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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 197 60 it is the complementary color RGB 132 58 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 197 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 123 197 60: RGB 128 197 55, RGB 145 215 74, RGB 162 233 93, RGB 179 251 112 and RGB 196 255 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 197 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 123 197 60: RGB 123 197 60, RGB 106 179 41, RGB 89 161 22, RGB 72 143 3 and RGB 55 125 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 70 / 23

HEX #7BC53C

RGB 123 197 60

HSL 92.41, 0.54%, 0.5%

LAB 72.54, -45.23, 58.58

 

Complementary color

CMYK 32 / 70 / 0 / 24

HEX #843AC3

RGB 132 58 195

HSL 272.41, 0.54%, 0.5%

LAB 41.01, 55.95, -58.85

 

CMYK 35 / 0 / 72 / 23

HEX #80C537

RGB 128 197 55

HSL 89.15, 0.56%, 0.49%

LAB 72.76, -43.83, 60.73

 

CMYK 33 / 0 / 66 / 16

HEX #91D74A

RGB 145 215 74

HSL 89.79, 0.64%, 0.57%

LAB 79.11, -44.16, 60.33

 

CMYK 30 / 0 / 60 / 9

HEX #A2E95D

RGB 162 233 93

HSL 90.43, 0.76%, 0.64%

LAB 85.38, -44.37, 59.58

 

CMYK 29 / 0 / 55 / 2

HEX #B3FB70

RGB 179 251 112

HSL 91.08, 0.95%, 0.71%

LAB 91.57, -44.47, 58.63

 

CMYK 23 / 0 / 49 / 0

HEX #C4FF83

RGB 196 255 131

HSL 88.55, 1%, 0.76%

LAB 93.84, -38.36, 52.95

 

CMYK 38 / 0 / 70 / 23

HEX #7BC53C

RGB 123 197 60

HSL 92.41, 0.54%, 0.5%

LAB 72.54, -45.23, 58.58

 

CMYK 41 / 0 / 77 / 30

HEX #6AB329

RGB 106 179 41

HSL 91.74, 0.63%, 0.43%

LAB 66.11, -44.78, 58.65

 

CMYK 45 / 0 / 86 / 37

HEX #59A116

RGB 89 161 22

HSL 91.08, 0.76%, 0.36%

LAB 59.59, -44.06, 57.75

 

CMYK 50 / 0 / 98 / 44

HEX #488F03

RGB 72 143 3

HSL 90.43, 0.96%, 0.29%

LAB 52.98, -42.99, 55.43

 

CMYK 56 / 0 / 100 / 51

HEX #377D00

RGB 55 125 0

HSL 93.6, 1%, 0.25%

LAB 46.28, -41.34, 50.4

 

CMYK 38 / 0 / 70 / 23

HEX #7BC53C

RGB 123 197 60

HSL 92.41, 0.54%, 0.5%

LAB 72.54, -45.23, 58.58

 

CMYK 49 / 0 / 70 / 23

HEX #63C43A

RGB 99 196 58

HSL 102.17, 0.54%, 0.5%

LAB 71.17, -52.63, 57.59

 

CMYK 61 / 0 / 70 / 23

HEX #4DC43A

RGB 77 196 58

HSL 111.74, 0.54%, 0.5%

LAB 70.43, -58.44, 56.59

 

CMYK 70 / 0 / 68 / 23

HEX #3AC43F

RGB 58 196 63

HSL 122.17, 0.54%, 0.5%

LAB 69.99, -61.89, 54.04

 

CMYK 70 / 0 / 56 / 23

HEX #3AC456

RGB 58 196 86

HSL 132.17, 0.54%, 0.5%

LAB 70.21, -59.28, 44.2

 

CMYK 38 / 0 / 70 / 23

HEX #7BC53C

RGB 123 197 60

HSL 92.41, 0.54%, 0.5%

LAB 72.54, -45.23, 58.58

 

CMYK 38 / 0 / 69 / 3

HEX #9BF84C

RGB 155 248 76

HSL 92.44, 0.92%, 0.64%

LAB 89.22, -54.28, 70.26

 

CMYK 39 / 0 / 70 / 83

HEX #1B2C0D

RGB 27 44 13

HSL 92.9, 0.54%, 0.11%

LAB 15.82, -13.84, 17.2

 

CMYK 38 / 0 / 69 / 63

HEX #3B5F1D

RGB 59 95 29

HSL 92.73, 0.53%, 0.24%

LAB 36.37, -25.36, 32.58

 

CMYK 38 / 0 / 70 / 43

HEX #5B922C

RGB 91 146 44

HSL 92.35, 0.54%, 0.37%

LAB 55.03, -35.7, 46.27

 

CMYK 38 / 0 / 70 / 23

HEX #7BC53C

RGB 123 197 60

HSL 92.41, 0.54%, 0.5%

LAB 72.54, -45.23, 58.58

 

CMYK 70 / 0 / 19 / 23

HEX #3AC49F

RGB 58 196 159

HSL 163.91, 0.54%, 0.5%

LAB 71.48, -45.38, 8.04

 

CMYK 0 / 70 / 10 / 23

HEX #C43AB1

RGB 196 58 177

HSL 308.26, 0.54%, 0.5%

LAB 49.42, 66.63, -34.35

 

CMYK 38 / 0 / 70 / 23

HEX #7BC53C

RGB 123 197 60

HSL 92.41, 0.54%, 0.5%

LAB 72.54, -45.23, 58.58

 

CMYK 70 / 38 / 0 / 23

HEX #3A7AC4

RGB 58 122 196

HSL 212.17, 0.54%, 0.5%

LAB 50.46, 4.19, -44.57

 

CMYK 0 / 70 / 38 / 23

HEX #C43A7A

RGB 196 58 122

HSL 332.17, 0.54%, 0.5%

LAB 47.19, 59.48, -4.87

 

CMYK 38 / 0 / 70 / 23

HEX #7BC53C

RGB 123 197 60

HSL 92.41, 0.54%, 0.5%

LAB 72.54, -45.23, 58.58

 

CMYK 70 / 0 / 19 / 23

HEX #3AC49F

RGB 58 196 159

HSL 163.91, 0.54%, 0.5%

LAB 71.48, -45.38, 8.04

 

CMYK 33 / 70 / 0 / 23

HEX #843AC4

RGB 132 58 196

HSL 272.17, 0.54%, 0.5%

LAB 41.08, 56.18, -59.32

 

CMYK 0 / 70 / 52 / 23

HEX #C43A5F

RGB 196 58 95

HSL 343.91, 0.54%, 0.5%

LAB 46.43, 56.91, 10.57

 

CMYK 38 / 0 / 70 / 23

HEX #7BC53C

RGB 123 197 60

HSL 92.41, 0.54%, 0.5%

LAB 72.54, -45.23, 58.58

 

CMYK 70 / 3 / 0 / 23

HEX #3ABFC4

RGB 58 191 196

HSL 182.17, 0.54%, 0.5%

LAB 70.97, -33.17, -12.88

 

CMYK 33 / 70 / 0 / 23

HEX #843AC4

RGB 132 58 196

HSL 272.17, 0.54%, 0.5%

LAB 41.08, 56.18, -59.32

 

CMYK 0 / 68 / 70 / 23

HEX #C43F3A

RGB 196 63 58

HSL 2.17, 0.54%, 0.5%

LAB 46.44, 52.52, 32.93

 

Description

Color code: RGB 123 197 60 | qconv.com Color code: RGB 123 197 60 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 197 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 197 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 70 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 70% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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