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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 109 132 it is the complementary color RGB 133 146 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 109 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 122 109 132: RGB 127 109 127, RGB 144 127 146, RGB 161 145 165, RGB 178 163 184 and RGB 195 181 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 109 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 122 109 132: RGB 122 109 132, RGB 105 91 113, RGB 88 73 94, RGB 71 55 75 and RGB 54 37 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 17 / 0 / 48

HEX #7A6D84

RGB 122 109 132

HSL 273.91, 0.1%, 0.47%

LAB 47.93, 9.74, -10.8

 

Complementary color

CMYK 9 / 0 / 16 / 43

HEX #85927B

RGB 133 146 123

HSL 93.91, 0.1%, 0.53%

LAB 58.95, -9.12, 10.62

 

CMYK 0 / 14 / 0 / 50

HEX #7F6D7F

RGB 127 109 127

HSL 300, 0.08%, 0.46%

LAB 48.24, 10.52, -7.32

 

CMYK 1 / 13 / 0 / 43

HEX #907F92

RGB 144 127 146

HSL 293.68, 0.08%, 0.54%

LAB 55.26, 10.09, -7.84

 

CMYK 2 / 12 / 0 / 35

HEX #A191A5

RGB 161 145 165

HSL 288, 0.1%, 0.61%

LAB 62.12, 9.71, -8.34

 

CMYK 3 / 11 / 0 / 28

HEX #B2A3B8

RGB 178 163 184

HSL 282.86, 0.13%, 0.68%

LAB 68.84, 9.35, -8.83

 

CMYK 4 / 11 / 0 / 20

HEX #C3B5CB

RGB 195 181 203

HSL 278.18, 0.17%, 0.75%

LAB 75.43, 9.03, -9.31

 

CMYK 8 / 17 / 0 / 48

HEX #7A6D84

RGB 122 109 132

HSL 273.91, 0.1%, 0.47%

LAB 47.93, 9.74, -10.8

 

CMYK 7 / 19 / 0 / 56

HEX #695B71

RGB 105 91 113

HSL 278.18, 0.11%, 0.4%

LAB 40.7, 10.2, -10.39

 

CMYK 6 / 22 / 0 / 63

HEX #58495E

RGB 88 73 94

HSL 282.86, 0.13%, 0.33%

LAB 33.24, 10.72, -9.98

 

CMYK 5 / 27 / 0 / 71

HEX #47374B

RGB 71 55 75

HSL 288, 0.15%, 0.25%

LAB 25.5, 11.34, -9.56

 

CMYK 4 / 34 / 0 / 78

HEX #362538

RGB 54 37 56

HSL 293.68, 0.2%, 0.18%

LAB 17.43, 12.1, -9.13

 

CMYK 8 / 17 / 0 / 48

HEX #7A6D84

RGB 122 109 132

HSL 273.91, 0.1%, 0.47%

LAB 47.93, 9.74, -10.8

 

CMYK 5 / 18 / 0 / 49

HEX #7D6B83

RGB 125 107 131

HSL 285, 0.1%, 0.47%

LAB 47.64, 11.81, -10.62

 

CMYK 2 / 18 / 0 / 49

HEX #816B83

RGB 129 107 131

HSL 295, 0.1%, 0.47%

LAB 48.03, 13.27, -9.99

 

CMYK 0 / 18 / 1 / 49

HEX #836B82

RGB 131 107 130

HSL 302.5, 0.1%, 0.47%

LAB 48.2, 13.81, -9.12

 

CMYK 0 / 18 / 4 / 49

HEX #836B7E

RGB 131 107 126

HSL 312.5, 0.1%, 0.47%

LAB 48.07, 13.01, -6.94

 

CMYK 8 / 17 / 0 / 48

HEX #7A6D84

RGB 122 109 132

HSL 273.91, 0.1%, 0.47%

LAB 47.93, 9.74, -10.8

 

CMYK 8 / 17 / 0 / 28

HEX #A997B7

RGB 169 151 183

HSL 273.75, 0.18%, 0.65%

LAB 64.95, 12.75, -14.17

 

CMYK 8 / 18 / 0 / 8

HEX #D8C1EA

RGB 216 193 234

HSL 273.66, 0.49%, 0.84%

LAB 81.12, 15.59, -17.35

 

CMYK 7 / 17 / 0 / 88

HEX #1C191E

RGB 28 25 30

HSL 276, 0.09%, 0.11%

LAB 9.29, 2.75, -2.95

 

CMYK 7 / 17 / 0 / 68

HEX #4B4351

RGB 75 67 81

HSL 274.29, 0.09%, 0.29%

LAB 29.67, 6.48, -7.15

 

CMYK 8 / 17 / 0 / 48

HEX #7A6D84

RGB 122 109 132

HSL 273.91, 0.1%, 0.47%

LAB 47.93, 9.74, -10.8

 

CMYK 0 / 18 / 14 / 49

HEX #836B71

RGB 131 107 113

HSL 345, 0.1%, 0.47%

LAB 47.67, 10.56, 0.23

 

CMYK 18 / 0 / 15 / 49

HEX #6B836F

RGB 107 131 111

HSL 130, 0.1%, 0.47%

LAB 52.4, -12.86, 7.97

 

CMYK 8 / 17 / 0 / 48

HEX #7A6D84

RGB 122 109 132

HSL 273.91, 0.1%, 0.47%

LAB 47.93, 9.74, -10.8

 

CMYK 0 / 8 / 18 / 49

HEX #83796B

RGB 131 121 107

HSL 35, 0.1%, 0.47%

LAB 51.34, 1.34, 9.06

 

CMYK 18 / 0 / 8 / 49

HEX #6B8379

RGB 107 131 121

HSL 155, 0.1%, 0.47%

LAB 52.66, -10.8, 2.53

 

CMYK 8 / 17 / 0 / 48

HEX #7A6D84

RGB 122 109 132

HSL 273.91, 0.1%, 0.47%

LAB 47.93, 9.74, -10.8

 

CMYK 0 / 18 / 14 / 49

HEX #836B71

RGB 131 107 113

HSL 345, 0.1%, 0.47%

LAB 47.67, 10.56, 0.23

 

CMYK 10 / 0 / 18 / 49

HEX #76836B

RGB 118 131 107

HSL 92.5, 0.1%, 0.47%

LAB 53.11, -9.47, 11.39

 

CMYK 18 / 0 / 5 / 49

HEX #6B837D

RGB 107 131 125

HSL 165, 0.1%, 0.47%

LAB 52.77, -9.94, 0.36

 

CMYK 8 / 17 / 0 / 48

HEX #7A6D84

RGB 122 109 132

HSL 273.91, 0.1%, 0.47%

LAB 47.93, 9.74, -10.8

 

CMYK 0 / 17 / 18 / 49

HEX #836D6B

RGB 131 109 107

HSL 5, 0.1%, 0.47%

LAB 48.04, 8.33, 4.35

 

CMYK 10 / 0 / 18 / 49

HEX #76836B

RGB 118 131 107

HSL 92.5, 0.1%, 0.47%

LAB 53.11, -9.47, 11.39

 

CMYK 18 / 1 / 0 / 49

HEX #6B8283

RGB 107 130 131

HSL 182.5, 0.1%, 0.47%

LAB 52.65, -8.03, -3.31

 

Description

Color code: RGB 122 109 132 | qconv.com Color code: RGB 122 109 132 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 109 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 109 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 17 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 17% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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