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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 108 66 it is the complementary color RGB 134 147 189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 108 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 121 108 66: RGB 126 108 61, RGB 143 126 80, RGB 160 144 99, RGB 177 162 118 and RGB 194 180 137

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 108 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 121 108 66: RGB 121 108 66, RGB 104 90 47, RGB 87 72 28, RGB 70 54 9 and RGB 53 36 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 45 / 53

HEX #796C42

RGB 121 108 66

HSL 45.82, 0.29%, 0.37%

LAB 45.88, -1.24, 25.32

 

Complementary color

CMYK 29 / 22 / 0 / 26

HEX #8693BD

RGB 134 147 189

HSL 225.82, 0.29%, 0.63%

LAB 61.32, 5.08, -23.33

 

CMYK 0 / 14 / 52 / 51

HEX #7E6C3D

RGB 126 108 61

HSL 43.38, 0.35%, 0.37%

LAB 46.31, 0.48, 28.76

 

CMYK 0 / 12 / 44 / 44

HEX #8F7E50

RGB 143 126 80

HSL 43.81, 0.28%, 0.44%

LAB 53.32, -0.23, 27.39

 

CMYK 0 / 10 / 38 / 37

HEX #A09063

RGB 160 144 99

HSL 44.26, 0.24%, 0.51%

LAB 60.18, -0.8, 26.1

 

CMYK 0 / 8 / 33 / 31

HEX #B1A276

RGB 177 162 118

HSL 44.75, 0.27%, 0.58%

LAB 66.9, -1.26, 24.9

 

CMYK 0 / 7 / 29 / 24

HEX #C2B489

RGB 194 180 137

HSL 45.26, 0.32%, 0.65%

LAB 73.49, -1.65, 23.78

 

CMYK 0 / 11 / 45 / 53

HEX #796C42

RGB 121 108 66

HSL 45.82, 0.29%, 0.37%

LAB 45.88, -1.24, 25.32

 

CMYK 0 / 13 / 55 / 59

HEX #685A2F

RGB 104 90 47

HSL 45.26, 0.38%, 0.3%

LAB 38.66, -0.51, 26.73

 

CMYK 0 / 17 / 68 / 66

HEX #57481C

RGB 87 72 28

HSL 44.75, 0.51%, 0.23%

LAB 31.22, 0.49, 28.12

 

CMYK 0 / 23 / 87 / 73

HEX #463609

RGB 70 54 9

HSL 44.26, 0.77%, 0.15%

LAB 23.54, 1.94, 28.89

 

CMYK 0 / 32 / 100 / 79

HEX #352400

RGB 53 36 0

HSL 40.75, 1%, 0.1%

LAB 15.58, 4.14, 22.88

 

CMYK 0 / 11 / 45 / 53

HEX #796C42

RGB 121 108 66

HSL 45.82, 0.29%, 0.37%

LAB 45.88, -1.24, 25.32

 

CMYK 0 / 3 / 45 / 53

HEX #797542

RGB 121 117 66

HSL 55.64, 0.29%, 0.37%

LAB 48.49, -6.39, 28.59

 

CMYK 3 / 0 / 45 / 53

HEX #757942

RGB 117 121 66

HSL 64.36, 0.29%, 0.37%

LAB 49.31, -10.38, 29.54

 

CMYK 11 / 0 / 45 / 53

HEX #6C7942

RGB 108 121 66

HSL 74.18, 0.29%, 0.37%

LAB 48.58, -14.28, 28.47

 

CMYK 19 / 0 / 45 / 53

HEX #627942

RGB 98 121 66

HSL 85.09, 0.29%, 0.37%

LAB 47.83, -18.48, 27.38

 

CMYK 0 / 11 / 45 / 53

HEX #796C42

RGB 121 108 66

HSL 45.82, 0.29%, 0.37%

LAB 45.88, -1.24, 25.32

 

CMYK 0 / 10 / 45 / 33

HEX #AC9A5E

RGB 172 154 94

HSL 46.15, 0.32%, 0.52%

LAB 63.91, -1.79, 33.83

 

CMYK 0 / 11 / 45 / 13

HEX #DFC77A

RGB 223 199 122

HSL 45.74, 0.61%, 0.68%

LAB 80.71, -1.78, 41.5

 

CMYK 0 / 11 / 47 / 93

HEX #13110A

RGB 19 17 10

HSL 46.67, 0.31%, 0.06%

LAB 5.07, -0.4, 3.48

 

CMYK 0 / 11 / 46 / 73

HEX #463E26

RGB 70 62 38

HSL 45, 0.3%, 0.21%

LAB 26.41, -0.62, 16.02

 

CMYK 0 / 11 / 45 / 53

HEX #796C42

RGB 121 108 66

HSL 45.82, 0.29%, 0.37%

LAB 45.88, -1.24, 25.32

 

CMYK 43 / 0 / 45 / 53

HEX #457942

RGB 69 121 66

HSL 116.73, 0.29%, 0.37%

LAB 46.09, -29.43, 24.8

 

CMYK 29 / 45 / 0 / 53

HEX #564279

RGB 86 66 121

HSL 261.82, 0.29%, 0.37%

LAB 32.38, 21.34, -28.35

 

CMYK 0 / 11 / 45 / 53

HEX #796C42

RGB 121 108 66

HSL 45.82, 0.29%, 0.37%

LAB 45.88, -1.24, 25.32

 

CMYK 45 / 0 / 11 / 53

HEX #42796C

RGB 66 121 108

HSL 165.82, 0.29%, 0.37%

LAB 46.86, -21.6, 1.46

 

CMYK 11 / 45 / 0 / 53

HEX #6C4279

RGB 108 66 121

HSL 285.82, 0.29%, 0.37%

LAB 34.93, 28.36, -24.17

 

CMYK 0 / 11 / 45 / 53

HEX #796C42

RGB 121 108 66

HSL 45.82, 0.29%, 0.37%

LAB 45.88, -1.24, 25.32

 

CMYK 43 / 0 / 45 / 53

HEX #457942

RGB 69 121 66

HSL 116.73, 0.29%, 0.37%

LAB 46.09, -29.43, 24.8

 

CMYK 45 / 34 / 0 / 53

HEX #425079

RGB 66 80 121

HSL 224.73, 0.29%, 0.37%

LAB 34.55, 6.28, -25.06

 

CMYK 2 / 45 / 0 / 53

HEX #764279

RGB 118 66 121

HSL 296.73, 0.29%, 0.37%

LAB 36.23, 31.63, -22.05

 

CMYK 0 / 11 / 45 / 53

HEX #796C42

RGB 121 108 66

HSL 45.82, 0.29%, 0.37%

LAB 45.88, -1.24, 25.32

 

CMYK 45 / 0 / 34 / 53

HEX #427950

RGB 66 121 80

HSL 135.27, 0.29%, 0.37%

LAB 46.19, -27.92, 16.97

 

CMYK 45 / 34 / 0 / 53

HEX #425079

RGB 66 80 121

HSL 224.73, 0.29%, 0.37%

LAB 34.55, 6.28, -25.06

 

CMYK 0 / 45 / 11 / 53

HEX #79426C

RGB 121 66 108

HSL 314.18, 0.29%, 0.37%

LAB 36.07, 30.11, -14.14

 

Description

Color code: RGB 121 108 66 | qconv.com Color code: RGB 121 108 66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 108 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 108 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 45 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 45% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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