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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 157 223 it is the complementary color RGB 131 98 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 157 223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 124 157 223: RGB 129 157 218, RGB 146 175 237, RGB 163 193 255, RGB 180 211 255 and RGB 197 229 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 157 223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 124 157 223: RGB 124 157 223, RGB 107 139 204, RGB 90 121 185, RGB 73 103 166 and RGB 56 85 147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 30 / 0 / 13

HEX #7C9DDF

RGB 124 157 223

HSL 220, 0.61%, 0.68%

LAB 64.75, 5.81, -37.06

 

Complementary color

CMYK 0 / 25 / 76 / 49

HEX #836220

RGB 131 98 32

HSL 40, 0.61%, 0.32%

LAB 43.75, 6.45, 40.87

 

CMYK 41 / 28 / 0 / 15

HEX #819DDA

RGB 129 157 218

HSL 221.12, 0.55%, 0.68%

LAB 64.84, 5.68, -34.12

 

CMYK 38 / 26 / 0 / 7

HEX #92AFED

RGB 146 175 237

HSL 220.88, 0.72%, 0.75%

LAB 71.48, 5.2, -34.17

 

CMYK 36 / 24 / 0 / 0

HEX #A3C1FF

RGB 163 193 255

HSL 220.43, 1%, 0.82%

LAB 77.96, 4.52, -33.76

 

CMYK 29 / 17 / 0 / 0

HEX #B4D3FF

RGB 180 211 255

HSL 215.2, 1%, 0.85%

LAB 83.71, -0.47, -24.86

 

CMYK 23 / 10 / 0 / 0

HEX #C5E5FF

RGB 197 229 255

HSL 206.9, 1%, 0.89%

LAB 89.45, -4.96, -16.07

 

CMYK 44 / 30 / 0 / 13

HEX #7C9DDF

RGB 124 157 223

HSL 220, 0.61%, 0.68%

LAB 64.75, 5.81, -37.06

 

CMYK 48 / 32 / 0 / 20

HEX #6B8BCC

RGB 107 139 204

HSL 220.21, 0.49%, 0.61%

LAB 57.99, 6.46, -37.08

 

CMYK 51 / 35 / 0 / 27

HEX #5A79B9

RGB 90 121 185

HSL 220.42, 0.4%, 0.54%

LAB 51.1, 7.25, -37.15

 

CMYK 56 / 38 / 0 / 35

HEX #4967A6

RGB 73 103 166

HSL 220.65, 0.39%, 0.47%

LAB 44.05, 8.23, -37.27

 

CMYK 62 / 42 / 0 / 42

HEX #385593

RGB 56 85 147

HSL 220.88, 0.45%, 0.4%

LAB 36.83, 9.49, -37.44

 

CMYK 44 / 30 / 0 / 13

HEX #7C9DDF

RGB 124 157 223

HSL 220, 0.61%, 0.68%

LAB 64.75, 5.81, -37.06

 

CMYK 45 / 37 / 0 / 13

HEX #7B8CDF

RGB 123 140 223

HSL 229.8, 0.61%, 0.68%

LAB 60.15, 15.43, -44.26

 

CMYK 45 / 45 / 0 / 13

HEX #7B7BDF

RGB 123 123 223

HSL 240, 0.61%, 0.68%

LAB 55.79, 25.49, -51.17

 

CMYK 37 / 45 / 0 / 13

HEX #8C7BDF

RGB 140 123 223

HSL 250.2, 0.61%, 0.68%

LAB 57.14, 29.71, -48.94

 

CMYK 30 / 45 / 0 / 13

HEX #9C7BDF

RGB 156 123 223

HSL 259.8, 0.61%, 0.68%

LAB 58.57, 33.92, -46.6

 

CMYK 44 / 30 / 0 / 13

HEX #7C9DDF

RGB 124 157 223

HSL 220, 0.61%, 0.68%

LAB 64.75, 5.81, -37.06

 

CMYK 42 / 32 / 0 / 93

HEX #0B0D13

RGB 11 13 19

HSL 225, 0.27%, 0.06%

LAB 3.67, 0.56, -3.31

 

CMYK 44 / 30 / 0 / 73

HEX #273146

RGB 39 49 70

HSL 220.65, 0.28%, 0.21%

LAB 20.32, 2.16, -14.43

 

CMYK 45 / 30 / 0 / 53

HEX #435579

RGB 67 85 121

HSL 220, 0.29%, 0.37%

LAB 36.12, 3.36, -22.61

 

CMYK 44 / 30 / 0 / 33

HEX #6079AC

RGB 96 121 172

HSL 220.26, 0.31%, 0.53%

LAB 50.85, 4.75, -30

 

CMYK 44 / 30 / 0 / 13

HEX #7C9DDF

RGB 124 157 223

HSL 220, 0.61%, 0.68%

LAB 64.75, 5.81, -37.06

 

CMYK 6 / 45 / 0 / 13

HEX #D17BDF

RGB 209 123 223

HSL 291.6, 0.61%, 0.68%

LAB 64.2, 48.84, -37.35

 

CMYK 12 / 0 / 45 / 13

HEX #C4DF7B

RGB 196 223 123

HSL 76.2, 0.61%, 0.68%

LAB 84.97, -24.36, 45.86

 

CMYK 44 / 30 / 0 / 13

HEX #7C9DDF

RGB 124 157 223

HSL 220, 0.61%, 0.68%

LAB 64.75, 5.81, -37.06

 

CMYK 0 / 45 / 30 / 13

HEX #DF7B9C

RGB 223 123 156

HSL 340.2, 0.61%, 0.68%

LAB 63.55, 42.47, -0.34

 

CMYK 30 / 0 / 45 / 13

HEX #9CDF7B

RGB 156 223 123

HSL 100.2, 0.61%, 0.68%

LAB 82.53, -38.85, 42.29

 

CMYK 44 / 30 / 0 / 13

HEX #7C9DDF

RGB 124 157 223

HSL 220, 0.61%, 0.68%

LAB 64.75, 5.81, -37.06

 

CMYK 6 / 45 / 0 / 13

HEX #D17BDF

RGB 209 123 223

HSL 291.6, 0.61%, 0.68%

LAB 64.2, 48.84, -37.35

 

CMYK 0 / 15 / 45 / 13

HEX #DFBD7B

RGB 223 189 123

HSL 39.6, 0.61%, 0.68%

LAB 78.18, 3.54, 37.79

 

CMYK 39 / 0 / 45 / 13

HEX #88DF7B

RGB 136 223 123

HSL 112.2, 0.61%, 0.68%

LAB 81.53, -45.34, 40.83

 

CMYK 44 / 30 / 0 / 13

HEX #7C9DDF

RGB 124 157 223

HSL 220, 0.61%, 0.68%

LAB 64.75, 5.81, -37.06

 

CMYK 0 / 45 / 8 / 13

HEX #DF7BCE

RGB 223 123 206

HSL 310.2, 0.61%, 0.68%

LAB 65.21, 49.94, -26.16

 

CMYK 0 / 15 / 45 / 13

HEX #DFBD7B

RGB 223 189 123

HSL 39.6, 0.61%, 0.68%

LAB 78.18, 3.54, 37.79

 

CMYK 45 / 0 / 37 / 13

HEX #7BDF8C

RGB 123 223 140

HSL 130.2, 0.61%, 0.68%

LAB 81.23, -46.61, 31.8

 

Description

Color code: RGB 124 157 223 | qconv.com Color code: RGB 124 157 223 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 157 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 157 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 30 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 30% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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