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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 221 144 it is the complementary color RGB 134 34 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 221 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 121 221 144: RGB 126 221 139, RGB 143 239 158, RGB 160 255 177, RGB 177 255 196 and RGB 194 255 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 221 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 121 221 144: RGB 121 221 144, RGB 104 203 125, RGB 87 185 106, RGB 70 167 87 and RGB 53 149 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 35 / 13

HEX #79DD90

RGB 121 221 144

HSL 133.8, 0.6%, 0.67%

LAB 80.62, -45.65, 28.94

 

Complementary color

CMYK 0 / 75 / 17 / 47

HEX #86226F

RGB 134 34 111

HSL 313.8, 0.6%, 0.33%

LAB 32.61, 49.87, -21.19

 

CMYK 43 / 0 / 37 / 13

HEX #7EDD8B

RGB 126 221 139

HSL 128.21, 0.58%, 0.68%

LAB 80.75, -45.08, 31.7

 

CMYK 40 / 0 / 34 / 6

HEX #8FEF9E

RGB 143 239 158

HSL 129.38, 0.75%, 0.75%

LAB 87.02, -44.86, 30.52

 

CMYK 37 / 0 / 31 / 0

HEX #A0FFB1

RGB 160 255 177

HSL 130.74, 1%, 0.81%

LAB 92.65, -43.75, 28.64

 

CMYK 31 / 0 / 23 / 0

HEX #B1FFC4

RGB 177 255 196

HSL 134.62, 1%, 0.85%

LAB 93.82, -35.45, 20.74

 

CMYK 24 / 0 / 16 / 0

HEX #C2FFD7

RGB 194 255 215

HSL 140.66, 1%, 0.88%

LAB 95.12, -26.83, 12.97

 

CMYK 45 / 0 / 35 / 13

HEX #79DD90

RGB 121 221 144

HSL 133.8, 0.6%, 0.67%

LAB 80.62, -45.65, 28.94

 

CMYK 49 / 0 / 38 / 20

HEX #68CB7D

RGB 104 203 125

HSL 132.73, 0.49%, 0.6%

LAB 74.28, -45.81, 30.19

 

CMYK 53 / 0 / 43 / 27

HEX #57B96A

RGB 87 185 106

HSL 131.63, 0.41%, 0.53%

LAB 67.85, -45.9, 31.51

 

CMYK 58 / 0 / 48 / 35

HEX #46A757

RGB 70 167 87

HSL 130.52, 0.41%, 0.46%

LAB 61.33, -45.85, 32.91

 

CMYK 64 / 0 / 54 / 42

HEX #359544

RGB 53 149 68

HSL 129.38, 0.48%, 0.4%

LAB 54.73, -45.56, 34.36

 

CMYK 45 / 0 / 35 / 13

HEX #79DD90

RGB 121 221 144

HSL 133.8, 0.6%, 0.67%

LAB 80.62, -45.65, 28.94

 

CMYK 46 / 0 / 28 / 13

HEX #78DD9F

RGB 120 221 159

HSL 143.17, 0.6%, 0.67%

LAB 80.85, -43.22, 21.48

 

CMYK 46 / 0 / 21 / 13

HEX #78DDAF

RGB 120 221 175

HSL 152.67, 0.6%, 0.67%

LAB 81.18, -40.06, 13.54

 

CMYK 46 / 0 / 13 / 13

HEX #78DDC0

RGB 120 221 192

HSL 162.77, 0.6%, 0.67%

LAB 81.57, -36.39, 5.1

 

CMYK 46 / 0 / 5 / 13

HEX #78DDD1

RGB 120 221 209

HSL 172.87, 0.6%, 0.67%

LAB 82.01, -32.42, -3.3

 

CMYK 45 / 0 / 35 / 13

HEX #79DD90

RGB 121 221 144

HSL 133.8, 0.6%, 0.67%

LAB 80.62, -45.65, 28.94

 

CMYK 47 / 0 / 35 / 93

HEX #09110B

RGB 9 17 11

HSL 135, 0.31%, 0.05%

LAB 4.36, -3.51, 1.94

 

CMYK 46 / 0 / 35 / 73

HEX #25442C

RGB 37 68 44

HSL 133.55, 0.3%, 0.21%

LAB 25.89, -17.7, 11.03

 

CMYK 45 / 0 / 34 / 53

HEX #41774E

RGB 65 119 78

HSL 134.44, 0.29%, 0.36%

LAB 45.45, -27.65, 17.11

 

CMYK 45 / 0 / 35 / 33

HEX #5DAA6F

RGB 93 170 111

HSL 134.03, 0.31%, 0.52%

LAB 63.53, -36.93, 23.22

 

CMYK 45 / 0 / 35 / 13

HEX #79DD90

RGB 121 221 144

HSL 133.8, 0.6%, 0.67%

LAB 80.62, -45.65, 28.94

 

CMYK 46 / 19 / 0 / 13

HEX #78B3DD

RGB 120 179 221

HSL 204.95, 0.6%, 0.67%

LAB 70.49, -8, -27.08

 

CMYK 0 / 46 / 38 / 13

HEX #DD788A

RGB 221 120 138

HSL 349.31, 0.6%, 0.67%

LAB 62.2, 41.09, 7.97

 

CMYK 45 / 0 / 35 / 13

HEX #79DD90

RGB 121 221 144

HSL 133.8, 0.6%, 0.67%

LAB 80.62, -45.65, 28.94

 

CMYK 36 / 46 / 0 / 13

HEX #8E78DD

RGB 142 120 221

HSL 253.07, 0.6%, 0.67%

LAB 56.49, 31.43, -48.84

 

CMYK 0 / 36 / 46 / 13

HEX #DD8E78

RGB 221 142 120

HSL 13.07, 0.6%, 0.67%

LAB 66.58, 27.55, 24.18

 

CMYK 45 / 0 / 35 / 13

HEX #79DD90

RGB 121 221 144

HSL 133.8, 0.6%, 0.67%

LAB 80.62, -45.65, 28.94

 

CMYK 46 / 19 / 0 / 13

HEX #78B3DD

RGB 120 179 221

HSL 204.95, 0.6%, 0.67%

LAB 70.49, -8, -27.08

 

CMYK 0 / 46 / 10 / 13

HEX #DD78C7

RGB 221 120 199

HSL 313.07, 0.6%, 0.67%

LAB 64.1, 49.68, -23.94

 

CMYK 0 / 27 / 46 / 13

HEX #DDA278

RGB 221 162 120

HSL 24.95, 0.6%, 0.67%

LAB 71.26, 16.8, 30.39

 

CMYK 45 / 0 / 35 / 13

HEX #79DD90

RGB 121 221 144

HSL 133.8, 0.6%, 0.67%

LAB 80.62, -45.65, 28.94

 

CMYK 46 / 33 / 0 / 13

HEX #7894DD

RGB 120 148 221

HSL 223.37, 0.6%, 0.67%

LAB 61.99, 9.43, -40.27

 

CMYK 0 / 46 / 10 / 13

HEX #DD78C7

RGB 221 120 199

HSL 313.07, 0.6%, 0.67%

LAB 64.1, 49.68, -23.94

 

CMYK 0 / 13 / 46 / 13

HEX #DDC078

RGB 221 192 120

HSL 42.77, 0.6%, 0.67%

LAB 78.71, 0.86, 39.96

 

Description

Color code: RGB 121 221 144 | qconv.com Color code: RGB 121 221 144 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 221 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 221 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 35 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 35% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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