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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 185 55 it is the complementary color RGB 132 70 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 185 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 123 185 55: RGB 128 185 50, RGB 145 203 69, RGB 162 221 88, RGB 179 239 107 and RGB 196 255 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 185 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 123 185 55: RGB 123 185 55, RGB 106 167 36, RGB 89 149 17, RGB 72 131 0 and RGB 55 113 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 70 / 27

HEX #7BB937

RGB 123 185 55

HSL 88.62, 0.54%, 0.47%

LAB 68.88, -40.45, 56.73

 

Complementary color

CMYK 34 / 65 / 0 / 22

HEX #8446C8

RGB 132 70 200

HSL 268.62, 0.54%, 0.53%

LAB 43.44, 51.39, -57.82

 

CMYK 31 / 0 / 73 / 27

HEX #80B932

RGB 128 185 50

HSL 85.33, 0.57%, 0.46%

LAB 69.12, -38.94, 58.9

 

CMYK 29 / 0 / 66 / 20

HEX #91CB45

RGB 145 203 69

HSL 85.97, 0.56%, 0.53%

LAB 75.55, -39.31, 58.56

 

CMYK 27 / 0 / 60 / 13

HEX #A2DD58

RGB 162 221 88

HSL 86.62, 0.66%, 0.61%

LAB 81.89, -39.55, 57.82

 

CMYK 25 / 0 / 55 / 6

HEX #B3EF6B

RGB 179 239 107

HSL 87.27, 0.8%, 0.68%

LAB 88.15, -39.69, 56.88

 

CMYK 23 / 0 / 51 / 0

HEX #C4FF7E

RGB 196 255 126

HSL 87.44, 1%, 0.75%

LAB 93.78, -38.88, 55.18

 

CMYK 34 / 0 / 70 / 27

HEX #7BB937

RGB 123 185 55

HSL 88.62, 0.54%, 0.47%

LAB 68.88, -40.45, 56.73

 

CMYK 37 / 0 / 78 / 35

HEX #6AA724

RGB 106 167 36

HSL 87.94, 0.65%, 0.4%

LAB 62.36, -39.98, 56.7

 

CMYK 40 / 0 / 89 / 42

HEX #599511

RGB 89 149 17

HSL 87.27, 0.8%, 0.33%

LAB 55.74, -39.23, 55.55

 

CMYK 45 / 0 / 100 / 49

HEX #488300

RGB 72 131 0

HSL 87.02, 1%, 0.26%

LAB 49.02, -38.17, 52.86

 

CMYK 51 / 0 / 100 / 56

HEX #377100

RGB 55 113 0

HSL 90.8, 1%, 0.22%

LAB 42.19, -36.54, 47.19

 

CMYK 34 / 0 / 70 / 27

HEX #7BB937

RGB 123 185 55

HSL 88.62, 0.54%, 0.47%

LAB 68.88, -40.45, 56.73

 

CMYK 45 / 0 / 70 / 28

HEX #66B837

RGB 102 184 55

HSL 98.14, 0.54%, 0.47%

LAB 67.56, -47.21, 55.05

 

CMYK 56 / 0 / 70 / 28

HEX #51B837

RGB 81 184 55

HSL 107.91, 0.54%, 0.47%

LAB 66.75, -53.36, 53.96

 

CMYK 68 / 0 / 70 / 28

HEX #3BB837

RGB 59 184 55

HSL 118.14, 0.54%, 0.47%

LAB 66.13, -58.42, 53.11

 

CMYK 70 / 0 / 61 / 28

HEX #37B848

RGB 55 184 72

HSL 127.91, 0.54%, 0.47%

LAB 66.18, -57.41, 45.95

 

CMYK 34 / 0 / 70 / 27

HEX #7BB937

RGB 123 185 55

HSL 88.62, 0.54%, 0.47%

LAB 68.88, -40.45, 56.73

 

CMYK 33 / 0 / 70 / 7

HEX #9DEC46

RGB 157 236 70

HSL 88.55, 0.81%, 0.6%

LAB 85.81, -49.11, 68.96

 

CMYK 34 / 0 / 69 / 87

HEX #15200A

RGB 21 32 10

HSL 90, 0.52%, 0.08%

LAB 10.66, -9.91, 11.59

 

CMYK 34 / 0 / 70 / 67

HEX #375319

RGB 55 83 25

HSL 88.97, 0.54%, 0.21%

LAB 31.96, -21.36, 29.67

 

CMYK 34 / 0 / 70 / 47

HEX #598628

RGB 89 134 40

HSL 88.72, 0.54%, 0.34%

LAB 51.07, -31.29, 43.77

 

CMYK 34 / 0 / 70 / 27

HEX #7BB937

RGB 123 185 55

HSL 88.62, 0.54%, 0.47%

LAB 68.88, -40.45, 56.73

 

CMYK 70 / 0 / 23 / 28

HEX #37B88D

RGB 55 184 141

HSL 160, 0.54%, 0.47%

LAB 67.29, -45.08, 11.88

 

CMYK 0 / 70 / 5 / 28

HEX #B837AF

RGB 184 55 175

HSL 304.19, 0.54%, 0.47%

LAB 47, 64.57, -37.12

 

CMYK 34 / 0 / 70 / 27

HEX #7BB937

RGB 123 185 55

HSL 88.62, 0.54%, 0.47%

LAB 68.88, -40.45, 56.73

 

CMYK 70 / 33 / 0 / 28

HEX #377CB8

RGB 55 124 184

HSL 207.91, 0.54%, 0.47%

LAB 50.32, -1.77, -37.91

 

CMYK 0 / 70 / 33 / 28

HEX #B8377C

RGB 184 55 124

HSL 327.91, 0.54%, 0.47%

LAB 44.77, 57.44, -9.92

 

CMYK 34 / 0 / 70 / 27

HEX #7BB937

RGB 123 185 55

HSL 88.62, 0.54%, 0.47%

LAB 68.88, -40.45, 56.73

 

CMYK 70 / 0 / 23 / 28

HEX #37B88D

RGB 55 184 141

HSL 160, 0.54%, 0.47%

LAB 67.29, -45.08, 11.88

 

CMYK 38 / 70 / 0 / 28

HEX #7337B8

RGB 115 55 184

HSL 267.91, 0.54%, 0.47%

LAB 37.55, 51.38, -58.12

 

CMYK 0 / 70 / 47 / 28

HEX #B83762

RGB 184 55 98

HSL 340, 0.54%, 0.47%

LAB 43.95, 54.69, 4.91

 

CMYK 34 / 0 / 70 / 27

HEX #7BB937

RGB 123 185 55

HSL 88.62, 0.54%, 0.47%

LAB 68.88, -40.45, 56.73

 

CMYK 70 / 0 / 2 / 28

HEX #37B8B4

RGB 55 184 180

HSL 178.14, 0.54%, 0.47%

LAB 68.31, -34.89, -8.09

 

CMYK 38 / 70 / 0 / 28

HEX #7337B8

RGB 115 55 184

HSL 267.91, 0.54%, 0.47%

LAB 37.55, 51.38, -58.12

 

CMYK 0 / 70 / 68 / 28

HEX #B8373B

RGB 184 55 59

HSL 358.14, 0.54%, 0.47%

LAB 43.12, 51.81, 27.83

 

Description

Color code: RGB 123 185 55 | qconv.com Color code: RGB 123 185 55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 185 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 185 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 70 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 70% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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