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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 124 91 it is the complementary color RGB 133 131 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 124 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 122 124 91: RGB 127 124 86, RGB 144 142 105, RGB 161 160 124, RGB 178 178 143 and RGB 195 196 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 124 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 122 124 91: RGB 122 124 91, RGB 105 106 72, RGB 88 88 53, RGB 71 70 34 and RGB 54 52 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 27 / 51

HEX #7A7C5B

RGB 122 124 91

HSL 63.64, 0.15%, 0.42%

LAB 51.05, -6.61, 17.82

 

Complementary color

CMYK 19 / 20 / 0 / 36

HEX #8583A4

RGB 133 131 164

HSL 243.64, 0.15%, 0.58%

LAB 55.99, 7.88, -17.24

 

CMYK 0 / 2 / 32 / 50

HEX #7F7C56

RGB 127 124 86

HSL 55.61, 0.19%, 0.42%

LAB 51.38, -5.23, 21.21

 

CMYK 0 / 1 / 27 / 44

HEX #908E69

RGB 144 142 105

HSL 56.92, 0.16%, 0.49%

LAB 58.32, -5.51, 20.04

 

CMYK 0 / 1 / 23 / 37

HEX #A1A07C

RGB 161 160 124

HSL 58.38, 0.16%, 0.56%

LAB 65.1, -5.74, 18.95

 

CMYK 0 / 0 / 20 / 30

HEX #B2B28F

RGB 178 178 143

HSL 60, 0.19%, 0.63%

LAB 71.75, -5.93, 17.94

 

CMYK 1 / 0 / 17 / 23

HEX #C3C4A2

RGB 195 196 162

HSL 61.76, 0.22%, 0.7%

LAB 78.28, -6.1, 16.99

 

CMYK 2 / 0 / 27 / 51

HEX #7A7C5B

RGB 122 124 91

HSL 63.64, 0.15%, 0.42%

LAB 51.05, -6.61, 17.82

 

CMYK 1 / 0 / 32 / 58

HEX #696A48

RGB 105 106 72

HSL 61.76, 0.19%, 0.35%

LAB 43.91, -6.38, 19.01

 

CMYK 0 / 0 / 40 / 65

HEX #585835

RGB 88 88 53

HSL 60, 0.25%, 0.28%

LAB 36.58, -6.08, 20.32

 

CMYK 0 / 1 / 52 / 72

HEX #474622

RGB 71 70 34

HSL 58.38, 0.35%, 0.21%

LAB 28.99, -5.63, 21.72

 

CMYK 0 / 4 / 72 / 79

HEX #36340F

RGB 54 52 15

HSL 56.92, 0.57%, 0.14%

LAB 21.11, -4.89, 23.03

 

CMYK 2 / 0 / 27 / 51

HEX #7A7C5B

RGB 122 124 91

HSL 63.64, 0.15%, 0.42%

LAB 51.05, -6.61, 17.82

 

CMYK 6 / 0 / 26 / 52

HEX #747B5B

RGB 116 123 91

HSL 73.13, 0.15%, 0.42%

LAB 50.26, -8.52, 16.67

 

CMYK 11 / 0 / 26 / 52

HEX #6E7B5B

RGB 110 123 91

HSL 84.38, 0.15%, 0.42%

LAB 49.78, -10.95, 15.94

 

CMYK 15 / 0 / 26 / 52

HEX #697B5B

RGB 105 123 91

HSL 93.75, 0.15%, 0.42%

LAB 49.4, -12.94, 15.36

 

CMYK 19 / 0 / 26 / 52

HEX #647B5B

RGB 100 123 91

HSL 103.13, 0.15%, 0.42%

LAB 49.04, -14.89, 14.81

 

CMYK 2 / 0 / 27 / 51

HEX #7A7C5B

RGB 122 124 91

HSL 63.64, 0.15%, 0.42%

LAB 51.05, -6.61, 17.82

 

CMYK 2 / 0 / 27 / 31

HEX #ACAF80

RGB 172 175 128

HSL 63.83, 0.23%, 0.59%

LAB 70.17, -8.85, 23.82

 

CMYK 2 / 0 / 27 / 11

HEX #DEE2A6

RGB 222 226 166

HSL 64, 0.51%, 0.77%

LAB 88.29, -10.83, 28.97

 

CMYK 0 / 0 / 27 / 91

HEX #161610

RGB 22 22 16

HSL 60, 0.16%, 0.07%

LAB 7.06, -1.3, 3.54

 

CMYK 1 / 0 / 26 / 71

HEX #484936

RGB 72 73 54

HSL 63.16, 0.15%, 0.25%

LAB 30.42, -4.15, 11.27

 

CMYK 2 / 0 / 27 / 51

HEX #7A7C5B

RGB 122 124 91

HSL 63.64, 0.15%, 0.42%

LAB 51.05, -6.61, 17.82

 

CMYK 26 / 0 / 20 / 52

HEX #5B7B63

RGB 91 123 99

HSL 135, 0.15%, 0.42%

LAB 48.62, -16.72, 9.47

 

CMYK 10 / 26 / 0 / 52

HEX #6F5B7B

RGB 111 91 123

HSL 277.5, 0.15%, 0.42%

LAB 41.68, 14.65, -14.96

 

CMYK 2 / 0 / 27 / 51

HEX #7A7C5B

RGB 122 124 91

HSL 63.64, 0.15%, 0.42%

LAB 51.05, -6.61, 17.82

 

CMYK 26 / 2 / 0 / 52

HEX #5B797B

RGB 91 121 123

HSL 183.75, 0.15%, 0.42%

LAB 48.67, -10.21, -4.61

 

CMYK 0 / 26 / 2 / 52

HEX #7B5B79

RGB 123 91 121

HSL 303.75, 0.15%, 0.42%

LAB 42.87, 18.58, -11.81

 

CMYK 2 / 0 / 27 / 51

HEX #7A7C5B

RGB 122 124 91

HSL 63.64, 0.15%, 0.42%

LAB 51.05, -6.61, 17.82

 

CMYK 26 / 0 / 20 / 52

HEX #5B7B63

RGB 91 123 99

HSL 135, 0.15%, 0.42%

LAB 48.62, -16.72, 9.47

 

CMYK 25 / 26 / 0 / 52

HEX #5C5B7B

RGB 92 91 123

HSL 241.88, 0.15%, 0.42%

LAB 39.89, 8.01, -17.85

 

CMYK 0 / 26 / 7 / 52

HEX #7B5B73

RGB 123 91 115

HSL 315, 0.15%, 0.42%

LAB 42.66, 17.38, -8.48

 

CMYK 2 / 0 / 27 / 51

HEX #7A7C5B

RGB 122 124 91

HSL 63.64, 0.15%, 0.42%

LAB 51.05, -6.61, 17.82

 

CMYK 26 / 0 / 12 / 52

HEX #5B7B6C

RGB 91 123 108

HSL 151.88, 0.15%, 0.42%

LAB 48.85, -14.82, 4.51

 

CMYK 25 / 26 / 0 / 52

HEX #5C5B7B

RGB 92 91 123

HSL 241.88, 0.15%, 0.42%

LAB 39.89, 8.01, -17.85

 

CMYK 0 / 26 / 15 / 52

HEX #7B5B69

RGB 123 91 105

HSL 333.75, 0.15%, 0.42%

LAB 42.33, 15.5, -2.86

 

Description

Color code: RGB 122 124 91 | qconv.com Color code: RGB 122 124 91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 124 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 124 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 27 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 27% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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