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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 158 85 it is the complementary color RGB 131 97 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 158 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 124 158 85: RGB 129 158 80, RGB 146 176 99, RGB 163 194 118, RGB 180 212 137 and RGB 197 230 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 158 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 124 158 85: RGB 124 158 85, RGB 107 140 66, RGB 90 122 47, RGB 73 104 28 and RGB 56 86 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 46 / 38

HEX #7C9E55

RGB 124 158 85

HSL 87.95, 0.3%, 0.48%

LAB 61.13, -24.63, 34.25

 

Complementary color

CMYK 23 / 43 / 0 / 33

HEX #8361AA

RGB 131 97 170

HSL 267.95, 0.3%, 0.52%

LAB 47.34, 28.75, -34.12

 

CMYK 18 / 0 / 49 / 38

HEX #819E50

RGB 129 158 80

HSL 82.31, 0.33%, 0.47%

LAB 61.39, -23.25, 37.22

 

CMYK 17 / 0 / 44 / 31

HEX #92B063

RGB 146 176 99

HSL 83.38, 0.33%, 0.54%

LAB 68.07, -23.32, 36.02

 

CMYK 16 / 0 / 39 / 24

HEX #A3C276

RGB 163 194 118

HSL 84.47, 0.38%, 0.61%

LAB 74.62, -23.35, 34.83

 

CMYK 15 / 0 / 35 / 17

HEX #B4D489

RGB 180 212 137

HSL 85.6, 0.47%, 0.68%

LAB 81.07, -23.35, 33.69

 

CMYK 14 / 0 / 32 / 10

HEX #C5E69C

RGB 197 230 156

HSL 86.76, 0.6%, 0.76%

LAB 87.42, -23.33, 32.59

 

CMYK 22 / 0 / 46 / 38

HEX #7C9E55

RGB 124 158 85

HSL 87.95, 0.3%, 0.48%

LAB 61.13, -24.63, 34.25

 

CMYK 24 / 0 / 53 / 45

HEX #6B8C42

RGB 107 140 66

HSL 86.76, 0.36%, 0.4%

LAB 54.32, -24.59, 35.47

 

CMYK 26 / 0 / 61 / 52

HEX #5A7A2F

RGB 90 122 47

HSL 85.6, 0.44%, 0.33%

LAB 47.36, -24.47, 36.6

 

CMYK 30 / 0 / 73 / 59

HEX #49681C

RGB 73 104 28

HSL 84.47, 0.58%, 0.26%

LAB 40.25, -24.17, 37.37

 

CMYK 35 / 0 / 90 / 66

HEX #385609

RGB 56 86 9

HSL 83.38, 0.81%, 0.19%

LAB 32.95, -23.56, 37.05

 

CMYK 22 / 0 / 46 / 38

HEX #7C9E55

RGB 124 158 85

HSL 87.95, 0.3%, 0.48%

LAB 61.13, -24.63, 34.25

 

CMYK 29 / 0 / 47 / 38

HEX #719F55

RGB 113 159 85

HSL 97.3, 0.3%, 0.48%

LAB 60.75, -29.27, 33.63

 

CMYK 36 / 0 / 47 / 38

HEX #659F55

RGB 101 159 85

HSL 107.03, 0.3%, 0.48%

LAB 60.09, -33.54, 32.65

 

CMYK 44 / 0 / 47 / 38

HEX #599F55

RGB 89 159 85

HSL 116.76, 0.3%, 0.48%

LAB 59.5, -37.48, 31.8

 

CMYK 47 / 0 / 41 / 38

HEX #559F5E

RGB 85 159 94

HSL 127.3, 0.3%, 0.48%

LAB 59.47, -37.28, 26.94

 

CMYK 22 / 0 / 46 / 38

HEX #7C9E55

RGB 124 158 85

HSL 87.95, 0.3%, 0.48%

LAB 61.13, -24.63, 34.25

 

CMYK 22 / 0 / 46 / 18

HEX #A4D170

RGB 164 209 112

HSL 87.84, 0.51%, 0.63%

LAB 78.85, -30.92, 43.19

 

CMYK 20 / 0 / 40 / 98

HEX #040503

RGB 4 5 3

HSL 90, 0.25%, 0.02%

LAB 1.27, -0.54, 0.66

 

CMYK 21 / 0 / 46 / 78

HEX #2C381E

RGB 44 56 30

HSL 87.69, 0.3%, 0.17%

LAB 21.79, -10.57, 14.64

 

CMYK 21 / 0 / 46 / 58

HEX #546B3A

RGB 84 107 58

HSL 88.16, 0.3%, 0.32%

LAB 42.32, -17.89, 24.67

 

CMYK 22 / 0 / 46 / 38

HEX #7C9E55

RGB 124 158 85

HSL 87.95, 0.3%, 0.48%

LAB 61.13, -24.63, 34.25

 

CMYK 47 / 0 / 16 / 38

HEX #559F85

RGB 85 159 133

HSL 158.92, 0.3%, 0.48%

LAB 60.27, -29.48, 6.46

 

CMYK 0 / 47 / 3 / 38

HEX #9F559B

RGB 159 85 155

HSL 303.24, 0.3%, 0.48%

LAB 47.28, 40.89, -25.11

 

CMYK 22 / 0 / 46 / 38

HEX #7C9E55

RGB 124 158 85

HSL 87.95, 0.3%, 0.48%

LAB 61.13, -24.63, 34.25

 

CMYK 47 / 21 / 0 / 38

HEX #557E9F

RGB 85 126 159

HSL 206.76, 0.3%, 0.48%

LAB 51.1, -4.97, -22.11

 

CMYK 0 / 47 / 21 / 38

HEX #9F557E

RGB 159 85 126

HSL 326.76, 0.3%, 0.48%

LAB 46.14, 35.91, -9.47

 

CMYK 22 / 0 / 46 / 38

HEX #7C9E55

RGB 124 158 85

HSL 87.95, 0.3%, 0.48%

LAB 61.13, -24.63, 34.25

 

CMYK 47 / 0 / 16 / 38

HEX #559F85

RGB 85 159 133

HSL 158.92, 0.3%, 0.48%

LAB 60.27, -29.48, 6.46

 

CMYK 26 / 47 / 0 / 38

HEX #76559F

RGB 118 85 159

HSL 266.76, 0.3%, 0.48%

LAB 42.54, 29.27, -35.27

 

CMYK 0 / 47 / 30 / 38

HEX #9F556F

RGB 159 85 111

HSL 338.92, 0.3%, 0.48%

LAB 45.66, 33.69, -1.1

 

CMYK 22 / 0 / 46 / 38

HEX #7C9E55

RGB 124 158 85

HSL 87.95, 0.3%, 0.48%

LAB 61.13, -24.63, 34.25

 

CMYK 47 / 0 / 3 / 38

HEX #559F9B

RGB 85 159 155

HSL 176.76, 0.3%, 0.48%

LAB 60.86, -24.04, -5.08

 

CMYK 26 / 47 / 0 / 38

HEX #76559F

RGB 118 85 159

HSL 266.76, 0.3%, 0.48%

LAB 42.54, 29.27, -35.27

 

CMYK 0 / 47 / 44 / 38

HEX #9F5559

RGB 159 85 89

HSL 356.76, 0.3%, 0.48%

LAB 45.07, 30.92, 11.45

 

Description

Color code: RGB 124 158 85 | qconv.com Color code: RGB 124 158 85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 158 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 158 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 46 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 46% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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