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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 134 166 it is the complementary color RGB 134 121 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 134 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 121 134 166: RGB 126 134 161, RGB 143 152 180, RGB 160 170 199, RGB 177 188 218 and RGB 194 206 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 134 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 121 134 166: RGB 121 134 166, RGB 104 116 147, RGB 87 98 128, RGB 70 80 109 and RGB 53 62 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 19 / 0 / 35

HEX #7986A6

RGB 121 134 166

HSL 222.67, 0.2%, 0.56%

LAB 55.96, 2.74, -18.53

 

Complementary color

CMYK 0 / 10 / 34 / 47

HEX #867959

RGB 134 121 89

HSL 42.67, 0.2%, 0.44%

LAB 51.23, -0.15, 19.4

 

CMYK 22 / 17 / 0 / 37

HEX #7E86A1

RGB 126 134 161

HSL 226.29, 0.16%, 0.56%

LAB 56.15, 3.12, -15.33

 

CMYK 21 / 16 / 0 / 29

HEX #8F98B4

RGB 143 152 180

HSL 225.41, 0.2%, 0.63%

LAB 63, 2.88, -15.64

 

CMYK 20 / 15 / 0 / 22

HEX #A0AAC7

RGB 160 170 199

HSL 224.62, 0.26%, 0.7%

LAB 69.72, 2.65, -15.96

 

CMYK 19 / 14 / 0 / 15

HEX #B1BCDA

RGB 177 188 218

HSL 223.9, 0.36%, 0.77%

LAB 76.3, 2.45, -16.29

 

CMYK 18 / 13 / 0 / 7

HEX #C2CEED

RGB 194 206 237

HSL 223.26, 0.54%, 0.85%

LAB 82.77, 2.25, -16.64

 

CMYK 27 / 19 / 0 / 35

HEX #7986A6

RGB 121 134 166

HSL 222.67, 0.2%, 0.56%

LAB 55.96, 2.74, -18.53

 

CMYK 29 / 21 / 0 / 42

HEX #687493

RGB 104 116 147

HSL 223.26, 0.17%, 0.49%

LAB 48.93, 3.04, -18.31

 

CMYK 32 / 23 / 0 / 50

HEX #576280

RGB 87 98 128

HSL 223.9, 0.19%, 0.42%

LAB 41.72, 3.39, -18.12

 

CMYK 36 / 27 / 0 / 57

HEX #46506D

RGB 70 80 109

HSL 224.62, 0.22%, 0.35%

LAB 34.28, 3.8, -17.99

 

CMYK 41 / 31 / 0 / 65

HEX #353E5A

RGB 53 62 90

HSL 225.41, 0.26%, 0.28%

LAB 26.56, 4.33, -17.92

 

CMYK 27 / 19 / 0 / 35

HEX #7986A6

RGB 121 134 166

HSL 222.67, 0.2%, 0.56%

LAB 55.96, 2.74, -18.53

 

CMYK 27 / 24 / 0 / 35

HEX #787EA5

RGB 120 126 165

HSL 232, 0.2%, 0.56%

LAB 53.63, 6.84, -21.51

 

CMYK 27 / 27 / 0 / 35

HEX #7978A5

RGB 121 120 165

HSL 241.33, 0.2%, 0.56%

LAB 52.08, 10.7, -23.89

 

CMYK 22 / 27 / 0 / 35

HEX #8178A5

RGB 129 120 165

HSL 252, 0.2%, 0.56%

LAB 52.75, 13.26, -22.8

 

CMYK 18 / 27 / 0 / 35

HEX #8878A5

RGB 136 120 165

HSL 261.33, 0.2%, 0.56%

LAB 53.37, 15.54, -21.8

 

CMYK 27 / 19 / 0 / 35

HEX #7986A6

RGB 121 134 166

HSL 222.67, 0.2%, 0.56%

LAB 55.96, 2.74, -18.53

 

CMYK 27 / 19 / 0 / 15

HEX #9EAFD9

RGB 158 175 217

HSL 222.71, 0.44%, 0.74%

LAB 71.51, 3.49, -23.13

 

CMYK 31 / 23 / 0 / 95

HEX #090A0D

RGB 9 10 13

HSL 225, 0.18%, 0.04%

LAB 2.75, 0.19, -1.33

 

CMYK 27 / 19 / 0 / 75

HEX #2F3440

RGB 47 52 64

HSL 222.35, 0.15%, 0.22%

LAB 21.69, 1.07, -8.21

 

CMYK 27 / 19 / 0 / 55

HEX #545D73

RGB 84 93 115

HSL 222.58, 0.16%, 0.39%

LAB 39.5, 1.95, -13.61

 

CMYK 27 / 19 / 0 / 35

HEX #7986A6

RGB 121 134 166

HSL 222.67, 0.2%, 0.56%

LAB 55.96, 2.74, -18.53

 

CMYK 3 / 27 / 0 / 35

HEX #A078A5

RGB 160 120 165

HSL 293.33, 0.2%, 0.56%

LAB 55.71, 23.62, -18.01

 

CMYK 8 / 0 / 27 / 35

HEX #97A578

RGB 151 165 120

HSL 78.67, 0.2%, 0.56%

LAB 65.63, -12.9, 21.74

 

CMYK 27 / 19 / 0 / 35

HEX #7986A6

RGB 121 134 166

HSL 222.67, 0.2%, 0.56%

LAB 55.96, 2.74, -18.53

 

CMYK 0 / 27 / 19 / 35

HEX #A57885

RGB 165 120 133

HSL 342.67, 0.2%, 0.56%

LAB 55.2, 19.6, -0.13

 

CMYK 19 / 0 / 27 / 35

HEX #85A578

RGB 133 165 120

HSL 102.67, 0.2%, 0.56%

LAB 64.37, -19.68, 19.81

 

CMYK 27 / 19 / 0 / 35

HEX #7986A6

RGB 121 134 166

HSL 222.67, 0.2%, 0.56%

LAB 55.96, 2.74, -18.53

 

CMYK 3 / 27 / 0 / 35

HEX #A078A5

RGB 160 120 165

HSL 293.33, 0.2%, 0.56%

LAB 55.71, 23.62, -18.01

 

CMYK 0 / 8 / 27 / 35

HEX #A59778

RGB 165 151 120

HSL 41.33, 0.2%, 0.56%

LAB 62.92, 0.17, 18.23

 

CMYK 25 / 0 / 27 / 35

HEX #7CA578

RGB 124 165 120

HSL 114.67, 0.2%, 0.56%

LAB 63.8, -22.92, 18.94

 

CMYK 27 / 19 / 0 / 35

HEX #7986A6

RGB 121 134 166

HSL 222.67, 0.2%, 0.56%

LAB 55.96, 2.74, -18.53

 

CMYK 0 / 27 / 5 / 35

HEX #A5789C

RGB 165 120 156

HSL 312, 0.2%, 0.56%

LAB 55.92, 23.62, -12.43

 

CMYK 0 / 8 / 27 / 35

HEX #A59778

RGB 165 151 120

HSL 41.33, 0.2%, 0.56%

LAB 62.92, 0.17, 18.23

 

CMYK 27 / 0 / 22 / 35

HEX #78A581

RGB 120 165 129

HSL 132, 0.2%, 0.56%

LAB 63.74, -22.67, 13.87

 

Description

Color code: RGB 121 134 166 | qconv.com Color code: RGB 121 134 166 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 134 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 134 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 19 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 19% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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