 42

HSL 112.84, 0.61%, 0.43%

LAB 63.44, -56.95, 55.14

 

CMYK 76 / 0 / 72 / 31

HEX #2AB031

RGB 42 176 49

HSL 123.13, 0.61%, 0.43%

LAB 63.15, -59.25, 52.21

 

CMYK 30 / 0 / 76 / 31

HEX #7CB12B

RGB 124 177 43

HSL 83.73, 0.61%, 0.43%

LAB 66.45, -37.29, 58.64

 

CMYK 30 / 0 / 76 / 11

HEX #A0E437

RGB 160 228 55

HSL 83.58, 0.76%, 0.55%

LAB 83.57, -45.54, 71.8

 

CMYK 29 / 0 / 75 / 91

HEX #111806

RGB 17 24 6

HSL 83.33, 0.6%, 0.06%

LAB 7.1, -6.39, 8.05

 

CMYK 29 / 0 / 76 / 71

HEX #354B12

RGB 53 75 18

HSL 83.16, 0.61%, 0.18%

LAB 28.99, -18.65, 29.81

 

CMYK 30 / 0 / 75 / 51

HEX #587E1F

RGB 88 126 31

HSL 84, 0.61%, 0.31%

LAB 48.38, -28.54, 44.64

 

CMYK 30 / 0 / 76 / 31

HEX #7CB12B

RGB 124 177 43

HSL 83.73, 0.61%, 0.43%

LAB 66.45, -37.29, 58.64

 

CMYK 76 / 0 / 32 / 31

HEX #2AB078

RGB 42 176 120

HSL 154.93, 0.61%, 0.43%

LAB 64.08, -48.42, 18.83

 

CMYK 1 / 76 / 0 / 31

HEX #AE2AB0

RGB 174 42 176

HSL 299.1, 0.61%, 0.43%

LAB 43.93, 66.76, -42.68

 

CMYK 30 / 0 / 76 / 31

HEX #7CB12B

RGB 124 177 43

HSL 83.73, 0.61%, 0.43%

LAB 66.45, -37.29, 58.64

 

CMYK 76 / 29 / 0 / 31

HEX #2A7DB0

RGB 42 125 176

HSL 202.84, 0.61%, 0.43%

LAB 49.85, -7.05, -34.05

 

CMYK 0 / 76 / 29 / 31

HEX #B02A7D

RGB 176 42 125

HSL 322.84, 0.61%, 0.43%

LAB 41.79, 59.89, -15.18

 

CMYK 30 / 0 / 76 / 31

HEX #7CB12B

RGB 124 177 43

HSL 83.73, 0.61%, 0.43%

LAB 66.45, -37.29, 58.64

 

CMYK 76 / 0 / 32 / 31

HEX #2AB078

RGB 42 176 120

HSL 154.93, 0.61%, 0.43%

LAB 64.08, -48.42, 18.83

 

CMYK 47 / 76 / 0 / 31

HEX #5E2AB0

RGB 94 42 176

HSL 263.28, 0.61%, 0.43%

LAB 32.19, 51.73, -62.22

 

CMYK 0 / 76 / 44 / 31

HEX #B02A62

RGB 176 42 98

HSL 334.93, 0.61%, 0.43%

LAB 40.84, 56.95, 0.23

 

CMYK 30 / 0 / 76 / 31

HEX #7CB12B

RGB 124 177 43

HSL 83.73, 0.61%, 0.43%

LAB 66.45, -37.29, 58.64

 

CMYK 76 / 0 / 9 / 31

HEX #2AB0A0

RGB 42 176 160

HSL 172.84, 0.61%, 0.43%

LAB 65.03, -38.47, -1.89

 

CMYK 47 / 76 / 0 / 31

HEX #5E2AB0

RGB 94 42 176

HSL 263.28, 0.61%, 0.43%

LAB 32.19, 51.73, -62.22

 

CMYK 0 / 76 / 67 / 31

HEX #B02A3A

RGB 176 42 58

HSL 352.84, 0.61%, 0.43%

LAB 39.9, 53.92, 24.12

 

Description

Color code: RGB 124 177 43 | qconv.com Color code: RGB 124 177 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 177 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 177 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 76 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 76% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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