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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 140 179 it is the complementary color RGB 131 115 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 140 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 124 140 179: RGB 129 140 174, RGB 146 158 193, RGB 163 176 212, RGB 180 194 231 and RGB 197 212 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 140 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 124 140 179: RGB 124 140 179, RGB 107 122 160, RGB 90 104 141, RGB 73 86 122 and RGB 56 68 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 22 / 0 / 30

HEX #7C8CB3

RGB 124 140 179

HSL 222.55, 0.27%, 0.59%

LAB 58.32, 3.52, -22.33

 

Complementary color

CMYK 0 / 12 / 42 / 49

HEX #83734C

RGB 131 115 76

HSL 42.55, 0.27%, 0.41%

LAB 49.02, 0.33, 23.86

 

CMYK 26 / 20 / 0 / 32

HEX #818CAE

RGB 129 140 174

HSL 225.33, 0.22%, 0.59%

LAB 58.49, 3.8, -19.19

 

CMYK 24 / 18 / 0 / 24

HEX #929EC1

RGB 146 158 193

HSL 224.68, 0.27%, 0.66%

LAB 65.29, 3.52, -19.43

 

CMYK 23 / 17 / 0 / 17

HEX #A3B0D4

RGB 163 176 212

HSL 224.08, 0.36%, 0.74%

LAB 71.95, 3.27, -19.69

 

CMYK 22 / 16 / 0 / 9

HEX #B4C2E7

RGB 180 194 231

HSL 223.53, 0.52%, 0.81%

LAB 78.49, 3.04, -19.97

 

CMYK 21 / 15 / 0 / 2

HEX #C5D4FA

RGB 197 212 250

HSL 223.02, 0.84%, 0.88%

LAB 84.92, 2.82, -20.26

 

CMYK 31 / 22 / 0 / 30

HEX #7C8CB3

RGB 124 140 179

HSL 222.55, 0.27%, 0.59%

LAB 58.32, 3.52, -22.33

 

CMYK 33 / 24 / 0 / 37

HEX #6B7AA0

RGB 107 122 160

HSL 223.02, 0.22%, 0.52%

LAB 51.36, 3.87, -22.18

 

CMYK 36 / 26 / 0 / 45

HEX #5A688D

RGB 90 104 141

HSL 223.53, 0.22%, 0.45%

LAB 44.23, 4.29, -22.06

 

CMYK 40 / 30 / 0 / 52

HEX #49567A

RGB 73 86 122

HSL 224.08, 0.25%, 0.38%

LAB 36.89, 4.8, -22

 

CMYK 46 / 34 / 0 / 60

HEX #384467

RGB 56 68 103

HSL 224.68, 0.3%, 0.31%

LAB 29.3, 5.45, -22.02

 

CMYK 31 / 22 / 0 / 30

HEX #7C8CB3

RGB 124 140 179

HSL 222.55, 0.27%, 0.59%

LAB 58.32, 3.52, -22.33

 

CMYK 31 / 28 / 0 / 30

HEX #7A81B2

RGB 122 129 178

HSL 232.5, 0.27%, 0.59%

LAB 55.13, 9.06, -26.68

 

CMYK 30 / 31 / 0 / 30

HEX #7C7AB2

RGB 124 122 178

HSL 242.14, 0.27%, 0.59%

LAB 53.4, 13.8, -29.34

 

CMYK 25 / 31 / 0 / 30

HEX #857AB2

RGB 133 122 178

HSL 251.79, 0.27%, 0.59%

LAB 54.15, 16.55, -28.12

 

CMYK 20 / 31 / 0 / 30

HEX #8E7AB2

RGB 142 122 178

HSL 261.43, 0.27%, 0.59%

LAB 54.95, 19.37, -26.82

 

CMYK 31 / 22 / 0 / 30

HEX #7C8CB3

RGB 124 140 179

HSL 222.55, 0.27%, 0.59%

LAB 58.32, 3.52, -22.33

 

CMYK 31 / 22 / 0 / 10

HEX #9FB4E6

RGB 159 180 230

HSL 222.25, 0.59%, 0.76%

LAB 73.37, 4.21, -27.38

 

CMYK 31 / 23 / 0 / 90

HEX #12141A

RGB 18 20 26

HSL 225, 0.18%, 0.09%

LAB 6.35, 0.71, -4.39

 

CMYK 31 / 22 / 0 / 70

HEX #353C4D

RGB 53 60 77

HSL 222.5, 0.18%, 0.25%

LAB 25.33, 1.69, -11.3

 

CMYK 30 / 22 / 0 / 50

HEX #596480

RGB 89 100 128

HSL 223.08, 0.18%, 0.43%

LAB 42.46, 2.8, -16.98

 

CMYK 31 / 22 / 0 / 30

HEX #7C8CB3

RGB 124 140 179

HSL 222.55, 0.27%, 0.59%

LAB 58.32, 3.52, -22.33

 

CMYK 3 / 31 / 0 / 30

HEX #AD7AB2

RGB 173 122 178

HSL 294.64, 0.27%, 0.59%

LAB 58.05, 29.47, -21.78

 

CMYK 10 / 0 / 31 / 30

HEX #A1B27A

RGB 161 178 122

HSL 78.21, 0.27%, 0.59%

LAB 70.05, -15.52, 26.73

 

CMYK 31 / 22 / 0 / 30

HEX #7C8CB3

RGB 124 140 179

HSL 222.55, 0.27%, 0.59%

LAB 58.32, 3.52, -22.33

 

CMYK 0 / 31 / 22 / 30

HEX #B27A8B

RGB 178 122 139

HSL 341.79, 0.27%, 0.59%

LAB 57.32, 24.34, -0.35

 

CMYK 22 / 0 / 31 / 30

HEX #8BB27A

RGB 139 178 122

HSL 101.79, 0.27%, 0.59%

LAB 68.56, -23.74, 24.47

 

CMYK 31 / 22 / 0 / 30

HEX #7C8CB3

RGB 124 140 179

HSL 222.55, 0.27%, 0.59%

LAB 58.32, 3.52, -22.33

 

CMYK 3 / 31 / 0 / 30

HEX #AD7AB2

RGB 173 122 178

HSL 294.64, 0.27%, 0.59%

LAB 58.05, 29.47, -21.78

 

CMYK 0 / 10 / 31 / 30

HEX #B2A17A

RGB 178 161 122

HSL 41.79, 0.27%, 0.59%

LAB 66.79, 0.2, 22.6

 

CMYK 29 / 0 / 31 / 30

HEX #7FB27A

RGB 127 178 122

HSL 114.64, 0.27%, 0.59%

LAB 67.84, -27.96, 23.38

 

CMYK 31 / 22 / 0 / 30

HEX #7C8CB3

RGB 124 140 179

HSL 222.55, 0.27%, 0.59%

LAB 58.32, 3.52, -22.33

 

CMYK 0 / 31 / 6 / 30

HEX #B27AA7

RGB 178 122 167

HSL 311.79, 0.27%, 0.59%

LAB 58.2, 29.06, -15.2

 

CMYK 0 / 10 / 31 / 30

HEX #B2A17A

RGB 178 161 122

HSL 41.79, 0.27%, 0.59%

LAB 66.79, 0.2, 22.6

 

CMYK 31 / 0 / 25 / 30

HEX #7AB285

RGB 122 178 133

HSL 131.79, 0.27%, 0.59%

LAB 67.78, -27.71, 17.3

 

Description

Color code: RGB 124 140 179 | qconv.com Color code: RGB 124 140 179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 140 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 140 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 22 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 22% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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