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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 68 112 it is the complementary color RGB 132 187 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 68 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 123 68 112: RGB 128 68 107, RGB 145 86 126, RGB 162 104 145, RGB 179 122 164 and RGB 196 140 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 68 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 123 68 112: RGB 123 68 112, RGB 106 50 93, RGB 89 32 74, RGB 72 14 55 and RGB 55 0 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 9 / 52

HEX #7B4470

RGB 123 68 112

HSL 312, 0.29%, 0.37%

LAB 36.96, 30.4, -15.26

 

Complementary color

CMYK 29 / 0 / 24 / 27

HEX #84BB8F

RGB 132 187 143

HSL 132, 0.29%, 0.63%

LAB 71.17, -27, 16.66

 

CMYK 0 / 47 / 16 / 50

HEX #80446B

RGB 128 68 107

HSL 321, 0.31%, 0.38%

LAB 37.45, 31.26, -11.32

 

CMYK 0 / 41 / 13 / 43

HEX #91567E

RGB 145 86 126

HSL 319.32, 0.26%, 0.45%

LAB 44.49, 30.43, -12.14

 

CMYK 0 / 36 / 10 / 36

HEX #A26891

RGB 162 104 145

HSL 317.59, 0.24%, 0.52%

LAB 51.41, 29.63, -12.84

 

CMYK 0 / 32 / 8 / 30

HEX #B37AA4

RGB 179 122 164

HSL 315.79, 0.27%, 0.59%

LAB 58.21, 28.87, -13.45

 

CMYK 0 / 29 / 7 / 23

HEX #C48CB7

RGB 196 140 183

HSL 313.93, 0.32%, 0.66%

LAB 64.89, 28.17, -14

 

CMYK 0 / 45 / 9 / 52

HEX #7B4470

RGB 123 68 112

HSL 312, 0.29%, 0.37%

LAB 36.96, 30.4, -15.26

 

CMYK 0 / 53 / 12 / 58

HEX #6A325D

RGB 106 50 93

HSL 313.93, 0.36%, 0.31%

LAB 29.75, 31.2, -14.44

 

CMYK 0 / 64 / 17 / 65

HEX #59204A

RGB 89 32 74

HSL 315.79, 0.47%, 0.24%

LAB 22.48, 31.79, -13.29

 

CMYK 0 / 81 / 24 / 72

HEX #480E37

RGB 72 14 55

HSL 317.59, 0.67%, 0.17%

LAB 15.32, 31.66, -11.42

 

CMYK 0 / 100 / 35 / 78

HEX #370024

RGB 55 0 36

HSL 320.73, 1%, 0.11%

LAB 8.48, 30.05, -8.28

 

CMYK 0 / 45 / 9 / 52

HEX #7B4470

RGB 123 68 112

HSL 312, 0.29%, 0.37%

LAB 36.96, 30.4, -15.26

 

CMYK 0 / 45 / 17 / 53

HEX #794265

RGB 121 66 101

HSL 321.82, 0.29%, 0.37%

LAB 35.79, 28.85, -10.15

 

CMYK 0 / 45 / 24 / 53

HEX #79425C

RGB 121 66 92

HSL 331.64, 0.29%, 0.37%

LAB 35.47, 27.34, -4.95

 

CMYK 0 / 45 / 31 / 53

HEX #794253

RGB 121 66 83

HSL 341.45, 0.29%, 0.37%

LAB 35.17, 25.96, 0.34

 

CMYK 0 / 45 / 39 / 53

HEX #79424A

RGB 121 66 74

HSL 351.27, 0.29%, 0.37%

LAB 34.91, 24.71, 5.7

 

CMYK 0 / 45 / 9 / 52

HEX #7B4470

RGB 123 68 112

HSL 312, 0.29%, 0.37%

LAB 36.96, 30.4, -15.26

 

CMYK 0 / 45 / 9 / 32

HEX #AE609E

RGB 174 96 158

HSL 312.31, 0.33%, 0.53%

LAB 51.65, 40.35, -19.99

 

CMYK 0 / 45 / 9 / 12

HEX #E17CCD

RGB 225 124 205

HSL 311.88, 0.63%, 0.68%

LAB 65.62, 49.88, -24.95

 

CMYK 0 / 43 / 10 / 92

HEX #150C13

RGB 21 12 19

HSL 313.33, 0.27%, 0.06%

LAB 4.24, 4.59, -2.38

 

CMYK 0 / 44 / 8 / 72

HEX #482842

RGB 72 40 66

HSL 311.25, 0.29%, 0.22%

LAB 21.16, 19.54, -10.11

 

CMYK 0 / 45 / 9 / 52

HEX #7B4470

RGB 123 68 112

HSL 312, 0.29%, 0.37%

LAB 36.96, 30.4, -15.26

 

CMYK 0 / 27 / 45 / 53

HEX #795842

RGB 121 88 66

HSL 24, 0.29%, 0.37%

LAB 40.31, 10.6, 18.08

 

CMYK 45 / 0 / 9 / 53

HEX #42796E

RGB 66 121 110

HSL 168, 0.29%, 0.37%

LAB 46.92, -21.08, 0.36

 

CMYK 0 / 45 / 9 / 52

HEX #7B4470

RGB 123 68 112

HSL 312, 0.29%, 0.37%

LAB 36.96, 30.4, -15.26

 

CMYK 9 / 0 / 45 / 53

HEX #6E7942

RGB 110 121 66

HSL 72, 0.29%, 0.37%

LAB 48.74, -13.42, 28.7

 

CMYK 45 / 9 / 0 / 53

HEX #426E79

RGB 66 110 121

HSL 192, 0.29%, 0.37%

LAB 43.79, -12.03, -10.87

 

CMYK 0 / 45 / 9 / 52

HEX #7B4470

RGB 123 68 112

HSL 312, 0.29%, 0.37%

LAB 36.96, 30.4, -15.26

 

CMYK 0 / 27 / 45 / 53

HEX #795842

RGB 121 88 66

HSL 24, 0.29%, 0.37%

LAB 40.31, 10.6, 18.08

 

CMYK 45 / 0 / 36 / 53

HEX #42794D

RGB 66 121 77

HSL 132, 0.29%, 0.37%

LAB 46.14, -28.49, 18.62

 

CMYK 45 / 18 / 0 / 53

HEX #426379

RGB 66 99 121

HSL 204, 0.29%, 0.37%

LAB 40.35, -5.59, -16.09

 

CMYK 0 / 45 / 9 / 52

HEX #7B4470

RGB 123 68 112

HSL 312, 0.29%, 0.37%

LAB 36.96, 30.4, -15.26

 

CMYK 0 / 13 / 45 / 53

HEX #796942

RGB 121 105 66

HSL 42.55, 0.29%, 0.37%

LAB 45.03, 0.51, 24.23

 

CMYK 45 / 0 / 36 / 53

HEX #42794D

RGB 66 121 77

HSL 132, 0.29%, 0.37%

LAB 46.14, -28.49, 18.62

 

CMYK 45 / 31 / 0 / 53

HEX #425379

RGB 66 83 121

HSL 221.45, 0.29%, 0.37%

LAB 35.45, 4.35, -23.66

 

Description

Color code: RGB 123 68 112 | qconv.com Color code: RGB 123 68 112 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 68 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 68 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 9 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 9% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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