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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 217 145 it is the complementary color RGB 132 38 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 217 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 123 217 145: RGB 128 217 140, RGB 145 235 159, RGB 162 253 178, RGB 179 255 197 and RGB 196 255 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 217 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 123 217 145: RGB 123 217 145, RGB 106 199 126, RGB 89 181 107, RGB 72 163 88 and RGB 55 145 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 33 / 15

HEX #7BD991

RGB 123 217 145

HSL 134.04, 0.55%, 0.67%

LAB 79.55, -43.2, 27

 

Complementary color

CMYK 0 / 71 / 17 / 48

HEX #84266E

RGB 132 38 110

HSL 314.04, 0.55%, 0.33%

LAB 32.74, 47.69, -20.39

 

CMYK 41 / 0 / 35 / 15

HEX #80D98C

RGB 128 217 140

HSL 128.09, 0.54%, 0.68%

LAB 79.68, -42.61, 29.79

 

CMYK 38 / 0 / 32 / 8

HEX #91EB9F

RGB 145 235 159

HSL 129.33, 0.69%, 0.75%

LAB 85.98, -42.37, 28.63

 

CMYK 36 / 0 / 30 / 1

HEX #A2FDB2

RGB 162 253 178

HSL 130.55, 0.96%, 0.81%

LAB 92.2, -42.12, 27.53

 

CMYK 30 / 0 / 23 / 0

HEX #B3FFC5

RGB 179 255 197

HSL 134.21, 1%, 0.85%

LAB 93.94, -34.66, 20.41

 

CMYK 23 / 0 / 15 / 0

HEX #C4FFD8

RGB 196 255 216

HSL 140.34, 1%, 0.88%

LAB 95.25, -26.03, 12.66

 

CMYK 43 / 0 / 33 / 15

HEX #7BD991

RGB 123 217 145

HSL 134.04, 0.55%, 0.67%

LAB 79.55, -43.2, 27

 

CMYK 47 / 0 / 37 / 22

HEX #6AC77E

RGB 106 199 126

HSL 132.9, 0.45%, 0.6%

LAB 73.17, -43.4, 28.21

 

CMYK 51 / 0 / 41 / 29

HEX #59B56B

RGB 89 181 107

HSL 131.74, 0.38%, 0.53%

LAB 66.7, -43.54, 29.51

 

CMYK 56 / 0 / 46 / 36

HEX #48A358

RGB 72 163 88

HSL 130.55, 0.39%, 0.46%

LAB 60.14, -43.56, 30.89

 

CMYK 62 / 0 / 52 / 43

HEX #379145

RGB 55 145 69

HSL 129.33, 0.45%, 0.39%

LAB 53.48, -43.38, 32.34

 

CMYK 43 / 0 / 33 / 15

HEX #7BD991

RGB 123 217 145

HSL 134.04, 0.55%, 0.67%

LAB 79.55, -43.2, 27

 

CMYK 43 / 0 / 26 / 15

HEX #7CD9A1

RGB 124 217 161

HSL 143.87, 0.55%, 0.67%

LAB 79.89, -40, 19.12

 

CMYK 43 / 0 / 18 / 15

HEX #7CD9B1

RGB 124 217 177

HSL 154.19, 0.55%, 0.67%

LAB 80.23, -36.8, 11.15

 

CMYK 43 / 0 / 12 / 15

HEX #7CD9C0

RGB 124 217 192

HSL 163.87, 0.55%, 0.67%

LAB 80.58, -33.54, 3.69

 

CMYK 43 / 0 / 5 / 15

HEX #7CD9CF

RGB 124 217 207

HSL 173.55, 0.55%, 0.67%

LAB 80.97, -30.05, -3.74

 

CMYK 43 / 0 / 33 / 15

HEX #7BD991

RGB 123 217 145

HSL 134.04, 0.55%, 0.67%

LAB 79.55, -43.2, 27

 

CMYK 46 / 0 / 31 / 95

HEX #070D09

RGB 7 13 9

HSL 140, 0.3%, 0.04%

LAB 3.19, -2.23, 1.03

 

CMYK 44 / 0 / 33 / 75

HEX #24402B

RGB 36 64 43

HSL 135, 0.28%, 0.2%

LAB 24.37, -16.06, 9.6

 

CMYK 43 / 0 / 33 / 55

HEX #41734D

RGB 65 115 77

HSL 134.4, 0.28%, 0.35%

LAB 44.12, -25.88, 15.89

 

CMYK 43 / 0 / 33 / 35

HEX #5EA66F

RGB 94 166 111

HSL 134.17, 0.29%, 0.51%

LAB 62.34, -34.81, 21.62

 

CMYK 43 / 0 / 33 / 15

HEX #7BD991

RGB 123 217 145

HSL 134.04, 0.55%, 0.67%

LAB 79.55, -43.2, 27

 

CMYK 43 / 18 / 0 / 15

HEX #7CB1D9

RGB 124 177 217

HSL 205.81, 0.55%, 0.67%

LAB 69.99, -7.03, -25.64

 

CMYK 0 / 43 / 36 / 15

HEX #D97C8B

RGB 217 124 139

HSL 350.32, 0.55%, 0.67%

LAB 62.53, 37.69, 7.79

 

CMYK 43 / 0 / 33 / 15

HEX #7BD991

RGB 123 217 145

HSL 134.04, 0.55%, 0.67%

LAB 79.55, -43.2, 27

 

CMYK 33 / 43 / 0 / 15

HEX #927CD9

RGB 146 124 217

HSL 254.19, 0.55%, 0.67%

LAB 57.59, 29.11, -44.83

 

CMYK 0 / 33 / 43 / 15

HEX #D9927C

RGB 217 146 124

HSL 14.19, 0.55%, 0.67%

LAB 67.1, 24.25, 22.59

 

CMYK 43 / 0 / 33 / 15

HEX #7BD991

RGB 123 217 145

HSL 134.04, 0.55%, 0.67%

LAB 79.55, -43.2, 27

 

CMYK 43 / 18 / 0 / 15

HEX #7CB1D9

RGB 124 177 217

HSL 205.81, 0.55%, 0.67%

LAB 69.99, -7.03, -25.64

 

CMYK 0 / 43 / 10 / 15

HEX #D97CC3

RGB 217 124 195

HSL 314.19, 0.55%, 0.67%

LAB 64.25, 45.74, -21.51

 

CMYK 0 / 24 / 43 / 15

HEX #D9A47C

RGB 217 164 124

HSL 25.81, 0.55%, 0.67%

LAB 71.39, 14.54, 28.33

 

CMYK 43 / 0 / 33 / 15

HEX #7BD991

RGB 123 217 145

HSL 134.04, 0.55%, 0.67%

LAB 79.55, -43.2, 27

 

CMYK 43 / 31 / 0 / 15

HEX #7C95D9

RGB 124 149 217

HSL 223.87, 0.55%, 0.67%

LAB 62.33, 8.69, -37.5

 

CMYK 0 / 43 / 10 / 15

HEX #D97CC3

RGB 217 124 195

HSL 314.19, 0.55%, 0.67%

LAB 64.25, 45.74, -21.51

 

CMYK 0 / 12 / 43 / 15

HEX #D9C07C

RGB 217 192 124

HSL 43.87, 0.55%, 0.67%

LAB 78.41, -0.35, 37.46

 

Description

Color code: RGB 123 217 145 | qconv.com Color code: RGB 123 217 145 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 217 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 217 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 33 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 33% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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