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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 20 71 it is the complementary color RGB 132 235 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 20 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 123 20 71: RGB 128 20 66, RGB 145 38 85, RGB 162 56 104, RGB 179 74 123 and RGB 196 92 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 20 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 123 20 71: RGB 123 20 71, RGB 106 2 52, RGB 89 0 33, RGB 72 0 14 and RGB 55 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 42 / 52

HEX #7B1447

RGB 123 20 71

HSL 330.29, 0.72%, 0.28%

LAB 27.2, 46.27, -3.5

 

Complementary color

CMYK 44 / 0 / 22 / 8

HEX #84EBB8

RGB 132 235 184

HSL 150.29, 0.72%, 0.72%

LAB 85.9, -41.39, 15.53

 

CMYK 0 / 84 / 48 / 50

HEX #801442

RGB 128 20 66

HSL 334.44, 0.73%, 0.29%

LAB 28.07, 47.16, 1.26

 

CMYK 0 / 74 / 41 / 43

HEX #912655

RGB 145 38 85

HSL 333.64, 0.58%, 0.36%

LAB 34.11, 48.12, -2.03

 

CMYK 0 / 65 / 36 / 36

HEX #A23868

RGB 162 56 104

HSL 332.83, 0.49%, 0.43%

LAB 40.43, 48.18, -4.44

 

CMYK 0 / 59 / 31 / 30

HEX #B34A7B

RGB 179 74 123

HSL 332, 0.42%, 0.5%

LAB 46.86, 47.76, -6.28

 

CMYK 0 / 53 / 28 / 23

HEX #C45C8E

RGB 196 92 142

HSL 331.15, 0.47%, 0.56%

LAB 53.32, 47.12, -7.74

 

CMYK 0 / 84 / 42 / 52

HEX #7B1447

RGB 123 20 71

HSL 330.29, 0.72%, 0.28%

LAB 27.2, 46.27, -3.5

 

CMYK 0 / 98 / 51 / 58

HEX #6A0234

RGB 106 2 52

HSL 331.15, 0.96%, 0.21%

LAB 21.41, 44.09, 0.62

 

CMYK 0 / 100 / 63 / 65

HEX #590021

RGB 89 0 33

HSL 337.75, 1%, 0.17%

LAB 16.67, 38.64, 6.95

 

CMYK 0 / 100 / 81 / 72

HEX #48000E

RGB 72 0 14

HSL 348.33, 1%, 0.14%

LAB 12.02, 32.75, 12.97

 

CMYK 0 / 100 / 100 / 78

HEX #370000

RGB 55 0 0

HSL 0, 1%, 0.11%

LAB 7.34, 26.9, 11.59

 

CMYK 0 / 84 / 42 / 52

HEX #7B1447

RGB 123 20 71

HSL 330.29, 0.72%, 0.28%

LAB 27.2, 46.27, -3.5

 

CMYK 0 / 84 / 56 / 52

HEX #7A1336

RGB 122 19 54

HSL 339.61, 0.73%, 0.28%

LAB 26.36, 44.67, 6.77

 

CMYK 0 / 84 / 70 / 52

HEX #7A1325

RGB 122 19 37

HSL 349.51, 0.73%, 0.28%

LAB 25.97, 43.49, 17.8

 

CMYK 0 / 84 / 84 / 52

HEX #7A1313

RGB 122 19 19

HSL 0, 0.73%, 0.28%

LAB 25.71, 42.7, 29.05

 

CMYK 0 / 70 / 84 / 52

HEX #7A2513

RGB 122 37 19

HSL 10.49, 0.73%, 0.28%

LAB 28.13, 36, 31.4

 

CMYK 0 / 84 / 42 / 52

HEX #7B1447

RGB 123 20 71

HSL 330.29, 0.72%, 0.28%

LAB 27.2, 46.27, -3.5

 

CMYK 0 / 84 / 43 / 32

HEX #AE1C64

RGB 174 28 100

HSL 330.41, 0.72%, 0.4%

LAB 39.15, 60.5, -3.56

 

CMYK 0 / 84 / 42 / 12

HEX #E12582

RGB 225 37 130

HSL 330.32, 0.76%, 0.51%

LAB 50.62, 73.74, -4.06

 

CMYK 0 / 86 / 43 / 92

HEX #15030C

RGB 21 3 12

HSL 330, 0.75%, 0.05%

LAB 2.27, 6.94, -1.45

 

CMYK 0 / 83 / 42 / 72

HEX #480C2A

RGB 72 12 42

HSL 330, 0.71%, 0.16%

LAB 14.44, 30.59, -3.35

 

CMYK 0 / 84 / 42 / 52

HEX #7B1447

RGB 123 20 71

HSL 330.29, 0.72%, 0.28%

LAB 27.2, 46.27, -3.5

 

CMYK 0 / 25 / 84 / 52

HEX #7A5B13

RGB 122 91 19

HSL 41.94, 0.73%, 0.28%

LAB 40.68, 5.71, 42.91

 

CMYK 84 / 8 / 0 / 52

HEX #13707A

RGB 19 112 122

HSL 185.83, 0.73%, 0.28%

LAB 42.96, -21.49, -12.86

 

CMYK 0 / 84 / 42 / 52

HEX #7B1447

RGB 123 20 71

HSL 330.29, 0.72%, 0.28%

LAB 27.2, 46.27, -3.5

 

CMYK 42 / 0 / 84 / 52

HEX #477A13

RGB 71 122 19

HSL 89.71, 0.73%, 0.28%

LAB 46.05, -33.99, 46.17

 

CMYK 84 / 42 / 0 / 52

HEX #13477A

RGB 19 71 122

HSL 209.71, 0.73%, 0.28%

LAB 29.54, 3.18, -33.76

 

CMYK 0 / 84 / 42 / 52

HEX #7B1447

RGB 123 20 71

HSL 330.29, 0.72%, 0.28%

LAB 27.2, 46.27, -3.5

 

CMYK 0 / 25 / 84 / 52

HEX #7A5B13

RGB 122 91 19

HSL 41.94, 0.73%, 0.28%

LAB 40.68, 5.71, 42.91

 

CMYK 84 / 0 / 42 / 52

HEX #137A47

RGB 19 122 71

HSL 150.29, 0.73%, 0.28%

LAB 44.96, -40.35, 20.23

 

CMYK 84 / 59 / 0 / 52

HEX #13327A

RGB 19 50 122

HSL 221.94, 0.73%, 0.28%

LAB 23.08, 17.9, -44.16

 

CMYK 0 / 84 / 42 / 52

HEX #7B1447

RGB 123 20 71

HSL 330.29, 0.72%, 0.28%

LAB 27.2, 46.27, -3.5

 

CMYK 0 / 0 / 84 / 52

HEX #7A7A13

RGB 122 122 19

HSL 60, 0.73%, 0.28%

LAB 49.62, -12.03, 50.69

 

CMYK 84 / 0 / 42 / 52

HEX #137A47

RGB 19 122 71

HSL 150.29, 0.73%, 0.28%

LAB 44.96, -40.35, 20.23

 

CMYK 84 / 84 / 0 / 52

HEX #13137A

RGB 19 19 122

HSL 240, 0.73%, 0.28%

LAB 15.54, 38.19, -56.58

 

Description

Color code: RGB 123 20 71 | qconv.com Color code: RGB 123 20 71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 20 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 20 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 42 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 42% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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