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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 227 141 it is the complementary color RGB 133 28 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 227 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 122 227 141: RGB 127 227 136, RGB 144 245 155, RGB 161 255 174, RGB 178 255 193 and RGB 195 255 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 227 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 122 227 141: RGB 122 227 141, RGB 105 209 122, RGB 88 191 103, RGB 71 173 84 and RGB 54 155 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 38 / 11

HEX #7AE38D

RGB 122 227 141

HSL 130.86, 0.65%, 0.68%

LAB 82.38, -48.41, 32.81

 

Complementary color

CMYK 0 / 79 / 14 / 48

HEX #851C72

RGB 133 28 114

HSL 310.86, 0.65%, 0.32%

LAB 31.88, 52.06, -24.26

 

CMYK 44 / 0 / 40 / 11

HEX #7FE388

RGB 127 227 136

HSL 125.4, 0.64%, 0.69%

LAB 82.5, -47.81, 35.53

 

CMYK 41 / 0 / 37 / 4

HEX #90F59B

RGB 144 245 155

HSL 126.53, 0.83%, 0.76%

LAB 88.73, -47.62, 34.32

 

CMYK 37 / 0 / 32 / 0

HEX #A1FFAE

RGB 161 255 174

HSL 128.3, 1%, 0.82%

LAB 92.64, -43.95, 30.15

 

CMYK 30 / 0 / 24 / 0

HEX #B2FFC1

RGB 178 255 193

HSL 131.69, 1%, 0.85%

LAB 93.81, -35.66, 22.26

 

CMYK 24 / 0 / 17 / 0

HEX #C3FFD4

RGB 195 255 212

HSL 137, 1%, 0.88%

LAB 95.11, -27.06, 14.5

 

CMYK 46 / 0 / 38 / 11

HEX #7AE38D

RGB 122 227 141

HSL 130.86, 0.65%, 0.68%

LAB 82.38, -48.41, 32.81

 

CMYK 50 / 0 / 42 / 18

HEX #69D17A

RGB 105 209 122

HSL 129.81, 0.53%, 0.62%

LAB 76.07, -48.54, 34.08

 

CMYK 54 / 0 / 46 / 25

HEX #58BF67

RGB 88 191 103

HSL 128.74, 0.45%, 0.55%

LAB 69.69, -48.57, 35.42

 

CMYK 59 / 0 / 51 / 32

HEX #47AD54

RGB 71 173 84

HSL 127.65, 0.42%, 0.48%

LAB 63.23, -48.44, 36.81

 

CMYK 65 / 0 / 58 / 39

HEX #369B41

RGB 54 155 65

HSL 126.53, 0.48%, 0.41%

LAB 56.69, -48.04, 38.2

 

CMYK 46 / 0 / 38 / 11

HEX #7AE38D

RGB 122 227 141

HSL 130.86, 0.65%, 0.68%

LAB 82.38, -48.41, 32.81

 

CMYK 47 / 0 / 31 / 11

HEX #78E29B

RGB 120 226 155

HSL 139.81, 0.65%, 0.68%

LAB 82.25, -46.12, 25.46

 

CMYK 47 / 0 / 23 / 11

HEX #78E2AD

RGB 120 226 173

HSL 150, 0.65%, 0.68%

LAB 82.59, -42.68, 16.57

 

CMYK 47 / 0 / 15 / 11

HEX #78E2BF

RGB 120 226 191

HSL 160.19, 0.65%, 0.68%

LAB 82.99, -38.89, 7.67

 

CMYK 47 / 0 / 8 / 11

HEX #78E2D0

RGB 120 226 208

HSL 169.81, 0.65%, 0.68%

LAB 83.41, -35, -0.71

 

CMYK 46 / 0 / 38 / 11

HEX #7AE38D

RGB 122 227 141

HSL 130.86, 0.65%, 0.68%

LAB 82.38, -48.41, 32.81

 

CMYK 48 / 0 / 39 / 91

HEX #0C170E

RGB 12 23 14

HSL 130.91, 0.31%, 0.07%

LAB 6.53, -6.13, 3.72

 

CMYK 46 / 0 / 38 / 71

HEX #284A2E

RGB 40 74 46

HSL 130.59, 0.3%, 0.22%

LAB 28.24, -19.45, 12.96

 

CMYK 46 / 0 / 38 / 51

HEX #437D4E

RGB 67 125 78

HSL 131.38, 0.3%, 0.38%

LAB 47.51, -29.91, 19.89

 

CMYK 46 / 0 / 38 / 31

HEX #5FB06D

RGB 95 176 109

HSL 130.37, 0.34%, 0.53%

LAB 65.43, -39.38, 26.83

 

CMYK 46 / 0 / 38 / 11

HEX #7AE38D

RGB 122 227 141

HSL 130.86, 0.65%, 0.68%

LAB 82.38, -48.41, 32.81

 

CMYK 47 / 17 / 0 / 11

HEX #78BBE2

RGB 120 187 226

HSL 202.08, 0.65%, 0.68%

LAB 72.91, -10.91, -26.1

 

CMYK 0 / 47 / 36 / 11

HEX #E27891

RGB 226 120 145

HSL 345.85, 0.65%, 0.68%

LAB 63.05, 43.68, 5.26

 

CMYK 46 / 0 / 38 / 11

HEX #7AE38D

RGB 122 227 141

HSL 130.86, 0.65%, 0.68%

LAB 82.38, -48.41, 32.81

 

CMYK 39 / 47 / 0 / 11

HEX #8A78E2

RGB 138 120 226

HSL 250.19, 0.65%, 0.68%

LAB 56.41, 31.77, -51.79

 

CMYK 0 / 39 / 47 / 11

HEX #E28A78

RGB 226 138 120

HSL 10.19, 0.65%, 0.68%

LAB 66.29, 31.62, 23.9

 

CMYK 46 / 0 / 38 / 11

HEX #7AE38D

RGB 122 227 141

HSL 130.86, 0.65%, 0.68%

LAB 82.38, -48.41, 32.81

 

CMYK 47 / 17 / 0 / 11

HEX #78BBE2

RGB 120 187 226

HSL 202.08, 0.65%, 0.68%

LAB 72.91, -10.91, -26.1

 

CMYK 0 / 47 / 8 / 11

HEX #E278D0

RGB 226 120 208

HSL 310.19, 0.65%, 0.68%

LAB 65.09, 52.68, -27.43

 

CMYK 0 / 30 / 47 / 11

HEX #E29F78

RGB 226 159 120

HSL 22.08, 0.65%, 0.68%

LAB 71.09, 20.42, 30.27

 

CMYK 46 / 0 / 38 / 11

HEX #7AE38D

RGB 122 227 141

HSL 130.86, 0.65%, 0.68%

LAB 82.38, -48.41, 32.81

 

CMYK 47 / 31 / 0 / 11

HEX #789BE2

RGB 120 155 226

HSL 220.19, 0.65%, 0.68%

LAB 64.1, 6.85, -39.74

 

CMYK 0 / 47 / 8 / 11

HEX #E278D0

RGB 226 120 208

HSL 310.19, 0.65%, 0.68%

LAB 65.09, 52.68, -27.43

 

CMYK 0 / 15 / 47 / 11

HEX #E2BF78

RGB 226 191 120

HSL 40.19, 0.65%, 0.68%

LAB 78.92, 3.41, 40.32

 

Description

Color code: RGB 122 227 141 | qconv.com Color code: RGB 122 227 141 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 227 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 227 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 38 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 38% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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