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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 120 108 it is the complementary color RGB 133 135 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 120 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 122 120 108: RGB 127 120 103, RGB 144 138 122, RGB 161 156 141, RGB 178 174 160 and RGB 195 192 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 120 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 122 120 108: RGB 122 120 108, RGB 105 102 89, RGB 88 84 70, RGB 71 66 51 and RGB 54 48 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 11 / 52

HEX #7A786C

RGB 122 120 108

HSL 51.43, 0.06%, 0.45%

LAB 50.28, -1.51, 6.86

 

Complementary color

CMYK 10 / 8 / 0 / 42

HEX #858793

RGB 133 135 147

HSL 231.43, 0.06%, 0.55%

LAB 56.51, 1.75, -6.66

 

CMYK 0 / 6 / 19 / 50

HEX #7F7867

RGB 127 120 103

HSL 42.5, 0.1%, 0.45%

LAB 50.6, -0.37, 10.31

 

CMYK 0 / 4 / 15 / 44

HEX #908A7A

RGB 144 138 122

HSL 43.64, 0.09%, 0.52%

LAB 57.57, -0.63, 9.37

 

CMYK 0 / 3 / 12 / 37

HEX #A19C8D

RGB 161 156 141

HSL 45, 0.1%, 0.59%

LAB 64.38, -0.86, 8.5

 

CMYK 0 / 2 / 10 / 30

HEX #B2AEA0

RGB 178 174 160

HSL 46.67, 0.1%, 0.66%

LAB 71.06, -1.06, 7.68

 

CMYK 0 / 2 / 8 / 24

HEX #C3C0B3

RGB 195 192 179

HSL 48.75, 0.12%, 0.73%

LAB 77.61, -1.24, 6.91

 

CMYK 0 / 2 / 11 / 52

HEX #7A786C

RGB 122 120 108

HSL 51.43, 0.06%, 0.45%

LAB 50.28, -1.51, 6.86

 

CMYK 0 / 3 / 15 / 59

HEX #696659

RGB 105 102 89

HSL 48.75, 0.08%, 0.38%

LAB 43.1, -1.3, 7.77

 

CMYK 0 / 5 / 20 / 65

HEX #585446

RGB 88 84 70

HSL 46.67, 0.11%, 0.31%

LAB 35.71, -1.05, 8.78

 

CMYK 0 / 7 / 28 / 72

HEX #474233

RGB 71 66 51

HSL 45, 0.16%, 0.24%

LAB 28.05, -0.73, 9.92

 

CMYK 0 / 11 / 41 / 79

HEX #363020

RGB 54 48 32

HSL 43.64, 0.26%, 0.17%

LAB 20.05, -0.27, 11.25

 

CMYK 0 / 2 / 11 / 52

HEX #7A786C

RGB 122 120 108

HSL 51.43, 0.06%, 0.45%

LAB 50.28, -1.51, 6.86

 

CMYK 0 / 0 / 12 / 53

HEX #79796B

RGB 121 121 107

HSL 60, 0.06%, 0.45%

LAB 50.45, -2.66, 7.68

 

CMYK 2 / 0 / 12 / 53

HEX #77796B

RGB 119 121 107

HSL 68.57, 0.06%, 0.45%

LAB 50.28, -3.45, 7.42

 

CMYK 4 / 0 / 12 / 53

HEX #74796B

RGB 116 121 107

HSL 81.43, 0.06%, 0.45%

LAB 50.04, -4.63, 7.03

 

CMYK 6 / 0 / 12 / 53

HEX #72796B

RGB 114 121 107

HSL 90, 0.06%, 0.45%

LAB 49.87, -5.41, 6.78

 

CMYK 0 / 2 / 11 / 52

HEX #7A786C

RGB 122 120 108

HSL 51.43, 0.06%, 0.45%

LAB 50.28, -1.51, 6.86

 

CMYK 0 / 2 / 12 / 32

HEX #ADAA99

RGB 173 170 153

HSL 51, 0.11%, 0.64%

LAB 69.42, -1.94, 9.14

 

CMYK 0 / 2 / 12 / 12

HEX #E0DCC6

RGB 224 220 198

HSL 50.77, 0.3%, 0.83%

LAB 87.54, -2.35, 11.29

 

CMYK 0 / 0 / 10 / 92

HEX #141412

RGB 20 20 18

HSL 60, 0.05%, 0.07%

LAB 6.26, -0.43, 1.18

 

CMYK 0 / 1 / 11 / 72

HEX #47463F

RGB 71 70 63

HSL 52.5, 0.06%, 0.26%

LAB 29.61, -1.05, 4.37

 

CMYK 0 / 2 / 11 / 52

HEX #7A786C

RGB 122 120 108

HSL 51.43, 0.06%, 0.45%

LAB 50.28, -1.51, 6.86

 

CMYK 12 / 0 / 11 / 53

HEX #6B796C

RGB 107 121 108

HSL 124.29, 0.06%, 0.45%

LAB 49.35, -7.9, 5.37

 

CMYK 6 / 12 / 0 / 53

HEX #726B79

RGB 114 107 121

HSL 270, 0.06%, 0.45%

LAB 46.28, 5.61, -6.79

 

CMYK 0 / 2 / 11 / 52

HEX #7A786C

RGB 122 120 108

HSL 51.43, 0.06%, 0.45%

LAB 50.28, -1.51, 6.86

 

CMYK 12 / 0 / 2 / 53

HEX #6B7977

RGB 107 121 119

HSL 171.43, 0.06%, 0.45%

LAB 49.66, -5.6, -0.67

 

CMYK 2 / 12 / 0 / 53

HEX #776B79

RGB 119 107 121

HSL 291.43, 0.06%, 0.45%

LAB 46.73, 7.48, -6.06

 

CMYK 0 / 2 / 11 / 52

HEX #7A786C

RGB 122 120 108

HSL 51.43, 0.06%, 0.45%

LAB 50.28, -1.51, 6.86

 

CMYK 12 / 0 / 11 / 53

HEX #6B796C

RGB 107 121 108

HSL 124.29, 0.06%, 0.45%

LAB 49.35, -7.9, 5.37

 

CMYK 12 / 10 / 0 / 53

HEX #6B6D79

RGB 107 109 121

HSL 231.43, 0.06%, 0.45%

LAB 46.24, 1.84, -6.92

 

CMYK 0 / 12 / 1 / 53

HEX #796B78

RGB 121 107 120

HSL 304.29, 0.06%, 0.45%

LAB 46.89, 8.03, -5.21

 

CMYK 0 / 2 / 11 / 52

HEX #7A786C

RGB 122 120 108

HSL 51.43, 0.06%, 0.45%

LAB 50.28, -1.51, 6.86

 

CMYK 12 / 0 / 7 / 53

HEX #6B7970

RGB 107 121 112

HSL 141.43, 0.06%, 0.45%

LAB 49.46, -7.09, 3.17

 

CMYK 12 / 10 / 0 / 53

HEX #6B6D79

RGB 107 109 121

HSL 231.43, 0.06%, 0.45%

LAB 46.24, 1.84, -6.92

 

CMYK 0 / 12 / 4 / 53

HEX #796B74

RGB 121 107 116

HSL 321.43, 0.06%, 0.45%

LAB 46.77, 7.22, -3

 

Description

Color code: RGB 122 120 108 | qconv.com Color code: RGB 122 120 108 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 120 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 120 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 11 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 11% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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