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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 133 139 it is the complementary color RGB 132 122 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 133 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 123 133 139: RGB 128 133 134, RGB 145 151 153, RGB 162 169 172, RGB 179 187 191 and RGB 196 205 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 133 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 123 133 139: RGB 123 133 139, RGB 106 115 120, RGB 89 97 101, RGB 72 79 82 and RGB 55 61 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 4 / 0 / 45

HEX #7B858B

RGB 123 133 139

HSL 202.5, 0.06%, 0.51%

LAB 54.92, -2.37, -4.48

 

Complementary color

CMYK 0 / 8 / 12 / 48

HEX #847A74

RGB 132 122 116

HSL 22.5, 0.06%, 0.49%

LAB 51.93, 2.72, 4.65

 

CMYK 4 / 1 / 0 / 47

HEX #808586

RGB 128 133 134

HSL 190, 0.02%, 0.51%

LAB 55.16, -1.64, -1.19

 

CMYK 5 / 1 / 0 / 40

HEX #919799

RGB 145 151 153

HSL 195, 0.04%, 0.58%

LAB 62.04, -1.76, -1.81

 

CMYK 6 / 2 / 0 / 33

HEX #A2A9AC

RGB 162 169 172

HSL 198, 0.06%, 0.65%

LAB 68.78, -1.87, -2.41

 

CMYK 6 / 2 / 0 / 25

HEX #B3BBBF

RGB 179 187 191

HSL 200, 0.09%, 0.73%

LAB 75.38, -1.99, -2.99

 

CMYK 7 / 2 / 0 / 18

HEX #C4CDD2

RGB 196 205 210

HSL 201.43, 0.13%, 0.8%

LAB 81.87, -2.1, -3.55

 

CMYK 12 / 4 / 0 / 45

HEX #7B858B

RGB 123 133 139

HSL 202.5, 0.06%, 0.51%

LAB 54.92, -2.37, -4.48

 

CMYK 12 / 4 / 0 / 53

HEX #6A7378

RGB 106 115 120

HSL 201.43, 0.06%, 0.44%

LAB 47.86, -2.28, -3.92

 

CMYK 12 / 4 / 0 / 60

HEX #596165

RGB 89 97 101

HSL 200, 0.06%, 0.37%

LAB 40.59, -2.19, -3.34

 

CMYK 12 / 4 / 0 / 68

HEX #484F52

RGB 72 79 82

HSL 198, 0.06%, 0.3%

LAB 33.09, -2.1, -2.73

 

CMYK 13 / 3 / 0 / 75

HEX #373D3F

RGB 55 61 63

HSL 195, 0.07%, 0.23%

LAB 25.29, -2.01, -2.09

 

CMYK 12 / 4 / 0 / 45

HEX #7B858B

RGB 123 133 139

HSL 202.5, 0.06%, 0.51%

LAB 54.92, -2.37, -4.48

 

CMYK 11 / 6 / 0 / 46

HEX #7A8189

RGB 122 129 137

HSL 212, 0.06%, 0.51%

LAB 53.65, -0.88, -5.21

 

CMYK 11 / 7 / 0 / 46

HEX #7A7F89

RGB 122 127 137

HSL 220, 0.06%, 0.51%

LAB 53.08, 0.27, -6.05

 

CMYK 11 / 9 / 0 / 46

HEX #7A7C89

RGB 122 124 137

HSL 232, 0.06%, 0.51%

LAB 52.24, 2, -7.3

 

CMYK 10 / 11 / 0 / 46

HEX #7B7A89

RGB 123 122 137

HSL 244, 0.06%, 0.51%

LAB 51.76, 3.53, -8

 

CMYK 12 / 4 / 0 / 45

HEX #7B858B

RGB 123 133 139

HSL 202.5, 0.06%, 0.51%

LAB 54.92, -2.37, -4.48

 

CMYK 12 / 4 / 0 / 25

HEX #A8B6BE

RGB 168 182 190

HSL 201.82, 0.14%, 0.7%

LAB 73.22, -3.21, -5.72

 

CMYK 12 / 4 / 0 / 5

HEX #D5E7F1

RGB 213 231 241

HSL 201.43, 0.5%, 0.89%

LAB 90.62, -4, -6.89

 

CMYK 11 / 5 / 0 / 85

HEX #212325

RGB 33 35 37

HSL 210, 0.06%, 0.14%

LAB 13.58, -0.4, -1.66

 

CMYK 11 / 5 / 0 / 65

HEX #4E5458

RGB 78 84 88

HSL 204, 0.06%, 0.33%

LAB 35.33, -1.46, -3.15

 

CMYK 12 / 4 / 0 / 45

HEX #7B858B

RGB 123 133 139

HSL 202.5, 0.06%, 0.51%

LAB 54.92, -2.37, -4.48

 

CMYK 4 / 11 / 0 / 46

HEX #837A89

RGB 131 122 137

HSL 276, 0.06%, 0.51%

LAB 52.45, 6.42, -6.9

 

CMYK 0 / 0 / 11 / 46

HEX #89897A

RGB 137 137 122

HSL 60, 0.06%, 0.51%

LAB 56.7, -2.8, 8.05

 

CMYK 12 / 4 / 0 / 45

HEX #7B858B

RGB 123 133 139

HSL 202.5, 0.06%, 0.51%

LAB 54.92, -2.37, -4.48

 

CMYK 0 / 11 / 4 / 46

HEX #897A84

RGB 137 122 132

HSL 320, 0.06%, 0.51%

LAB 52.84, 7.63, -3.34

 

CMYK 4 / 0 / 11 / 46

HEX #84897A

RGB 132 137 122

HSL 80, 0.06%, 0.51%

LAB 56.29, -4.72, 7.41

 

CMYK 12 / 4 / 0 / 45

HEX #7B858B

RGB 123 133 139

HSL 202.5, 0.06%, 0.51%

LAB 54.92, -2.37, -4.48

 

CMYK 4 / 11 / 0 / 46

HEX #837A89

RGB 131 122 137

HSL 276, 0.06%, 0.51%

LAB 52.45, 6.42, -6.9

 

CMYK 0 / 7 / 11 / 46

HEX #89807A

RGB 137 128 122

HSL 24, 0.06%, 0.51%

LAB 54.2, 2.3, 4.47

 

CMYK 6 / 0 / 11 / 46

HEX #81897A

RGB 129 137 122

HSL 92, 0.06%, 0.51%

LAB 56.05, -5.86, 7.04

 

CMYK 12 / 4 / 0 / 45

HEX #7B858B

RGB 123 133 139

HSL 202.5, 0.06%, 0.51%

LAB 54.92, -2.37, -4.48

 

CMYK 1 / 11 / 0 / 46

HEX #877A89

RGB 135 122 137

HSL 292, 0.06%, 0.51%

LAB 52.81, 7.88, -6.33

 

CMYK 0 / 7 / 11 / 46

HEX #89807A

RGB 137 128 122

HSL 24, 0.06%, 0.51%

LAB 54.2, 2.3, 4.47

 

CMYK 9 / 0 / 11 / 46

HEX #7C897A

RGB 124 137 122

HSL 112, 0.06%, 0.51%

LAB 55.67, -7.74, 6.44

 

Description

Color code: RGB 123 133 139 | qconv.com Color code: RGB 123 133 139 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 133 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 133 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 4 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 4% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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