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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 214 238 it is the complementary color RGB 134 41 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 214 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 121 214 238: RGB 126 214 233, RGB 143 232 252, RGB 160 250 255, RGB 177 255 255 and RGB 194 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 214 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 121 214 238: RGB 121 214 238, RGB 104 196 219, RGB 87 178 200, RGB 70 160 181 and RGB 53 142 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 10 / 0 / 7

HEX #79D6EE

RGB 121 214 238

HSL 192.31, 0.77%, 0.7%

LAB 80.92, -21.36, -20.35

 

Complementary color

CMYK 0 / 69 / 87 / 47

HEX #862911

RGB 134 41 17

HSL 12.31, 0.77%, 0.3%

LAB 31.1, 38.6, 36.01

 

CMYK 46 / 8 / 0 / 9

HEX #7ED6E9

RGB 126 214 233

HSL 190.65, 0.71%, 0.7%

LAB 80.97, -21.57, -17.6

 

CMYK 43 / 8 / 0 / 1

HEX #8FE8FC

RGB 143 232 252

HSL 191.01, 0.95%, 0.77%

LAB 87.28, -21.68, -18.05

 

CMYK 37 / 2 / 0 / 0

HEX #A0FAFF

RGB 160 250 255

HSL 183.16, 1%, 0.81%

LAB 93.04, -25.62, -10.91

 

CMYK 31 / 0 / 0 / 0

HEX #B1FFFF

RGB 177 255 255

HSL 180, 1%, 0.85%

LAB 95.2, -23.63, -7.63

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 49 / 10 / 0 / 7

HEX #79D6EE

RGB 121 214 238

HSL 192.31, 0.77%, 0.7%

LAB 80.92, -21.36, -20.35

 

CMYK 53 / 11 / 0 / 14

HEX #68C4DB

RGB 104 196 219

HSL 192, 0.61%, 0.63%

LAB 74.53, -21.12, -19.89

 

CMYK 57 / 11 / 0 / 22

HEX #57B2C8

RGB 87 178 200

HSL 191.68, 0.51%, 0.56%

LAB 68.05, -20.8, -19.41

 

CMYK 61 / 12 / 0 / 29

HEX #46A0B5

RGB 70 160 181

HSL 191.35, 0.44%, 0.49%

LAB 61.46, -20.36, -18.9

 

CMYK 67 / 12 / 0 / 36

HEX #358EA2

RGB 53 142 162

HSL 191.01, 0.51%, 0.42%

LAB 54.77, -19.73, -18.34

 

CMYK 49 / 10 / 0 / 7

HEX #79D6EE

RGB 121 214 238

HSL 192.31, 0.77%, 0.7%

LAB 80.92, -21.36, -20.35

 

CMYK 50 / 18 / 0 / 7

HEX #77C2ED

RGB 119 194 237

HSL 201.86, 0.77%, 0.7%

LAB 75.21, -11.77, -28.52

 

CMYK 50 / 27 / 0 / 7

HEX #77AEED

RGB 119 174 237

HSL 212.03, 0.77%, 0.7%

LAB 69.69, -0.91, -37.06

 

CMYK 50 / 35 / 0 / 7

HEX #779AED

RGB 119 154 237

HSL 222.2, 0.77%, 0.7%

LAB 64.28, 10.46, -45.53

 

CMYK 50 / 43 / 0 / 7

HEX #7787ED

RGB 119 135 237

HSL 231.86, 0.77%, 0.7%

LAB 59.31, 21.61, -53.39

 

CMYK 49 / 10 / 0 / 7

HEX #79D6EE

RGB 121 214 238

HSL 192.31, 0.77%, 0.7%

LAB 80.92, -21.36, -20.35

 

CMYK 50 / 9 / 0 / 87

HEX #111F22

RGB 17 31 34

HSL 190.59, 0.33%, 0.1%

LAB 10.66, -5.01, -3.96

 

CMYK 49 / 11 / 0 / 67

HEX #2B4C55

RGB 43 76 85

HSL 192.86, 0.33%, 0.25%

LAB 30.25, -9.3, -9.1

 

CMYK 49 / 10 / 0 / 47

HEX #457A88

RGB 69 122 136

HSL 192.54, 0.33%, 0.4%

LAB 48.21, -13.61, -13.11

 

CMYK 49 / 10 / 0 / 27

HEX #5FA8BB

RGB 95 168 187

HSL 192.39, 0.4%, 0.55%

LAB 64.98, -17.6, -16.83

 

CMYK 49 / 10 / 0 / 7

HEX #79D6EE

RGB 121 214 238

HSL 192.31, 0.77%, 0.7%

LAB 80.92, -21.36, -20.35

 

CMYK 30 / 50 / 0 / 7

HEX #A677ED

RGB 166 119 237

HSL 263.9, 0.77%, 0.7%

LAB 59.36, 42.26, -53.09

 

CMYK 0 / 10 / 50 / 7

HEX #EDD577

RGB 237 213 119

HSL 47.8, 0.77%, 0.7%

LAB 85.47, -3.61, 49.14

 

CMYK 49 / 10 / 0 / 7

HEX #79D6EE

RGB 121 214 238

HSL 192.31, 0.77%, 0.7%

LAB 80.92, -21.36, -20.35

 

CMYK 0 / 50 / 10 / 7

HEX #ED77D5

RGB 237 119 213

HSL 312.2, 0.77%, 0.7%

LAB 66.52, 57.22, -27.9

 

CMYK 10 / 0 / 50 / 7

HEX #D5ED77

RGB 213 237 119

HSL 72.2, 0.77%, 0.7%

LAB 89.88, -24.97, 54

 

CMYK 49 / 10 / 0 / 7

HEX #79D6EE

RGB 121 214 238

HSL 192.31, 0.77%, 0.7%

LAB 80.92, -21.36, -20.35

 

CMYK 30 / 50 / 0 / 7

HEX #A677ED

RGB 166 119 237

HSL 263.9, 0.77%, 0.7%

LAB 59.36, 42.26, -53.09

 

CMYK 0 / 40 / 50 / 7

HEX #ED8F77

RGB 237 143 119

HSL 12.2, 0.77%, 0.7%

LAB 68.74, 33.14, 27.96

 

CMYK 20 / 0 / 50 / 7

HEX #BEED77

RGB 190 237 119

HSL 83.9, 0.77%, 0.7%

LAB 88.37, -33.62, 51.84

 

CMYK 49 / 10 / 0 / 7

HEX #79D6EE

RGB 121 214 238

HSL 192.31, 0.77%, 0.7%

LAB 80.92, -21.36, -20.35

 

CMYK 15 / 50 / 0 / 7

HEX #CA77ED

RGB 202 119 237

HSL 282.2, 0.77%, 0.7%

LAB 63.23, 51.73, -46.7

 

CMYK 0 / 40 / 50 / 7

HEX #ED8F77

RGB 237 143 119

HSL 12.2, 0.77%, 0.7%

LAB 68.74, 33.14, 27.96

 

CMYK 35 / 0 / 50 / 7

HEX #9AED77

RGB 154 237 119

HSL 102.2, 0.77%, 0.7%

LAB 86.39, -46.12, 48.97

 

Description

Color code: RGB 121 214 238 | qconv.com Color code: RGB 121 214 238 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 214 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 214 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 10 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 10% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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