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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 11 213 it is the complementary color RGB 133 244 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 11 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 122 11 213: RGB 127 11 208, RGB 144 29 227, RGB 161 47 246, RGB 178 65 255 and RGB 195 83 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 11 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 122 11 213: RGB 122 11 213, RGB 105 0 194, RGB 88 0 175, RGB 71 0 156 and RGB 54 0 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 95 / 0 / 16

HEX #7A0BD5

RGB 122 11 213

HSL 272.97, 0.9%, 0.44%

LAB 36.33, 72.6, -77.01

 

Complementary color

CMYK 45 / 0 / 83 / 4

HEX #85F42A

RGB 133 244 42

HSL 92.97, 0.9%, 0.56%

LAB 86.93, -61.48, 77.88

 

CMYK 39 / 95 / 0 / 18

HEX #7F0BD0

RGB 127 11 208

HSL 275.33, 0.9%, 0.43%

LAB 36.57, 72.09, -73.7

 

CMYK 37 / 87 / 0 / 11

HEX #901DE3

RGB 144 29 227

HSL 274.85, 0.78%, 0.5%

LAB 41.77, 74.74, -75.99

 

CMYK 35 / 81 / 0 / 4

HEX #A12FF6

RGB 161 47 246

HSL 274.37, 0.92%, 0.57%

LAB 47.32, 76.17, -77.56

 

CMYK 30 / 75 / 0 / 0

HEX #B241FF

RGB 178 65 255

HSL 275.68, 1%, 0.63%

LAB 52.36, 74.66, -74.28

 

CMYK 24 / 67 / 0 / 0

HEX #C353FF

RGB 195 83 255

HSL 279.07, 1%, 0.66%

LAB 57.08, 70.74, -66.52

 

CMYK 43 / 95 / 0 / 16

HEX #7A0BD5

RGB 122 11 213

HSL 272.97, 0.9%, 0.44%

LAB 36.33, 72.6, -77.01

 

CMYK 46 / 100 / 0 / 24

HEX #6900C2

RGB 105 0 194

HSL 272.47, 1%, 0.38%

LAB 31.57, 68.48, -73.85

 

CMYK 50 / 100 / 0 / 31

HEX #5800AF

RGB 88 0 175

HSL 270.17, 1%, 0.34%

LAB 27.21, 62.9, -69.84

 

CMYK 54 / 100 / 0 / 39

HEX #47009C

RGB 71 0 156

HSL 267.31, 1%, 0.31%

LAB 22.79, 57.26, -65.7

 

CMYK 61 / 100 / 0 / 46

HEX #360089

RGB 54 0 137

HSL 263.65, 1%, 0.27%

LAB 18.32, 51.55, -61.38

 

CMYK 43 / 95 / 0 / 16

HEX #7A0BD5

RGB 122 11 213

HSL 272.97, 0.9%, 0.44%

LAB 36.33, 72.6, -77.01

 

CMYK 29 / 95 / 0 / 16

HEX #980BD5

RGB 152 11 213

HSL 281.88, 0.9%, 0.44%

LAB 40.77, 76.02, -69.57

 

CMYK 13 / 95 / 0 / 16

HEX #BA0BD5

RGB 186 11 213

HSL 291.98, 0.9%, 0.44%

LAB 46.29, 80.72, -60.34

 

CMYK 0 / 95 / 3 / 16

HEX #D50BCE

RGB 213 11 206

HSL 302.08, 0.9%, 0.44%

LAB 50.5, 83.95, -49.3

 

CMYK 0 / 95 / 19 / 16

HEX #D50BAC

RGB 213 11 172

HSL 312.18, 0.9%, 0.44%

LAB 48.72, 79.46, -32.3

 

CMYK 43 / 95 / 0 / 16

HEX #7A0BD5

RGB 122 11 213

HSL 272.97, 0.9%, 0.44%

LAB 36.33, 72.6, -77.01

 

CMYK 44 / 100 / 0 / 96

HEX #050009

RGB 5 0 9

HSL 273.33, 1%, 0.02%

LAB 0.47, 2.56, -2.95

 

CMYK 43 / 95 / 0 / 76

HEX #22033C

RGB 34 3 60

HSL 272.63, 0.9%, 0.12%

LAB 6.61, 28.19, -29.32

 

CMYK 42 / 95 / 0 / 56

HEX #40066F

RGB 64 6 111

HSL 273.14, 0.9%, 0.23%

LAB 17.31, 44.37, -46.39

 

CMYK 43 / 95 / 0 / 36

HEX #5D08A2

RGB 93 8 162

HSL 273.12, 0.91%, 0.33%

LAB 27.04, 59.03, -62.24

 

CMYK 43 / 95 / 0 / 16

HEX #7A0BD5

RGB 122 11 213

HSL 272.97, 0.9%, 0.44%

LAB 36.33, 72.6, -77.01

 

CMYK 0 / 95 / 69 / 16

HEX #D50B41

RGB 213 11 65

HSL 343.96, 0.9%, 0.44%

LAB 45.31, 70.43, 28.16

 

CMYK 95 / 0 / 82 / 16

HEX #0BD526

RGB 11 213 38

HSL 128.02, 0.9%, 0.44%

LAB 74.7, -73.68, 66.81

 

CMYK 43 / 95 / 0 / 16

HEX #7A0BD5

RGB 122 11 213

HSL 272.97, 0.9%, 0.44%

LAB 36.33, 72.6, -77.01

 

CMYK 0 / 45 / 95 / 16

HEX #D5760B

RGB 213 118 11

HSL 31.78, 0.9%, 0.44%

LAB 59.09, 31.19, 64.33

 

CMYK 95 / 0 / 45 / 16

HEX #0BD576

RGB 11 213 118

HSL 151.78, 0.9%, 0.44%

LAB 75.43, -64.6, 34.92

 

CMYK 43 / 95 / 0 / 16

HEX #7A0BD5

RGB 122 11 213

HSL 272.97, 0.9%, 0.44%

LAB 36.33, 72.6, -77.01

 

CMYK 0 / 95 / 69 / 16

HEX #D50B41

RGB 213 11 65

HSL 343.96, 0.9%, 0.44%

LAB 45.31, 70.43, 28.16

 

CMYK 51 / 0 / 95 / 16

HEX #69D50B

RGB 105 213 11

HSL 92.08, 0.9%, 0.44%

LAB 76.45, -59.25, 73.84

 

CMYK 95 / 0 / 25 / 16

HEX #0BD59F

RGB 11 213 159

HSL 163.96, 0.9%, 0.44%

LAB 76.17, -56.13, 14.62

 

CMYK 43 / 95 / 0 / 16

HEX #7A0BD5

RGB 122 11 213

HSL 272.97, 0.9%, 0.44%

LAB 36.33, 72.6, -77.01

 

CMYK 0 / 92 / 95 / 16

HEX #D5110B

RGB 213 17 11

HSL 1.78, 0.9%, 0.44%

LAB 45.04, 68.4, 55.56

 

CMYK 51 / 0 / 95 / 16

HEX #69D50B

RGB 105 213 11

HSL 92.08, 0.9%, 0.44%

LAB 76.45, -59.25, 73.84

 

CMYK 95 / 3 / 0 / 16

HEX #0BCED5

RGB 11 206 213

HSL 182.08, 0.9%, 0.44%

LAB 75.46, -38.54, -15.42

 

Description

Color code: RGB 122 11 213 | qconv.com Color code: RGB 122 11 213 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 11 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 11 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 95 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 95% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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