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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 189 142 it is the complementary color RGB 134 66 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 189 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 121 189 142: RGB 126 189 137, RGB 143 207 156, RGB 160 225 175, RGB 177 243 194 and RGB 194 255 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 189 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 121 189 142: RGB 121 189 142, RGB 104 171 123, RGB 87 153 104, RGB 70 135 85 and RGB 53 117 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 25 / 26

HEX #79BD8E

RGB 121 189 142

HSL 138.53, 0.34%, 0.61%

LAB 71.15, -31.62, 17.09

 

Complementary color

CMYK 0 / 51 / 16 / 47

HEX #864271

RGB 134 66 113

HSL 318.53, 0.34%, 0.39%

LAB 38.12, 35.47, -13.97

 

CMYK 33 / 0 / 28 / 26

HEX #7EBD89

RGB 126 189 137

HSL 130.48, 0.32%, 0.62%

LAB 71.31, -30.98, 20.03

 

CMYK 31 / 0 / 25 / 19

HEX #8FCF9C

RGB 143 207 156

HSL 132.19, 0.4%, 0.69%

LAB 77.8, -30.72, 19

 

CMYK 29 / 0 / 22 / 12

HEX #A0E1AF

RGB 160 225 175

HSL 133.85, 0.52%, 0.75%

LAB 84.18, -30.47, 18.02

 

CMYK 27 / 0 / 20 / 5

HEX #B1F3C2

RGB 177 243 194

HSL 135.45, 0.73%, 0.82%

LAB 90.48, -30.24, 17.1

 

CMYK 24 / 0 / 16 / 0

HEX #C2FFD5

RGB 194 255 213

HSL 138.69, 1%, 0.88%

LAB 95.07, -27.19, 13.94

 

CMYK 36 / 0 / 25 / 26

HEX #79BD8E

RGB 121 189 142

HSL 138.53, 0.34%, 0.61%

LAB 71.15, -31.62, 17.09

 

CMYK 39 / 0 / 28 / 33

HEX #68AB7B

RGB 104 171 123

HSL 137.01, 0.29%, 0.54%

LAB 64.56, -31.9, 18.18

 

CMYK 43 / 0 / 32 / 40

HEX #579968

RGB 87 153 104

HSL 135.45, 0.28%, 0.47%

LAB 57.85, -32.16, 19.35

 

CMYK 48 / 0 / 37 / 47

HEX #468755

RGB 70 135 85

HSL 133.85, 0.32%, 0.4%

LAB 51.02, -32.4, 20.63

 

CMYK 55 / 0 / 44 / 54

HEX #357542

RGB 53 117 66

HSL 132.19, 0.38%, 0.33%

LAB 44.05, -32.53, 22.04

 

CMYK 36 / 0 / 25 / 26

HEX #79BD8E

RGB 121 189 142

HSL 138.53, 0.34%, 0.61%

LAB 71.15, -31.62, 17.09

 

CMYK 36 / 0 / 19 / 26

HEX #79BD99

RGB 121 189 153

HSL 148.24, 0.34%, 0.61%

LAB 71.39, -29.46, 11.47

 

CMYK 36 / 0 / 13 / 26

HEX #79BDA4

RGB 121 189 164

HSL 157.94, 0.34%, 0.61%

LAB 71.65, -27.15, 5.86

 

CMYK 36 / 0 / 7 / 26

HEX #79BDAF

RGB 121 189 175

HSL 167.65, 0.34%, 0.61%

LAB 71.93, -24.7, 0.26

 

CMYK 36 / 0 / 1 / 26

HEX #79BDBB

RGB 121 189 187

HSL 178.24, 0.34%, 0.61%

LAB 72.26, -21.87, -5.81

 

CMYK 36 / 0 / 25 / 26

HEX #79BD8E

RGB 121 189 142

HSL 138.53, 0.34%, 0.61%

LAB 71.15, -31.62, 17.09

 

CMYK 36 / 0 / 25 / 6

HEX #9AF0B4

RGB 154 240 180

HSL 138.14, 0.74%, 0.77%

LAB 88.2, -38.32, 20.97

 

CMYK 36 / 0 / 25 / 86

HEX #17241B

RGB 23 36 27

HSL 138.46, 0.22%, 0.12%

LAB 12.75, -8.1, 4.24

 

CMYK 36 / 0 / 25 / 66

HEX #385741

RGB 56 87 65

HSL 137.42, 0.22%, 0.28%

LAB 34.06, -16.78, 9.22

 

CMYK 36 / 0 / 25 / 46

HEX #588A68

RGB 88 138 104

HSL 139.2, 0.22%, 0.44%

LAB 53.22, -24.55, 12.99

 

CMYK 36 / 0 / 25 / 26

HEX #79BD8E

RGB 121 189 142

HSL 138.53, 0.34%, 0.61%

LAB 71.15, -31.62, 17.09

 

CMYK 36 / 18 / 0 / 26

HEX #799BBD

RGB 121 155 189

HSL 210, 0.34%, 0.61%

LAB 62.66, -3.26, -21.35

 

CMYK 0 / 36 / 32 / 26

HEX #BD7980

RGB 189 121 128

HSL 353.82, 0.34%, 0.61%

LAB 58.09, 27.48, 7.29

 

CMYK 36 / 0 / 25 / 26

HEX #79BD8E

RGB 121 189 142

HSL 138.53, 0.34%, 0.61%

LAB 71.15, -31.62, 17.09

 

CMYK 25 / 36 / 0 / 26

HEX #8E79BD

RGB 142 121 189

HSL 258.53, 0.34%, 0.61%

LAB 55.17, 22.62, -32.78

 

CMYK 0 / 25 / 36 / 26

HEX #BD8E79

RGB 189 142 121

HSL 18.53, 0.34%, 0.61%

LAB 62.97, 14.95, 18.12

 

CMYK 36 / 0 / 25 / 26

HEX #79BD8E

RGB 121 189 142

HSL 138.53, 0.34%, 0.61%

LAB 71.15, -31.62, 17.09

 

CMYK 36 / 18 / 0 / 26

HEX #799BBD

RGB 121 155 189

HSL 210, 0.34%, 0.61%

LAB 62.66, -3.26, -21.35

 

CMYK 0 / 36 / 11 / 26

HEX #BD79A9

RGB 189 121 169

HSL 317.65, 0.34%, 0.61%

LAB 59.3, 33.74, -14.56

 

CMYK 0 / 18 / 36 / 26

HEX #BD9B79

RGB 189 155 121

HSL 30, 0.34%, 0.61%

LAB 66.25, 7.79, 22.58

 

CMYK 36 / 0 / 25 / 26

HEX #79BD8E

RGB 121 189 142

HSL 138.53, 0.34%, 0.61%

LAB 71.15, -31.62, 17.09

 

CMYK 36 / 29 / 0 / 26

HEX #7987BD

RGB 121 135 189

HSL 227.65, 0.34%, 0.61%

LAB 57.14, 8.2, -29.85

 

CMYK 0 / 36 / 11 / 26

HEX #BD79A9

RGB 189 121 169

HSL 317.65, 0.34%, 0.61%

LAB 59.3, 33.74, -14.56

 

CMYK 0 / 7 / 36 / 26

HEX #BDAF79

RGB 189 175 121

HSL 47.65, 0.34%, 0.61%

LAB 71.46, -3.01, 29.53

 

Description

Color code: RGB 121 189 142 | qconv.com Color code: RGB 121 189 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 189 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 189 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 25 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 25% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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