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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 27 30 it is the complementary color RGB 132 228 225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 27 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 123 27 30: RGB 128 27 25, RGB 145 45 44, RGB 162 63 63, RGB 179 81 82 and RGB 196 99 101

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 27 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 123 27 30: RGB 123 27 30, RGB 106 9 11, RGB 89 0 0, RGB 72 0 0 and RGB 55 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 76 / 52

HEX #7B1B1E

RGB 123 27 30

HSL 358.13, 0.64%, 0.29%

LAB 26.99, 40.87, 23.67

 

Complementary color

CMYK 42 / 0 / 1 / 11

HEX #84E4E1

RGB 132 228 225

HSL 178.13, 0.64%, 0.71%

LAB 84.91, -29.05, -7.43

 

CMYK 0 / 79 / 80 / 50

HEX #801B19

RGB 128 27 25

HSL 1.17, 0.67%, 0.3%

LAB 27.96, 42.3, 28.16

 

CMYK 0 / 69 / 70 / 43

HEX #912D2C

RGB 145 45 44

HSL 0.59, 0.53%, 0.37%

LAB 34.15, 41.93, 24.4

 

CMYK 0 / 61 / 61 / 36

HEX #A23F3F

RGB 162 63 63

HSL 0, 0.44%, 0.44%

LAB 40.57, 41.04, 21.36

 

CMYK 0 / 55 / 54 / 30

HEX #B35152

RGB 179 81 82

HSL 359.39, 0.39%, 0.51%

LAB 47.08, 39.95, 18.91

 

CMYK 0 / 49 / 48 / 23

HEX #C46365

RGB 196 99 101

HSL 358.76, 0.45%, 0.58%

LAB 53.6, 38.82, 16.88

 

CMYK 0 / 78 / 76 / 52

HEX #7B1B1E

RGB 123 27 30

HSL 358.13, 0.64%, 0.29%

LAB 26.99, 40.87, 23.67

 

CMYK 0 / 92 / 90 / 58

HEX #6A090B

RGB 106 9 11

HSL 358.76, 0.84%, 0.23%

LAB 21.15, 40.1, 27.46

 

CMYK 0 / 100 / 100 / 65

HEX #590000

RGB 89 0 0

HSL 0, 1%, 0.17%

LAB 16.12, 37.17, 25.04

 

CMYK 0 / 100 / 100 / 72

HEX #480000

RGB 72 0 0

HSL 0, 1%, 0.14%

LAB 11.81, 32.18, 18.57

 

CMYK 0 / 100 / 100 / 78

HEX #370000

RGB 55 0 0

HSL 0, 1%, 0.11%

LAB 7.34, 26.9, 11.59

 

CMYK 0 / 78 / 76 / 52

HEX #7B1B1E

RGB 123 27 30

HSL 358.13, 0.64%, 0.29%

LAB 26.99, 40.87, 23.67

 

CMYK 0 / 68 / 79 / 53

HEX #79271A

RGB 121 39 26

HSL 8.21, 0.65%, 0.29%

LAB 28.36, 34.99, 27.56

 

CMYK 0 / 55 / 79 / 53

HEX #79371A

RGB 121 55 26

HSL 18.32, 0.65%, 0.29%

LAB 31.51, 26.73, 30.91

 

CMYK 0 / 42 / 79 / 53

HEX #79461A

RGB 121 70 26

HSL 27.79, 0.65%, 0.29%

LAB 35.04, 18.07, 34.53

 

CMYK 0 / 29 / 79 / 53

HEX #79561A

RGB 121 86 26

HSL 37.89, 0.65%, 0.29%

LAB 39.23, 8.5, 38.69

 

CMYK 0 / 78 / 76 / 52

HEX #7B1B1E

RGB 123 27 30

HSL 358.13, 0.64%, 0.29%

LAB 26.99, 40.87, 23.67

 

CMYK 0 / 78 / 76 / 32

HEX #AE262A

RGB 174 38 42

HSL 358.24, 0.64%, 0.42%

LAB 38.82, 53.84, 32.48

 

CMYK 0 / 78 / 76 / 12

HEX #E13137

RGB 225 49 55

HSL 357.95, 0.75%, 0.54%

LAB 50.07, 66.05, 40.21

 

CMYK 0 / 76 / 76 / 92

HEX #150505

RGB 21 5 5

HSL 0, 0.62%, 0.05%

LAB 2.52, 5.15, 1.81

 

CMYK 0 / 78 / 75 / 72

HEX #481012

RGB 72 16 18

HSL 357.86, 0.64%, 0.17%

LAB 14.36, 26.59, 13.85

 

CMYK 0 / 78 / 76 / 52

HEX #7B1B1E

RGB 123 27 30

HSL 358.13, 0.64%, 0.29%

LAB 26.99, 40.87, 23.67

 

CMYK 13 / 0 / 79 / 53

HEX #69791A

RGB 105 121 26

HSL 70.11, 0.65%, 0.29%

LAB 47.95, -19.02, 46.46

 

CMYK 79 / 45 / 0 / 53

HEX #1A4379

RGB 26 67 121

HSL 214.11, 0.65%, 0.29%

LAB 28.42, 6.34, -34.91

 

CMYK 0 / 78 / 76 / 52

HEX #7B1B1E

RGB 123 27 30

HSL 358.13, 0.64%, 0.29%

LAB 26.99, 40.87, 23.67

 

CMYK 76 / 0 / 79 / 53

HEX #1D791A

RGB 29 121 26

HSL 118.11, 0.65%, 0.29%

LAB 44.25, -44.94, 41.62

 

CMYK 79 / 76 / 0 / 53

HEX #1A1D79

RGB 26 29 121

HSL 238.11, 0.65%, 0.29%

LAB 17.82, 32.6, -52.14

 

CMYK 0 / 78 / 76 / 52

HEX #7B1B1E

RGB 123 27 30

HSL 358.13, 0.64%, 0.29%

LAB 26.99, 40.87, 23.67

 

CMYK 13 / 0 / 79 / 53

HEX #69791A

RGB 105 121 26

HSL 70.11, 0.65%, 0.29%

LAB 47.95, -19.02, 46.46

 

CMYK 79 / 0 / 2 / 53

HEX #1A7976

RGB 26 121 118

HSL 178.11, 0.65%, 0.29%

LAB 45.91, -26.69, -6.03

 

CMYK 65 / 79 / 0 / 53

HEX #2A1A79

RGB 42 26 121

HSL 250.11, 0.65%, 0.29%

LAB 18.42, 36.16, -51.12

 

CMYK 0 / 78 / 76 / 52

HEX #7B1B1E

RGB 123 27 30

HSL 358.13, 0.64%, 0.29%

LAB 26.99, 40.87, 23.67

 

CMYK 36 / 0 / 79 / 53

HEX #4D791A

RGB 77 121 26

HSL 87.79, 0.65%, 0.29%

LAB 46.08, -30.88, 44.03

 

CMYK 79 / 0 / 2 / 53

HEX #1A7976

RGB 26 121 118

HSL 178.11, 0.65%, 0.29%

LAB 45.91, -26.69, -6.03

 

CMYK 42 / 79 / 0 / 53

HEX #461A79

RGB 70 26 121

HSL 267.79, 0.65%, 0.29%

LAB 21.66, 40.53, -45.68

 

Description

Color code: RGB 123 27 30 | qconv.com Color code: RGB 123 27 30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 27 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 27 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 76 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 76% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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