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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 133 149 it is the complementary color RGB 134 122 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 133 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 121 133 149: RGB 126 133 144, RGB 143 151 163, RGB 160 169 182, RGB 177 187 201 and RGB 194 205 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 133 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 121 133 149: RGB 121 133 149, RGB 104 115 130, RGB 87 97 111, RGB 70 79 92 and RGB 53 61 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 11 / 0 / 42

HEX #798595

RGB 121 133 149

HSL 214.29, 0.12%, 0.53%

LAB 55.08, -0.81, -10.04

 

Complementary color

CMYK 0 / 9 / 21 / 47

HEX #867A6A

RGB 134 122 106

HSL 34.29, 0.12%, 0.47%

LAB 51.87, 1.82, 10.43

 

CMYK 13 / 8 / 0 / 44

HEX #7E8590

RGB 126 133 144

HSL 216.67, 0.08%, 0.53%

LAB 55.3, -0.22, -6.78

 

CMYK 12 / 7 / 0 / 36

HEX #8F97A3

RGB 143 151 163

HSL 216, 0.1%, 0.6%

LAB 62.18, -0.37, -7.28

 

CMYK 12 / 7 / 0 / 29

HEX #A0A9B6

RGB 160 169 182

HSL 215.45, 0.13%, 0.67%

LAB 68.92, -0.51, -7.76

 

CMYK 12 / 7 / 0 / 21

HEX #B1BBC9

RGB 177 187 201

HSL 215, 0.18%, 0.74%

LAB 75.52, -0.64, -8.24

 

CMYK 12 / 7 / 0 / 14

HEX #C2CDDC

RGB 194 205 220

HSL 214.62, 0.27%, 0.81%

LAB 82, -0.78, -8.71

 

CMYK 19 / 11 / 0 / 42

HEX #798595

RGB 121 133 149

HSL 214.29, 0.12%, 0.53%

LAB 55.08, -0.81, -10.04

 

CMYK 20 / 12 / 0 / 49

HEX #687382

RGB 104 115 130

HSL 214.62, 0.11%, 0.46%

LAB 48.03, -0.66, -9.62

 

CMYK 22 / 13 / 0 / 56

HEX #57616F

RGB 87 97 111

HSL 215, 0.12%, 0.39%

LAB 40.77, -0.5, -9.21

 

CMYK 24 / 14 / 0 / 64

HEX #464F5C

RGB 70 79 92

HSL 215.45, 0.14%, 0.32%

LAB 33.28, -0.33, -8.81

 

CMYK 27 / 16 / 0 / 71

HEX #353D49

RGB 53 61 73

HSL 216, 0.16%, 0.25%

LAB 25.49, -0.13, -8.43

 

CMYK 19 / 11 / 0 / 42

HEX #798595

RGB 121 133 149

HSL 214.29, 0.12%, 0.53%

LAB 55.08, -0.81, -10.04

 

CMYK 19 / 14 / 0 / 42

HEX #788095

RGB 120 128 149

HSL 223.45, 0.12%, 0.53%

LAB 53.6, 1.74, -12.28

 

CMYK 19 / 17 / 0 / 42

HEX #787B95

RGB 120 123 149

HSL 233.79, 0.12%, 0.53%

LAB 52.21, 4.65, -14.38

 

CMYK 18 / 19 / 0 / 42

HEX #7A7895

RGB 122 120 149

HSL 244.14, 0.12%, 0.53%

LAB 51.54, 7.09, -15.38

 

CMYK 15 / 19 / 0 / 42

HEX #7F7895

RGB 127 120 149

HSL 254.48, 0.12%, 0.53%

LAB 51.97, 8.8, -14.69

 

CMYK 19 / 11 / 0 / 42

HEX #798595

RGB 121 133 149

HSL 214.29, 0.12%, 0.53%

LAB 55.08, -0.81, -10.04

 

CMYK 19 / 11 / 0 / 22

HEX #A2B3C8

RGB 162 179 200

HSL 213.16, 0.26%, 0.71%

LAB 72.29, -1.4, -12.62

 

CMYK 19 / 11 / 0 / 2

HEX #CCE0FB

RGB 204 224 251

HSL 214.47, 0.85%, 0.89%

LAB 88.5, -1.13, -15.35

 

CMYK 19 / 11 / 0 / 82

HEX #262A2F

RGB 38 42 47

HSL 213.33, 0.11%, 0.17%

LAB 16.86, -0.44, -3.85

 

CMYK 18 / 11 / 0 / 62

HEX #505762

RGB 80 87 98

HSL 216.67, 0.1%, 0.35%

LAB 36.75, -0.14, -7.28

 

CMYK 19 / 11 / 0 / 42

HEX #798595

RGB 121 133 149

HSL 214.29, 0.12%, 0.53%

LAB 55.08, -0.81, -10.04

 

CMYK 5 / 19 / 0 / 42

HEX #8E7895

RGB 142 120 149

HSL 285.52, 0.12%, 0.53%

LAB 53.33, 14.06, -12.49

 

CMYK 3 / 0 / 19 / 42

HEX #909578

RGB 144 149 120

HSL 70.34, 0.12%, 0.53%

LAB 60.59, -7.05, 14.74

 

CMYK 19 / 11 / 0 / 42

HEX #798595

RGB 121 133 149

HSL 214.29, 0.12%, 0.53%

LAB 55.08, -0.81, -10.04

 

CMYK 0 / 19 / 11 / 42

HEX #957885

RGB 149 120 133

HSL 333.1, 0.12%, 0.53%

LAB 53.51, 13.52, -2.81

 

CMYK 11 / 0 / 19 / 42

HEX #859578

RGB 133 149 120

HSL 93.1, 0.12%, 0.53%

LAB 59.74, -11.28, 13.43

 

CMYK 19 / 11 / 0 / 42

HEX #798595

RGB 121 133 149

HSL 214.29, 0.12%, 0.53%

LAB 55.08, -0.81, -10.04

 

CMYK 5 / 19 / 0 / 42

HEX #8E7895

RGB 142 120 149

HSL 285.52, 0.12%, 0.53%

LAB 53.33, 14.06, -12.49

 

CMYK 0 / 8 / 19 / 42

HEX #958978

RGB 149 137 120

HSL 35.17, 0.12%, 0.53%

LAB 57.69, 1.57, 10.74

 

CMYK 15 / 0 / 19 / 42

HEX #7F9578

RGB 127 149 120

HSL 105.52, 0.12%, 0.53%

LAB 59.31, -13.53, 12.76

 

CMYK 19 / 11 / 0 / 42

HEX #798595

RGB 121 133 149

HSL 214.29, 0.12%, 0.53%

LAB 55.08, -0.81, -10.04

 

CMYK 0 / 19 / 1 / 42

HEX #957893

RGB 149 120 147

HSL 304.14, 0.12%, 0.53%

LAB 53.95, 16.16, -10.33

 

CMYK 0 / 8 / 19 / 42

HEX #958978

RGB 149 137 120

HSL 35.17, 0.12%, 0.53%

LAB 57.69, 1.57, 10.74

 

CMYK 19 / 0 / 18 / 42

HEX #78957A

RGB 120 149 122

HSL 124.14, 0.12%, 0.53%

LAB 58.88, -15.72, 10.95

 

Description

Color code: RGB 121 133 149 | qconv.com Color code: RGB 121 133 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 133 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 133 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 11 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 11% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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