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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 72 58 it is the complementary color RGB 132 183 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 72 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 123 72 58: RGB 128 72 53, RGB 145 90 72, RGB 162 108 91, RGB 179 126 110 and RGB 196 144 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 72 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 123 72 58: RGB 123 72 58, RGB 106 54 39, RGB 89 36 20, RGB 72 18 1 and RGB 55 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 53 / 52

HEX #7B483A

RGB 123 72 58

HSL 12.92, 0.36%, 0.35%

LAB 36.27, 20.17, 17.67

 

Complementary color

CMYK 33 / 7 / 0 / 23

HEX #84B7C5

RGB 132 183 197

HSL 192.92, 0.36%, 0.65%

LAB 71.42, -13.3, -12.47

 

CMYK 0 / 44 / 59 / 50

HEX #804835

RGB 128 72 53

HSL 15.2, 0.41%, 0.35%

LAB 36.89, 21.88, 21.68

 

CMYK 0 / 38 / 50 / 43

HEX #915A48

RGB 145 90 72

HSL 14.79, 0.34%, 0.43%

LAB 43.94, 20.56, 19.85

 

CMYK 0 / 33 / 44 / 36

HEX #A26C5B

RGB 162 108 91

HSL 14.37, 0.28%, 0.5%

LAB 50.88, 19.44, 18.29

 

CMYK 0 / 30 / 39 / 30

HEX #B37E6E

RGB 179 126 110

HSL 13.91, 0.31%, 0.57%

LAB 57.69, 18.48, 16.92

 

CMYK 0 / 27 / 34 / 23

HEX #C49081

RGB 196 144 129

HSL 13.43, 0.36%, 0.64%

LAB 64.38, 17.64, 15.7

 

CMYK 0 / 41 / 53 / 52

HEX #7B483A

RGB 123 72 58

HSL 12.92, 0.36%, 0.35%

LAB 36.27, 20.17, 17.67

 

CMYK 0 / 49 / 63 / 58

HEX #6A3627

RGB 106 54 39

HSL 13.43, 0.46%, 0.28%

LAB 29.03, 21.6, 19.7

 

CMYK 0 / 60 / 78 / 65

HEX #592414

RGB 89 36 20

HSL 13.91, 0.63%, 0.21%

LAB 21.71, 23.25, 22.21

 

CMYK 0 / 75 / 99 / 72

HEX #481201

RGB 72 18 1

HSL 14.37, 0.97%, 0.14%

LAB 14.47, 24.8, 21.72

 

CMYK 0 / 100 / 100 / 78

HEX #370000

RGB 55 0 0

HSL 0, 1%, 0.11%

LAB 7.34, 26.9, 11.59

 

CMYK 0 / 41 / 53 / 52

HEX #7B483A

RGB 123 72 58

HSL 12.92, 0.36%, 0.35%

LAB 36.27, 20.17, 17.67

 

CMYK 0 / 34 / 53 / 53

HEX #795039

RGB 121 80 57

HSL 21.56, 0.36%, 0.35%

LAB 38.02, 14.41, 20.5

 

CMYK 0 / 25 / 53 / 53

HEX #795B39

RGB 121 91 57

HSL 31.88, 0.36%, 0.35%

LAB 40.96, 7.81, 24.26

 

CMYK 0 / 16 / 53 / 53

HEX #796639

RGB 121 102 57

HSL 42.19, 0.36%, 0.35%

LAB 44.04, 1.29, 28.08

 

CMYK 0 / 7 / 53 / 53

HEX #797039

RGB 121 112 57

HSL 51.56, 0.36%, 0.35%

LAB 46.91, -4.49, 31.56

 

CMYK 0 / 41 / 53 / 52

HEX #7B483A

RGB 123 72 58

HSL 12.92, 0.36%, 0.35%

LAB 36.27, 20.17, 17.67

 

CMYK 0 / 41 / 53 / 32

HEX #AE6652

RGB 174 102 82

HSL 13.04, 0.36%, 0.5%

LAB 50.82, 26.84, 23.72

 

CMYK 0 / 41 / 53 / 12

HEX #E1846A

RGB 225 132 106

HSL 13.11, 0.66%, 0.65%

LAB 64.6, 33.12, 29.4

 

CMYK 0 / 43 / 52 / 92

HEX #150C0A

RGB 21 12 10

HSL 10.91, 0.35%, 0.06%

LAB 4.01, 3, 1.96

 

CMYK 0 / 42 / 53 / 72

HEX #482A22

RGB 72 42 34

HSL 12.63, 0.36%, 0.21%

LAB 20.63, 12.91, 11.09

 

CMYK 0 / 41 / 53 / 52

HEX #7B483A

RGB 123 72 58

HSL 12.92, 0.36%, 0.35%

LAB 36.27, 20.17, 17.67

 

CMYK 21 / 0 / 53 / 53

HEX #5F7939

RGB 95 121 57

HSL 84.38, 0.36%, 0.35%

LAB 47.5, -20.83, 31.76

 

CMYK 53 / 43 / 0 / 53

HEX #394579

RGB 57 69 121

HSL 228.75, 0.36%, 0.35%

LAB 30.66, 11.11, -31.25

 

CMYK 0 / 41 / 53 / 52

HEX #7B483A

RGB 123 72 58

HSL 12.92, 0.36%, 0.35%

LAB 36.27, 20.17, 17.67

 

CMYK 53 / 0 / 43 / 53

HEX #397945

RGB 57 121 69

HSL 131.25, 0.36%, 0.35%

LAB 45.6, -32.67, 22.39

 

CMYK 43 / 53 / 0 / 53

HEX #453979

RGB 69 57 121

HSL 251.25, 0.36%, 0.35%

LAB 28.31, 22.23, -34.93

 

CMYK 0 / 41 / 53 / 52

HEX #7B483A

RGB 123 72 58

HSL 12.92, 0.36%, 0.35%

LAB 36.27, 20.17, 17.67

 

CMYK 21 / 0 / 53 / 53

HEX #5F7939

RGB 95 121 57

HSL 84.38, 0.36%, 0.35%

LAB 47.5, -20.83, 31.76

 

CMYK 53 / 11 / 0 / 53

HEX #396C79

RGB 57 108 121

HSL 192.19, 0.36%, 0.35%

LAB 42.73, -13.21, -12.51

 

CMYK 32 / 53 / 0 / 53

HEX #523979

RGB 82 57 121

HSL 263.44, 0.36%, 0.35%

LAB 29.66, 25.83, -32.68

 

CMYK 0 / 41 / 53 / 52

HEX #7B483A

RGB 123 72 58

HSL 12.92, 0.36%, 0.35%

LAB 36.27, 20.17, 17.67

 

CMYK 37 / 0 / 53 / 53

HEX #4C7939

RGB 76 121 57

HSL 102.19, 0.36%, 0.35%

LAB 46.32, -28.28, 30.06

 

CMYK 53 / 11 / 0 / 53

HEX #396C79

RGB 57 108 121

HSL 192.19, 0.36%, 0.35%

LAB 42.73, -13.21, -12.51

 

CMYK 16 / 53 / 0 / 53

HEX #663979

RGB 102 57 121

HSL 282.19, 0.36%, 0.35%

LAB 32.1, 31.75, -28.66

 

Description

Color code: RGB 123 72 58 | qconv.com Color code: RGB 123 72 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 72 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 72 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 53 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 53% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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