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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 103 181 it is the complementary color RGB 134 152 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 103 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 121 103 181: RGB 126 103 176, RGB 143 121 195, RGB 160 139 214, RGB 177 157 233 and RGB 194 175 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 103 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 121 103 181: RGB 121 103 181, RGB 104 85 162, RGB 87 67 143, RGB 70 49 124 and RGB 53 31 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 43 / 0 / 29

HEX #7967B5

RGB 121 103 181

HSL 253.85, 0.35%, 0.56%

LAB 48.39, 25.1, -38.96

 

Complementary color

CMYK 12 / 0 / 51 / 40

HEX #86984A

RGB 134 152 74

HSL 73.85, 0.35%, 0.44%

LAB 59.91, -18.82, 38.55

 

CMYK 28 / 41 / 0 / 31

HEX #7E67B0

RGB 126 103 176

HSL 258.9, 0.32%, 0.55%

LAB 48.6, 25.22, -35.68

 

CMYK 27 / 38 / 0 / 24

HEX #8F79C3

RGB 143 121 195

HSL 257.84, 0.38%, 0.62%

LAB 55.54, 24.4, -35.63

 

CMYK 25 / 35 / 0 / 16

HEX #A08BD6

RGB 160 139 214

HSL 256.8, 0.48%, 0.69%

LAB 62.33, 23.68, -35.62

 

CMYK 24 / 33 / 0 / 9

HEX #B19DE9

RGB 177 157 233

HSL 255.79, 0.63%, 0.76%

LAB 69, 23.02, -35.65

 

CMYK 23 / 31 / 0 / 1

HEX #C2AFFC

RGB 194 175 252

HSL 254.81, 0.93%, 0.84%

LAB 75.55, 22.42, -35.7

 

CMYK 33 / 43 / 0 / 29

HEX #7967B5

RGB 121 103 181

HSL 253.85, 0.35%, 0.56%

LAB 48.39, 25.1, -38.96

 

CMYK 36 / 48 / 0 / 36

HEX #6855A2

RGB 104 85 162

HSL 254.81, 0.31%, 0.48%

LAB 41.29, 26.09, -39.12

 

CMYK 39 / 53 / 0 / 44

HEX #57438F

RGB 87 67 143

HSL 255.79, 0.36%, 0.41%

LAB 34.03, 27.23, -39.33

 

CMYK 44 / 60 / 0 / 51

HEX #46317C

RGB 70 49 124

HSL 256.8, 0.43%, 0.34%

LAB 26.6, 28.53, -39.55

 

CMYK 50 / 70 / 0 / 59

HEX #351F69

RGB 53 31 105

HSL 257.84, 0.54%, 0.27%

LAB 19.04, 29.94, -39.7

 

CMYK 33 / 43 / 0 / 29

HEX #7967B5

RGB 121 103 181

HSL 253.85, 0.35%, 0.56%

LAB 48.39, 25.1, -38.96

 

CMYK 27 / 43 / 0 / 29

HEX #8567B6

RGB 133 103 182

HSL 262.78, 0.35%, 0.56%

LAB 49.57, 28.78, -37.59

 

CMYK 20 / 43 / 0 / 29

HEX #9267B6

RGB 146 103 182

HSL 272.66, 0.35%, 0.56%

LAB 50.91, 32.6, -35.4

 

CMYK 13 / 43 / 0 / 29

HEX #9F67B6

RGB 159 103 182

HSL 282.53, 0.35%, 0.56%

LAB 52.34, 36.5, -33.05

 

CMYK 5 / 43 / 0 / 29

HEX #AC67B6

RGB 172 103 182

HSL 292.41, 0.35%, 0.56%

LAB 53.87, 40.44, -30.56

 

CMYK 33 / 43 / 0 / 29

HEX #7967B5

RGB 121 103 181

HSL 253.85, 0.35%, 0.56%

LAB 48.39, 25.1, -38.96

 

CMYK 33 / 43 / 0 / 9

HEX #9B84E8

RGB 155 132 232

HSL 253.8, 0.68%, 0.71%

LAB 61.04, 30.8, -47.7

 

CMYK 32 / 43 / 0 / 89

HEX #13101C

RGB 19 16 28

HSL 255, 0.27%, 0.09%

LAB 5.36, 4.09, -7.42

 

CMYK 33 / 43 / 0 / 69

HEX #352D4F

RGB 53 45 79

HSL 254.12, 0.27%, 0.24%

LAB 20.82, 12.53, -19.63

 

CMYK 33 / 43 / 0 / 49

HEX #574A82

RGB 87 74 130

HSL 253.93, 0.27%, 0.4%

LAB 35.07, 19.07, -29.69

 

CMYK 33 / 43 / 0 / 29

HEX #7967B5

RGB 121 103 181

HSL 253.85, 0.35%, 0.56%

LAB 48.39, 25.1, -38.96

 

CMYK 0 / 43 / 18 / 29

HEX #B66795

RGB 182 103 149

HSL 325.06, 0.35%, 0.56%

LAB 53.83, 37.79, -11.3

 

CMYK 36 / 0 / 43 / 29

HEX #75B667

RGB 117 182 103

HSL 109.37, 0.35%, 0.56%

LAB 68.18, -36.15, 33.75

 

CMYK 33 / 43 / 0 / 29

HEX #7967B5

RGB 121 103 181

HSL 253.85, 0.35%, 0.56%

LAB 48.39, 25.1, -38.96

 

CMYK 0 / 34 / 43 / 29

HEX #B67867

RGB 182 120 103

HSL 12.91, 0.35%, 0.56%

LAB 56.44, 22.23, 19.29

 

CMYK 43 / 0 / 34 / 29

HEX #67B678

RGB 103 182 120

HSL 132.91, 0.35%, 0.56%

LAB 67.8, -37.82, 24.18

 

CMYK 33 / 43 / 0 / 29

HEX #7967B5

RGB 121 103 181

HSL 253.85, 0.35%, 0.56%

LAB 48.39, 25.1, -38.96

 

CMYK 0 / 43 / 18 / 29

HEX #B66795

RGB 182 103 149

HSL 325.06, 0.35%, 0.56%

LAB 53.83, 37.79, -11.3

 

CMYK 9 / 0 / 43 / 29

HEX #A5B667

RGB 165 182 103

HSL 72.91, 0.35%, 0.56%

LAB 71.17, -18.4, 38.15

 

CMYK 43 / 0 / 25 / 29

HEX #67B688

RGB 103 182 136

HSL 145.06, 0.35%, 0.56%

LAB 68.11, -34.8, 15.98

 

CMYK 33 / 43 / 0 / 29

HEX #7967B5

RGB 121 103 181

HSL 253.85, 0.35%, 0.56%

LAB 48.39, 25.1, -38.96

 

CMYK 0 / 43 / 31 / 29

HEX #B6677D

RGB 182 103 125

HSL 343.29, 0.35%, 0.56%

LAB 53.09, 34.28, 1.74

 

CMYK 9 / 0 / 43 / 29

HEX #A5B667

RGB 165 182 103

HSL 72.91, 0.35%, 0.56%

LAB 71.17, -18.4, 38.15

 

CMYK 43 / 0 / 13 / 29

HEX #67B69F

RGB 103 182 159

HSL 162.53, 0.35%, 0.56%

LAB 68.64, -29.84, 4.14

 

Description

Color code: RGB 121 103 181 | qconv.com Color code: RGB 121 103 181 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 103 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 103 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 43 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 43% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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