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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 162 178 it is the complementary color RGB 133 93 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 162 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 122 162 178: RGB 127 162 173, RGB 144 180 192, RGB 161 198 211, RGB 178 216 230 and RGB 195 234 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 162 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 122 162 178: RGB 122 162 178, RGB 105 144 159, RGB 88 126 140, RGB 71 108 121 and RGB 54 90 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 9 / 0 / 30

HEX #7AA2B2

RGB 122 162 178

HSL 197.14, 0.27%, 0.59%

LAB 64.32, -9.65, -12.67

 

Complementary color

CMYK 0 / 30 / 42 / 48

HEX #855D4D

RGB 133 93 77

HSL 17.14, 0.27%, 0.41%

LAB 43.29, 14.21, 15.71

 

CMYK 27 / 6 / 0 / 32

HEX #7FA2AD

RGB 127 162 173

HSL 194.35, 0.22%, 0.59%

LAB 64.46, -9.37, -9.63

 

CMYK 25 / 6 / 0 / 25

HEX #90B4C0

RGB 144 180 192

HSL 195, 0.28%, 0.66%

LAB 71.13, -9.37, -10.09

 

CMYK 24 / 6 / 0 / 17

HEX #A1C6D3

RGB 161 198 211

HSL 195.6, 0.36%, 0.73%

LAB 77.68, -9.38, -10.55

 

CMYK 23 / 6 / 0 / 10

HEX #B2D8E6

RGB 178 216 230

HSL 196.15, 0.51%, 0.8%

LAB 84.12, -9.4, -11

 

CMYK 22 / 6 / 0 / 2

HEX #C3EAF9

RGB 195 234 249

HSL 196.67, 0.82%, 0.87%

LAB 90.45, -9.42, -11.45

 

CMYK 31 / 9 / 0 / 30

HEX #7AA2B2

RGB 122 162 178

HSL 197.14, 0.27%, 0.59%

LAB 64.32, -9.65, -12.67

 

CMYK 34 / 9 / 0 / 38

HEX #69909F

RGB 105 144 159

HSL 196.67, 0.22%, 0.52%

LAB 57.51, -9.61, -12.25

 

CMYK 37 / 10 / 0 / 45

HEX #587E8C

RGB 88 126 140

HSL 196.15, 0.23%, 0.45%

LAB 50.56, -9.56, -11.82

 

CMYK 41 / 11 / 0 / 53

HEX #476C79

RGB 71 108 121

HSL 195.6, 0.26%, 0.38%

LAB 43.43, -9.48, -11.39

 

CMYK 47 / 12 / 0 / 60

HEX #365A66

RGB 54 90 102

HSL 195, 0.31%, 0.31%

LAB 36.09, -9.35, -10.94

 

CMYK 31 / 9 / 0 / 30

HEX #7AA2B2

RGB 122 162 178

HSL 197.14, 0.27%, 0.59%

LAB 64.32, -9.65, -12.67

 

CMYK 31 / 14 / 0 / 30

HEX #7A99B2

RGB 122 153 178

HSL 206.79, 0.27%, 0.59%

LAB 61.77, -4.7, -16.51

 

CMYK 31 / 20 / 0 / 30

HEX #7A8FB2

RGB 122 143 178

HSL 217.5, 0.27%, 0.59%

LAB 58.97, 0.94, -20.77

 

CMYK 31 / 25 / 0 / 30

HEX #7A86B2

RGB 122 134 178

HSL 227.14, 0.27%, 0.59%

LAB 56.49, 6.14, -24.58

 

CMYK 31 / 30 / 0 / 30

HEX #7A7DB2

RGB 122 125 178

HSL 236.79, 0.27%, 0.59%

LAB 54.05, 11.43, -28.35

 

CMYK 31 / 9 / 0 / 30

HEX #7AA2B2

RGB 122 162 178

HSL 197.14, 0.27%, 0.59%

LAB 64.32, -9.65, -12.67

 

CMYK 31 / 9 / 0 / 10

HEX #9DD0E5

RGB 157 208 229

HSL 197.5, 0.58%, 0.76%

LAB 80.7, -11.58, -15.71

 

CMYK 32 / 8 / 0 / 90

HEX #111719

RGB 17 23 25

HSL 195, 0.19%, 0.08%

LAB 7.25, -2.02, -2.31

 

CMYK 32 / 9 / 0 / 70

HEX #34454C

RGB 52 69 76

HSL 197.5, 0.19%, 0.25%

LAB 28.14, -4.8, -6.41

 

CMYK 31 / 9 / 0 / 50

HEX #57747F

RGB 87 116 127

HSL 196.5, 0.19%, 0.42%

LAB 47.04, -7.62, -9.45

 

CMYK 31 / 9 / 0 / 30

HEX #7AA2B2

RGB 122 162 178

HSL 197.14, 0.27%, 0.59%

LAB 64.32, -9.65, -12.67

 

CMYK 16 / 31 / 0 / 30

HEX #957AB2

RGB 149 122 178

HSL 268.93, 0.27%, 0.59%

LAB 55.61, 21.61, -25.75

 

CMYK 0 / 3 / 31 / 30

HEX #B2AC7A

RGB 178 172 122

HSL 53.57, 0.27%, 0.59%

LAB 69.74, -5.7, 26.55

 

CMYK 31 / 9 / 0 / 30

HEX #7AA2B2

RGB 122 162 178

HSL 197.14, 0.27%, 0.59%

LAB 64.32, -9.65, -12.67

 

CMYK 0 / 31 / 9 / 30

HEX #B27AA2

RGB 178 122 162

HSL 317.14, 0.27%, 0.59%

LAB 58.03, 28.16, -12.58

 

CMYK 9 / 0 / 31 / 30

HEX #A2B27A

RGB 162 178 122

HSL 77.14, 0.27%, 0.59%

LAB 70.12, -15.14, 26.84

 

CMYK 31 / 9 / 0 / 30

HEX #7AA2B2

RGB 122 162 178

HSL 197.14, 0.27%, 0.59%

LAB 64.32, -9.65, -12.67

 

CMYK 16 / 31 / 0 / 30

HEX #957AB2

RGB 149 122 178

HSL 268.93, 0.27%, 0.59%

LAB 55.61, 21.61, -25.75

 

CMYK 0 / 22 / 31 / 30

HEX #B28A7A

RGB 178 138 122

HSL 17.14, 0.27%, 0.59%

LAB 60.82, 12.9, 14.41

 

CMYK 15 / 0 / 31 / 30

HEX #97B27A

RGB 151 178 122

HSL 88.93, 0.27%, 0.59%

LAB 69.34, -19.32, 25.66

 

CMYK 31 / 9 / 0 / 30

HEX #7AA2B2

RGB 122 162 178

HSL 197.14, 0.27%, 0.59%

LAB 64.32, -9.65, -12.67

 

CMYK 7 / 31 / 0 / 30

HEX #A67AB2

RGB 166 122 178

HSL 287.14, 0.27%, 0.59%

LAB 57.31, 27.15, -22.99

 

CMYK 0 / 22 / 31 / 30

HEX #B28A7A

RGB 178 138 122

HSL 17.14, 0.27%, 0.59%

LAB 60.82, 12.9, 14.41

 

CMYK 25 / 0 / 31 / 30

HEX #86B27A

RGB 134 178 122

HSL 107.14, 0.27%, 0.59%

LAB 68.25, -25.53, 24

 

Description

Color code: RGB 122 162 178 | qconv.com Color code: RGB 122 162 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 162 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 162 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 9 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 9% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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