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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 109 96 it is the complementary color RGB 134 146 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 109 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 121 109 96: RGB 126 109 91, RGB 143 127 110, RGB 160 145 129, RGB 177 163 148 and RGB 194 181 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 109 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 121 109 96: RGB 121 109 96, RGB 104 91 77, RGB 87 73 58, RGB 70 55 39 and RGB 53 37 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 21 / 53

HEX #796D60

RGB 121 109 96

HSL 31.2, 0.12%, 0.43%

LAB 46.77, 2.39, 8.97

 

Complementary color

CMYK 16 / 8 / 0 / 38

HEX #86929F

RGB 134 146 159

HSL 211.2, 0.12%, 0.57%

LAB 60.01, -1.51, -8.32

 

CMYK 0 / 13 / 28 / 51

HEX #7E6D5B

RGB 126 109 91

HSL 30.86, 0.16%, 0.43%

LAB 47.14, 3.69, 12.53

 

CMYK 0 / 11 / 23 / 44

HEX #8F7F6E

RGB 143 127 110

HSL 30.91, 0.13%, 0.5%

LAB 54.18, 3.24, 11.48

 

CMYK 0 / 9 / 19 / 37

HEX #A09181

RGB 160 145 129

HSL 30.97, 0.14%, 0.57%

LAB 61.05, 2.87, 10.51

 

CMYK 0 / 8 / 16 / 31

HEX #B1A394

RGB 177 163 148

HSL 31.03, 0.16%, 0.64%

LAB 67.78, 2.54, 9.62

 

CMYK 0 / 7 / 14 / 24

HEX #C2B5A7

RGB 194 181 167

HSL 31.11, 0.18%, 0.71%

LAB 74.39, 2.25, 8.79

 

CMYK 0 / 10 / 21 / 53

HEX #796D60

RGB 121 109 96

HSL 31.2, 0.12%, 0.43%

LAB 46.77, 2.39, 8.97

 

CMYK 0 / 13 / 26 / 59

HEX #685B4D

RGB 104 91 77

HSL 31.11, 0.15%, 0.35%

LAB 39.51, 2.81, 10.01

 

CMYK 0 / 16 / 33 / 66

HEX #57493A

RGB 87 73 58

HSL 31.03, 0.2%, 0.28%

LAB 32.03, 3.34, 11.18

 

CMYK 0 / 21 / 44 / 73

HEX #463727

RGB 70 55 39

HSL 30.97, 0.28%, 0.21%

LAB 24.26, 4.04, 12.56

 

CMYK 0 / 30 / 62 / 79

HEX #352514

RGB 53 37 20

HSL 30.91, 0.45%, 0.14%

LAB 16.16, 5.08, 14.21

 

CMYK 0 / 10 / 21 / 53

HEX #796D60

RGB 121 109 96

HSL 31.2, 0.12%, 0.43%

LAB 46.77, 2.39, 8.97

 

CMYK 0 / 7 / 21 / 52

HEX #7A7260

RGB 122 114 96

HSL 41.54, 0.12%, 0.43%

LAB 48.28, -0.11, 11.1

 

CMYK 0 / 3 / 21 / 52

HEX #7A7660

RGB 122 118 96

HSL 50.77, 0.12%, 0.43%

LAB 49.42, -2.42, 12.69

 

CMYK 0 / 0 / 21 / 52

HEX #7A7A60

RGB 122 122 96

HSL 60, 0.12%, 0.43%

LAB 50.57, -4.7, 14.28

 

CMYK 4 / 0 / 21 / 52

HEX #757A60

RGB 117 122 96

HSL 71.54, 0.12%, 0.43%

LAB 50.15, -6.74, 13.64

 

CMYK 0 / 10 / 21 / 53

HEX #796D60

RGB 121 109 96

HSL 31.2, 0.12%, 0.43%

LAB 46.77, 2.39, 8.97

 

CMYK 0 / 10 / 21 / 33

HEX #AC9B88

RGB 172 155 136

HSL 31.67, 0.18%, 0.6%

LAB 64.96, 3.11, 12.24

 

CMYK 0 / 10 / 21 / 13

HEX #DFC9B1

RGB 223 201 177

HSL 31.3, 0.42%, 0.78%

LAB 82.18, 3.93, 14.8

 

CMYK 0 / 11 / 21 / 93

HEX #13110F

RGB 19 17 15

HSL 30, 0.12%, 0.07%

LAB 5.18, 0.4, 1.31

 

CMYK 0 / 10 / 20 / 73

HEX #463F38

RGB 70 63 56

HSL 30, 0.11%, 0.25%

LAB 27.14, 1.62, 5.38

 

CMYK 0 / 10 / 21 / 53

HEX #796D60

RGB 121 109 96

HSL 31.2, 0.12%, 0.43%

LAB 46.77, 2.39, 8.97

 

CMYK 16 / 0 / 21 / 52

HEX #677A60

RGB 103 122 96

HSL 103.85, 0.12%, 0.43%

LAB 49.07, -12.28, 11.96

 

CMYK 19 / 21 / 0 / 52

HEX #63607A

RGB 99 96 122

HSL 246.92, 0.12%, 0.43%

LAB 41.88, 7.07, -14.15

 

CMYK 0 / 10 / 21 / 53

HEX #796D60

RGB 121 109 96

HSL 31.2, 0.12%, 0.43%

LAB 46.77, 2.39, 8.97

 

CMYK 21 / 0 / 10 / 52

HEX #607A6E

RGB 96 122 110

HSL 152.31, 0.12%, 0.43%

LAB 48.92, -12.08, 3.47

 

CMYK 10 / 21 / 0 / 52

HEX #6E607A

RGB 110 96 122

HSL 272.31, 0.12%, 0.43%

LAB 42.89, 11, -12.52

 

CMYK 0 / 10 / 21 / 53

HEX #796D60

RGB 121 109 96

HSL 31.2, 0.12%, 0.43%

LAB 46.77, 2.39, 8.97

 

CMYK 16 / 0 / 21 / 52

HEX #677A60

RGB 103 122 96

HSL 103.85, 0.12%, 0.43%

LAB 49.07, -12.28, 11.96

 

CMYK 21 / 11 / 0 / 52

HEX #606D7A

RGB 96 109 122

HSL 210, 0.12%, 0.43%

LAB 45.4, -1.82, -8.86

 

CMYK 6 / 21 / 0 / 52

HEX #73607A

RGB 115 96 122

HSL 283.85, 0.12%, 0.43%

LAB 43.38, 12.83, -11.73

 

CMYK 0 / 10 / 21 / 53

HEX #796D60

RGB 121 109 96

HSL 31.2, 0.12%, 0.43%

LAB 46.77, 2.39, 8.97

 

CMYK 21 / 0 / 21 / 52

HEX #607A60

RGB 96 122 96

HSL 120, 0.12%, 0.43%

LAB 48.57, -14.94, 11.2

 

CMYK 21 / 11 / 0 / 52

HEX #606D7A

RGB 96 109 122

HSL 210, 0.12%, 0.43%

LAB 45.4, -1.82, -8.86

 

CMYK 0 / 21 / 0 / 52

HEX #7A607A

RGB 122 96 122

HSL 300, 0.12%, 0.43%

LAB 44.1, 15.41, -10.57

 

Description

Color code: RGB 121 109 96 | qconv.com Color code: RGB 121 109 96 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 109 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 109 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 21 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 21% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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