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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 232 143 it is the complementary color RGB 134 23 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 232 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 121 232 143: RGB 126 232 138, RGB 143 250 157, RGB 160 255 176, RGB 177 255 195 and RGB 194 255 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 232 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 121 232 143: RGB 121 232 143, RGB 104 214 124, RGB 87 196 105, RGB 70 178 86 and RGB 53 160 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 38 / 9

HEX #79E88F

RGB 121 232 143

HSL 131.89, 0.71%, 0.69%

LAB 83.84, -50.42, 33.72

 

Complementary color

CMYK 0 / 83 / 16 / 47

HEX #861770

RGB 134 23 112

HSL 311.89, 0.71%, 0.31%

LAB 31.47, 53.44, -23.62

 

CMYK 46 / 0 / 41 / 9

HEX #7EE88A

RGB 126 232 138

HSL 126.79, 0.7%, 0.7%

LAB 83.96, -49.87, 36.42

 

CMYK 43 / 0 / 37 / 2

HEX #8FFA9D

RGB 143 250 157

HSL 127.85, 0.91%, 0.77%

LAB 90.16, -49.69, 35.2

 

CMYK 37 / 0 / 31 / 0

HEX #A0FFB0

RGB 160 255 176

HSL 130.11, 1%, 0.81%

LAB 92.63, -43.91, 29.12

 

CMYK 31 / 0 / 24 / 0

HEX #B1FFC3

RGB 177 255 195

HSL 133.85, 1%, 0.85%

LAB 93.8, -35.62, 21.22

 

CMYK 24 / 0 / 16 / 0

HEX #C2FFD6

RGB 194 255 214

HSL 139.67, 1%, 0.88%

LAB 95.1, -27.01, 13.45

 

CMYK 48 / 0 / 38 / 9

HEX #79E88F

RGB 121 232 143

HSL 131.89, 0.71%, 0.69%

LAB 83.84, -50.42, 33.72

 

CMYK 51 / 0 / 42 / 16

HEX #68D67C

RGB 104 214 124

HSL 130.91, 0.57%, 0.62%

LAB 77.57, -50.52, 35

 

CMYK 56 / 0 / 46 / 23

HEX #57C469

RGB 87 196 105

HSL 129.91, 0.48%, 0.55%

LAB 71.23, -50.51, 36.35

 

CMYK 61 / 0 / 52 / 30

HEX #46B256

RGB 70 178 86

HSL 128.89, 0.44%, 0.49%

LAB 64.82, -50.32, 37.75

 

CMYK 67 / 0 / 58 / 37

HEX #35A043

RGB 53 160 67

HSL 127.85, 0.5%, 0.42%

LAB 58.32, -49.85, 39.15

 

CMYK 48 / 0 / 38 / 9

HEX #79E88F

RGB 121 232 143

HSL 131.89, 0.71%, 0.69%

LAB 83.84, -50.42, 33.72

 

CMYK 49 / 0 / 31 / 9

HEX #77E89F

RGB 119 232 159

HSL 141.24, 0.71%, 0.69%

LAB 84.04, -48.19, 25.82

 

CMYK 49 / 0 / 24 / 9

HEX #77E8B1

RGB 119 232 177

HSL 150.8, 0.71%, 0.69%

LAB 84.39, -44.74, 16.98

 

CMYK 49 / 0 / 16 / 9

HEX #77E8C4

RGB 119 232 196

HSL 160.88, 0.71%, 0.69%

LAB 84.8, -40.72, 7.63

 

CMYK 49 / 0 / 7 / 9

HEX #77E8D7

RGB 119 232 215

HSL 170.97, 0.71%, 0.69%

LAB 85.27, -36.34, -1.68

 

CMYK 48 / 0 / 38 / 9

HEX #79E88F

RGB 121 232 143

HSL 131.89, 0.71%, 0.69%

LAB 83.84, -50.42, 33.72

 

CMYK 46 / 0 / 39 / 89

HEX #0F1C11

RGB 15 28 17

HSL 129.23, 0.3%, 0.08%

LAB 8.76, -8.54, 5.37

 

CMYK 48 / 0 / 38 / 69

HEX #294F31

RGB 41 79 49

HSL 132.63, 0.32%, 0.24%

LAB 30.12, -21.12, 13.62

 

CMYK 48 / 0 / 38 / 49

HEX #448250

RGB 68 130 80

HSL 131.61, 0.31%, 0.39%

LAB 49.22, -31.59, 21.03

 

CMYK 48 / 0 / 38 / 29

HEX #5EB570

RGB 94 181 112

HSL 132.41, 0.37%, 0.54%

LAB 66.97, -41.33, 27.28

 

CMYK 48 / 0 / 38 / 9

HEX #79E88F

RGB 121 232 143

HSL 131.89, 0.71%, 0.69%

LAB 83.84, -50.42, 33.72

 

CMYK 49 / 19 / 0 / 9

HEX #77BDE8

RGB 119 189 232

HSL 202.83, 0.71%, 0.69%

LAB 73.64, -10.52, -28.24

 

CMYK 0 / 49 / 38 / 9

HEX #E87790

RGB 232 119 144

HSL 346.73, 0.71%, 0.69%

LAB 63.64, 46.15, 6.79

 

CMYK 48 / 0 / 38 / 9

HEX #79E88F

RGB 121 232 143

HSL 131.89, 0.71%, 0.69%

LAB 83.84, -50.42, 33.72

 

CMYK 40 / 49 / 0 / 9

HEX #8C77E8

RGB 140 119 232

HSL 251.15, 0.71%, 0.69%

LAB 56.68, 34.48, -54.71

 

CMYK 0 / 40 / 49 / 9

HEX #E88C77

RGB 232 140 119

HSL 11.15, 0.71%, 0.69%

LAB 67.46, 32.79, 26.15

 

CMYK 48 / 0 / 38 / 9

HEX #79E88F

RGB 121 232 143

HSL 131.89, 0.71%, 0.69%

LAB 83.84, -50.42, 33.72

 

CMYK 49 / 19 / 0 / 9

HEX #77BDE8

RGB 119 189 232

HSL 202.83, 0.71%, 0.69%

LAB 73.64, -10.52, -28.24

 

CMYK 0 / 49 / 9 / 9

HEX #E877D3

RGB 232 119 211

HSL 311.15, 0.71%, 0.69%

LAB 65.79, 55.43, -27.96

 

CMYK 0 / 30 / 49 / 9

HEX #E8A277

RGB 232 162 119

HSL 22.83, 0.71%, 0.69%

LAB 72.45, 21.12, 32.7

 

CMYK 48 / 0 / 38 / 9

HEX #79E88F

RGB 121 232 143

HSL 131.89, 0.71%, 0.69%

LAB 83.84, -50.42, 33.72

 

CMYK 49 / 33 / 0 / 9

HEX #779BE8

RGB 119 155 232

HSL 220.88, 0.71%, 0.69%

LAB 64.32, 8.38, -42.72

 

CMYK 0 / 49 / 9 / 9

HEX #E877D3

RGB 232 119 211

HSL 311.15, 0.71%, 0.69%

LAB 65.79, 55.43, -27.96

 

CMYK 0 / 16 / 49 / 9

HEX #E8C477

RGB 232 196 119

HSL 40.88, 0.71%, 0.69%

LAB 80.72, 3.13, 43.2

 

Description

Color code: RGB 121 232 143 | qconv.com Color code: RGB 121 232 143 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 232 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 232 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 38 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 38% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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