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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 117 109 it is the complementary color RGB 133 138 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 117 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 122 117 109: RGB 127 117 104, RGB 144 135 123, RGB 161 153 142, RGB 178 171 161 and RGB 195 189 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 117 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 122 117 109: RGB 122 117 109, RGB 105 99 90, RGB 88 81 71, RGB 71 63 52 and RGB 54 45 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 11 / 52

HEX #7A756D

RGB 122 117 109

HSL 36.92, 0.06%, 0.45%

LAB 49.45, 0.4, 5.09

 

Complementary color

CMYK 9 / 5 / 0 / 43

HEX #858A92

RGB 133 138 146

HSL 216.92, 0.06%, 0.55%

LAB 57.31, -0.17, -4.9

 

CMYK 0 / 8 / 18 / 50

HEX #7F7568

RGB 127 117 104

HSL 33.91, 0.1%, 0.45%

LAB 49.78, 1.53, 8.56

 

CMYK 0 / 6 / 15 / 44

HEX #90877B

RGB 144 135 123

HSL 34.29, 0.09%, 0.52%

LAB 56.77, 1.23, 7.66

 

CMYK 0 / 5 / 12 / 37

HEX #A1998E

RGB 161 153 142

HSL 34.74, 0.09%, 0.59%

LAB 63.6, 0.96, 6.82

 

CMYK 0 / 4 / 10 / 30

HEX #B2ABA1

RGB 178 171 161

HSL 35.29, 0.1%, 0.66%

LAB 70.29, 0.73, 6.03

 

CMYK 0 / 3 / 8 / 24

HEX #C3BDB4

RGB 195 189 180

HSL 36, 0.11%, 0.74%

LAB 76.86, 0.52, 5.28

 

CMYK 0 / 4 / 11 / 52

HEX #7A756D

RGB 122 117 109

HSL 36.92, 0.06%, 0.45%

LAB 49.45, 0.4, 5.09

 

CMYK 0 / 6 / 14 / 59

HEX #69635A

RGB 105 99 90

HSL 36, 0.08%, 0.38%

LAB 42.25, 0.66, 5.96

 

CMYK 0 / 8 / 19 / 65

HEX #585147

RGB 88 81 71

HSL 35.29, 0.11%, 0.31%

LAB 34.83, 0.97, 6.92

 

CMYK 0 / 11 / 27 / 72

HEX #473F34

RGB 71 63 52

HSL 34.74, 0.15%, 0.24%

LAB 27.14, 1.36, 8.01

 

CMYK 0 / 17 / 39 / 79

HEX #362D21

RGB 54 45 33

HSL 34.29, 0.24%, 0.17%

LAB 19.1, 1.9, 9.29

 

CMYK 0 / 4 / 11 / 52

HEX #7A756D

RGB 122 117 109

HSL 36.92, 0.06%, 0.45%

LAB 49.45, 0.4, 5.09

 

CMYK 0 / 2 / 12 / 53

HEX #79766B

RGB 121 118 107

HSL 47.14, 0.06%, 0.45%

LAB 49.6, -0.94, 6.46

 

CMYK 0 / 1 / 12 / 53

HEX #79786B

RGB 121 120 107

HSL 55.71, 0.06%, 0.45%

LAB 50.17, -2.09, 7.28

 

CMYK 1 / 0 / 12 / 53

HEX #78796B

RGB 120 121 107

HSL 64.29, 0.06%, 0.45%

LAB 50.37, -3.06, 7.55

 

CMYK 3 / 0 / 12 / 53

HEX #75796B

RGB 117 121 107

HSL 77.14, 0.06%, 0.45%

LAB 50.12, -4.24, 7.16

 

CMYK 0 / 4 / 11 / 52

HEX #7A756D

RGB 122 117 109

HSL 36.92, 0.06%, 0.45%

LAB 49.45, 0.4, 5.09

 

CMYK 0 / 4 / 10 / 32

HEX #ADA69B

RGB 173 166 155

HSL 36.67, 0.1%, 0.64%

LAB 68.4, 0.57, 6.58

 

CMYK 0 / 4 / 11 / 12

HEX #E0D7C8

RGB 224 215 200

HSL 37.5, 0.28%, 0.83%

LAB 86.31, 0.56, 8.49

 

CMYK 0 / 5 / 10 / 92

HEX #141312

RGB 20 19 18

HSL 30, 0.05%, 0.07%

LAB 5.94, 0.2, 0.72

 

CMYK 0 / 4 / 11 / 72

HEX #47443F

RGB 71 68 63

HSL 37.5, 0.06%, 0.26%

LAB 28.99, 0.22, 3.47

 

CMYK 0 / 4 / 11 / 52

HEX #7A756D

RGB 122 117 109

HSL 36.92, 0.06%, 0.45%

LAB 49.45, 0.4, 5.09

 

CMYK 9 / 0 / 12 / 53

HEX #6E796B

RGB 110 121 107

HSL 107.14, 0.06%, 0.45%

LAB 49.56, -6.95, 6.29

 

CMYK 9 / 12 / 0 / 53

HEX #6E6B79

RGB 110 107 121

HSL 252.86, 0.06%, 0.45%

LAB 45.92, 4.13, -7.36

 

CMYK 0 / 4 / 11 / 52

HEX #7A756D

RGB 122 117 109

HSL 36.92, 0.06%, 0.45%

LAB 49.45, 0.4, 5.09

 

CMYK 12 / 0 / 4 / 53

HEX #6B7974

RGB 107 121 116

HSL 158.57, 0.06%, 0.45%

LAB 49.57, -6.25, 0.97

 

CMYK 4 / 12 / 0 / 53

HEX #746B79

RGB 116 107 121

HSL 278.57, 0.06%, 0.45%

LAB 46.46, 6.35, -6.5

 

CMYK 0 / 4 / 11 / 52

HEX #7A756D

RGB 122 117 109

HSL 36.92, 0.06%, 0.45%

LAB 49.45, 0.4, 5.09

 

CMYK 9 / 0 / 12 / 53

HEX #6E796B

RGB 110 121 107

HSL 107.14, 0.06%, 0.45%

LAB 49.56, -6.95, 6.29

 

CMYK 12 / 7 / 0 / 53

HEX #6B7179

RGB 107 113 121

HSL 214.29, 0.06%, 0.45%

LAB 47.39, -0.52, -5.2

 

CMYK 2 / 12 / 0 / 53

HEX #766B79

RGB 118 107 121

HSL 287.14, 0.06%, 0.45%

LAB 46.64, 7.1, -6.21

 

CMYK 0 / 4 / 11 / 52

HEX #7A756D

RGB 122 117 109

HSL 36.92, 0.06%, 0.45%

LAB 49.45, 0.4, 5.09

 

CMYK 12 / 0 / 10 / 53

HEX #6B796D

RGB 107 121 109

HSL 128.57, 0.06%, 0.45%

LAB 49.38, -7.7, 4.82

 

CMYK 12 / 7 / 0 / 53

HEX #6B7179

RGB 107 113 121

HSL 214.29, 0.06%, 0.45%

LAB 47.39, -0.52, -5.2

 

CMYK 0 / 12 / 1 / 53

HEX #796B78

RGB 121 107 120

HSL 304.29, 0.06%, 0.45%

LAB 46.89, 8.03, -5.21

 

Description

Color code: RGB 122 117 109 | qconv.com Color code: RGB 122 117 109 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 117 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 117 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 11 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 11% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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