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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 172 97 it is the complementary color RGB 132 83 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 172 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 123 172 97: RGB 128 172 92, RGB 145 190 111, RGB 162 208 130, RGB 179 226 149 and RGB 196 244 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 172 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 123 172 97: RGB 123 172 97, RGB 106 154 78, RGB 89 136 59, RGB 72 118 40 and RGB 55 100 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 44 / 33

HEX #7BAC61

RGB 123 172 97

HSL 99.2, 0.31%, 0.53%

LAB 65.42, -30.25, 33.4

 

Complementary color

CMYK 16 / 47 / 0 / 38

HEX #84539E

RGB 132 83 158

HSL 279.2, 0.31%, 0.47%

LAB 43.6, 34.34, -32.9

 

CMYK 26 / 0 / 47 / 33

HEX #80AC5C

RGB 128 172 92

HSL 93, 0.33%, 0.52%

LAB 65.64, -29.07, 36.32

 

CMYK 24 / 0 / 42 / 25

HEX #91BE6F

RGB 145 190 111

HSL 94.18, 0.38%, 0.59%

LAB 72.22, -29, 35.12

 

CMYK 22 / 0 / 38 / 18

HEX #A2D082

RGB 162 208 130

HSL 95.38, 0.45%, 0.66%

LAB 78.7, -28.9, 33.95

 

CMYK 21 / 0 / 34 / 11

HEX #B3E295

RGB 179 226 149

HSL 96.62, 0.57%, 0.74%

LAB 85.07, -28.79, 32.83

 

CMYK 20 / 0 / 31 / 4

HEX #C4F4A8

RGB 196 244 168

HSL 97.89, 0.78%, 0.81%

LAB 91.35, -28.67, 31.76

 

CMYK 28 / 0 / 44 / 33

HEX #7BAC61

RGB 123 172 97

HSL 99.2, 0.31%, 0.53%

LAB 65.42, -30.25, 33.4

 

CMYK 31 / 0 / 49 / 40

HEX #6A9A4E

RGB 106 154 78

HSL 97.89, 0.33%, 0.45%

LAB 58.72, -30.36, 34.64

 

CMYK 35 / 0 / 57 / 47

HEX #59883B

RGB 89 136 59

HSL 96.62, 0.39%, 0.38%

LAB 51.89, -30.39, 35.86

 

CMYK 39 / 0 / 66 / 54

HEX #487628

RGB 72 118 40

HSL 95.38, 0.49%, 0.31%

LAB 44.92, -30.29, 36.93

 

CMYK 45 / 0 / 79 / 61

HEX #376415

RGB 55 100 21

HSL 94.18, 0.65%, 0.24%

LAB 37.81, -29.92, 37.44

 

CMYK 28 / 0 / 44 / 33

HEX #7BAC61

RGB 123 172 97

HSL 99.2, 0.31%, 0.53%

LAB 65.42, -30.25, 33.4

 

CMYK 35 / 0 / 44 / 33

HEX #6FAC61

RGB 111 172 97

HSL 108.8, 0.31%, 0.53%

LAB 64.76, -34.44, 32.43

 

CMYK 42 / 0 / 44 / 33

HEX #63AC61

RGB 99 172 97

HSL 118.4, 0.31%, 0.53%

LAB 64.18, -38.34, 31.57

 

CMYK 44 / 0 / 37 / 33

HEX #61AC6D

RGB 97 172 109

HSL 129.6, 0.31%, 0.53%

LAB 64.28, -37.01, 25.33

 

CMYK 44 / 0 / 30 / 33

HEX #61AC79

RGB 97 172 121

HSL 139.2, 0.31%, 0.53%

LAB 64.51, -34.83, 19.14

 

CMYK 28 / 0 / 44 / 33

HEX #7BAC61

RGB 123 172 97

HSL 99.2, 0.31%, 0.53%

LAB 65.42, -30.25, 33.4

 

CMYK 29 / 0 / 43 / 13

HEX #9FDF7E

RGB 159 223 126

HSL 99.59, 0.6%, 0.68%

LAB 82.73, -37.44, 41.11

 

CMYK 26 / 0 / 42 / 93

HEX #0E130B

RGB 14 19 11

HSL 97.5, 0.27%, 0.06%

LAB 5.27, -3.28, 3.3

 

CMYK 29 / 0 / 44 / 73

HEX #324627

RGB 50 70 39

HSL 98.71, 0.28%, 0.21%

LAB 27.31, -14.65, 16.21

 

CMYK 28 / 0 / 44 / 53

HEX #577944

RGB 87 121 68

HSL 98.49, 0.28%, 0.37%

LAB 47.13, -22.6, 25.23

 

CMYK 28 / 0 / 44 / 33

HEX #7BAC61

RGB 123 172 97

HSL 99.2, 0.31%, 0.53%

LAB 65.42, -30.25, 33.4

 

CMYK 44 / 0 / 6 / 33

HEX #61ACA1

RGB 97 172 161

HSL 171.2, 0.31%, 0.53%

LAB 65.45, -26.03, -1.63

 

CMYK 0 / 44 / 11 / 33

HEX #AC6199

RGB 172 97 153

HSL 315.2, 0.31%, 0.53%

LAB 51.4, 38.3, -17.44

 

CMYK 28 / 0 / 44 / 33

HEX #7BAC61

RGB 123 172 97

HSL 99.2, 0.31%, 0.53%

LAB 65.42, -30.25, 33.4

 

CMYK 44 / 28 / 0 / 33

HEX #617CAC

RGB 97 124 172

HSL 218.4, 0.31%, 0.53%

LAB 51.76, 3.23, -28.58

 

CMYK 0 / 44 / 28 / 33

HEX #AC617C

RGB 172 97 124

HSL 338.4, 0.31%, 0.53%

LAB 50.42, 33.74, -1.72

 

CMYK 28 / 0 / 44 / 33

HEX #7BAC61

RGB 123 172 97

HSL 99.2, 0.31%, 0.53%

LAB 65.42, -30.25, 33.4

 

CMYK 44 / 0 / 6 / 33

HEX #61ACA1

RGB 97 172 161

HSL 171.2, 0.31%, 0.53%

LAB 65.45, -26.03, -1.63

 

CMYK 15 / 44 / 0 / 33

HEX #9261AC

RGB 146 97 172

HSL 279.2, 0.31%, 0.53%

LAB 49.06, 33.74, -32.48

 

CMYK 0 / 44 / 37 / 33

HEX #AC616D

RGB 172 97 109

HSL 350.4, 0.31%, 0.53%

LAB 50.01, 31.73, 6.63

 

CMYK 28 / 0 / 44 / 33

HEX #7BAC61

RGB 123 172 97

HSL 99.2, 0.31%, 0.53%

LAB 65.42, -30.25, 33.4

 

CMYK 44 / 6 / 0 / 33

HEX #61A1AC

RGB 97 161 172

HSL 188.8, 0.31%, 0.53%

LAB 62.52, -17.55, -12.14

 

CMYK 15 / 44 / 0 / 33

HEX #9261AC

RGB 146 97 172

HSL 279.2, 0.31%, 0.53%

LAB 49.06, 33.74, -32.48

 

CMYK 0 / 37 / 44 / 33

HEX #AC6D61

RGB 172 109 97

HSL 9.6, 0.31%, 0.53%

LAB 52.48, 23.65, 17.16

 

Description

Color code: RGB 123 172 97 | qconv.com Color code: RGB 123 172 97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 172 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 172 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 44 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 44% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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